A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

"A biography of Marie Curie, the physicist and chemist who was the first woman to win the Nobel Prize."--

Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career--redefining the very nature of her art--to her amazing (and highly public) romantic life, to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I and toured America for the ninth time. Though the Bernhardt literature is vast, this is the first English-language biography to appear in decades, tracking the trajectory through which an illegitimate--and scandalous--daughter of a Jewish courtesan transformed herself into the most famous actress who ever lived, and into a national icon, a symbol of France.--From publisher description.

"The long-awaited final volume in the acclaimed Penguin translation of Marcel Proust's In Search of Lost Time-one of the world's most beloved works of literature. "The greatest literary work of the twentieth century."-The New York Times. Ian Patterson's acclaimed new translation of Finding Time Again introduces a new generation of American readers to the literary riches of Marcel Proust. The seventh and final volume in Penguin Classics' superb new edition of In Search of Lost Time-the first completely new translation of Proust's masterpiece since the 1920s-brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In Finding Time Again, Marcel discovers his world destroyed by war and those he knew transformed by the march of time. An exquisite picture of France in the throes of the First World War, and containing, in the "Bal des têtes" sequence, one of Proust's most devastating set-pieces, Finding Time Again triumphantly describes the paradox of facing mortality yet overcoming it through the act of writing. As Marcel rediscovers his vocation, he realizes that he can live on by writing down the story of his own memories and of his quest to recapture the past"--

Written in alternating chapters, W or the Memory of Childhood , tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.

90 classic titles celebrating 90 years of Penguin Books 'Why should I bother to invent things? My life has been far more exciting and wonderful than any fairy-tale' In the heart of the English countryside, surrounded by irritatingly polite relatives and hopeless sycophants, Lady L. is celebrating her eightieth birthday. But as the guests disperse, she feels the undeniable pull of a mysterious pavilion in the lush grounds, and the terrible secret she buried there many years ago . . .

French Dressing looks at the ancien régime's scenarios of libertine seduction--unsafe sex and its consequences for women's lives. It places the gender performances of male and female-authored novels in dialogue in order to recover the complexity of a century obsessed, as we are today, with writing and living plots of desire. French Dressing exposes the erotic anxieties behind a national culture of sexual self-display--French undressing.

"Eric Hazan follows in Balzac's footsteps, criss-crossing the city in the novelist's outsize boots, running between printers, publishers, coffee merchants, mistresses and friends, stopping for a moment, struck by a detail that would be fixed in Balzac's photographic memory. More than a tour of the city, this is an attempt to measure the soul of a city as recovered in its finest literature"--

WINNER OF THE NOBEL PRIZE IN LITERATURE, 2014 Haunted by the fate of Dora Bruder - a fifteen-year-old girl listed as missing in an old December 1941 issue of Paris Soir - Nobel Prize-winning author Patrick Modiano sets out to find all he can about her. From her name on a list of deportees to Auschwitz to the fragments he is able to uncover about the Bruder family, Modiano delivers a moving survey of a decade-long investigation that revived for him the sights, sounds and sorrowful rhythms of occupied Paris. And in seeking to exhume Dora Bruder's fate, he in turn faces his own family history. Translated by Joanna Kilmartin 'Absolutely magnificent' Le Monde

Meet Alice Guy-Blaché. She made movies--some of the very first movies, and some of the most exciting! Blow up a pirate ship? Why not? Crawl into a tiger's cage? Of course! Leap off a bridge onto a real speeding train? It will be easy! Driven by her passion for storytelling, Alice saw a potential for film that others had not seen before, allowing her to develop new narratives, new camera angles, new techniques, and to surprise her audiences again and again. With daring and vision, Alice Guy-Blaché introduced the world to a thrilling frontier of imagination and adventure, and became one of filmmaking's first and greatest innovators.

This collection of essays and interviews, some previously unpublished and almost all of which appear in English for the first time, encompasses the political and ethical thinking of Jacques Derrida over thirty years. Passionate, rigorous, beautifully argued, wide-ranging, the texts shed an entirely new light on his work and will be welcomed by scholars in many disciplines--politics, philosophy, history, cultural studies, literature, and a range of interdisciplinary programs. Derrida's arguments vary in their responsiveness to given political questions--sometimes they are vivid polemics on behalf of a position or figure, sometimes they are reflective analyses of a philosophical problem. They are united by the recurrent question of political decision or responsibility and the insistence that the apparent simplicity or programmatic character of political decision is in fact a profound avoidance of the political. This volume testifies to the possibility and the necessity of a philosophical politics. Negotiations assembles some of the most telling examples of the intrinsic relationship, so often affirmed by Derrida in more abstract philosophical terms, between deconstructive reading practices and what is called the "political"--more precisely, politics in an almost down-to-earth, pragmatic, and commonsense use of the word. Among the many subjects covered in the book are: the death penalty in the United States, the civil war in Algeria, globalization and cosmopolitanism, the American Declaration of Independence, Jean-Paul Sartre, the value of objectivity, politics and friendship, and the relationship between deconstruction and actuality.

In a work of lucid prose and striking originality, Bell offers the first comprehensive survey of patriotism and national sentiment in early modern France, and shows how the dialectical relationship between nationalism and religion left a complex legacy that still resonates in debates over French national identity today. Table of Contents: Preface Introduction: Constructing the Nation 1. The National and the Sacred 2. The Politics of Patriotism and National Sentiment 3. English Barbarians, French Martyrs 4. National Memory and the Canon of Great Frenchmen 5. National Character and the Republican Imagination 6. National Language and the Revolutionary Crucible Conclusion: Toward the Present Day and the End of Nationalism Notes Note on Internet Appendices and Bibliography Index Reviews of this book: Bell delineates the history of nationalism in France, tracing its origins to the 17th century. He shows how in 18th-century France, political and intellectual leaders made perfect national unity a priority, allowing the construction of the nation to take precedence over other political tasks. The goal was to provide all French people with the same language, laws, customs, and values. Bell argues that while the French leaders hoped that patriotism and national sentiment would replace religion as the binding force, it was actually religion that was a major (but not exclusive) factor in helping the French see the world around them. This period of history was the beginning of the first large-scale nationalist program. Bell also shows how the relationship between nationalism and religion contributes to the French national identity debate today. Bell's comprehensive and well-documented book is written in an accessible style...Recommended for French and European history collections. --Mary Salony, Library Journal Reviews of this book: At the center of Bell's subtle and intricate argument is religion. Religion, he suggests, was changing in the 18th century. And with men less likely to see God as an interventionist presence in their daily lives and more likely to stress God's distant, inscrutable quality, space was opened up for an autonomous realm of human action, described by a series of interconnected words: society, public opinion, civilization, fatherland and nation. --Richard Vinen, New York Times Book Review Reviews of this book: David Bell has interesting things to say about the French kindred and about an important aspect of their life together. The Cult of the Nation in France is about the way a particular kind of togetherness and a novel kind of identity were implanted, grew (and may have begun to wither) in France's fertile soil. The nation, he argues, is no spontaneous growth but a political artifact: not organic like a tree but constructed like a city. --Eugen Weber, Los Angeles Times Reviews of this book: Bell argues in his excellent analysis of the 18th-century conceptual birth of French nationalism that nationalism emerged at a point when French intellectuals increasingly came to see God as distant from human affairs and sough to separate religious passions from political life...A masterful, thought-provoking [study]. --P. G. Wallace, Choice Reviews of this book: This excellent book is at once a valuable account of the development of the concept of the nation in France and an important example of the use that can be made of the culture of print...Bell argues that right-wing nationalism has belonged consistently to a minority and that there has been a basic continuity in French republican nationalism over the past two centuries, views that not all will share, but arguments that testify to the importance of this well-crafted work. --Jeremy Black, History A notable addition to the expanding literature on nationalism in general and of French nationalism in particular, The Cult of the Nation in France explores how national affiliation became part of individual identity. It demonstrates the connections between nationalism and religion, without falling into the simple trap of treating nationalism as another religion. Against the present-day challenges faced by French republican nationalism, Bell insightfully examines the paradoxical process whereby the French came to posit themselves as a union of politically and spiritually like-minded citizens. --Joan B. Landes, Pennsylvania State University A formidably intelligent and beautifully written analysis of how the French came to perceive their nation as a political construction. Its breadth, together with its highly original discussion of the role of religion, makes The Cult of the Nation in France essential reading both for students of nationalism and for anyone wanting to understand current French debates on culture, ethnicity, and identity. --Linda Colley, London School of Economics and Political Science David Bell is one of the most talented young historians working in any field. This fascinating, brilliantly argued, and beautifully written study demonstrates the multi-stranded origins of the concept of the nation in France. Bell's major contribution is to place the timing of this crucial evolution well before the Revolution of 1789. He never loses sight of the linguistic and cultural complexity of France, bringing to a conclusion the story of French nationalism in our era. --John Merriman, Yale University

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

"Schiffrin evokes the bittersweet tang of emigre life in New York." --The New York Times Book Review Andre Schiffrin was born the son of one of France's most esteemed publishers, in a world peopled by some of the day's leading writers and intellectuals, such as Andre Gide, Jean-Paul Sartre, and Antoine de Saint-Exupery. But this world was torn apart when the Nazis marched into Paris on young Andre's fifth birthday. Beginning with the family's dramatic escape to Casablanca--thanks to the help of the legendary Varian Fry--and eventually New York, A Political Education recounts the surprising twists and turns of a life that saw Schiffrin become, himself, one of the world's most respected publishers. Emerging from the emigre community of wartime New York (a community that included his father's friends Hannah Arendt and Helen and Kurt Wolff), he would go on to develop an insatiable appetite for literature and politics: heading a national student group he renamed the Students for a Democratic Society--the SDS. leading student groups at European conferences, once, as an unwitting front man for the CIA. and eventually being appointed by Random House chief Bennett Cerf to head the very imprint cofounded by his father--Pantheon. There, he would discover and publish some of the world's leading writers, including Noam Chomsky, Michel Foucault, Art Spiegelman, Studs Terkel, and Marguerite Duras. But in a move that would make headlines, Schiffrin would ultimately rebel at corporate ownership and form his own publishing house--The New Press--where he would go on to set a new standard for independent publishing. A Political Education is a fascinating intellectual memoir that tells not only the story of a unique and important figure, but of the tumultuous political times that shaped him. From the Hardcover edition"--

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

When Patrick Modiano was awarded the 2014 Nobel Prize for LIterature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. The Night Watch is his second novel and tells the story of a young man of limited means, caught between his work for the French Gestapo informing on the Resistance, and his work for a Resistance cell informing on the police and the black market dealers whose seedy milieu of nightclubs, prostitutes and spivs he shares. Under pressure from both sides to inform and bring things to a crisis, he finds himself driven towards an act of self-sacrifice as the only way to escape an impossible situation and the question that haunts him - how to be a traitor without being a traitor. In this astonishing, cruel and tender book, Modiano attempts to exorcise the past by leading his characters out on a fantasmagoric patrol during one fatal night of the Occupation.

At one time an underground hero in the world of journalism, with prose on a par with Tolstoy and Kafka, Joseph Roth now looms large in the pantheon of European literature. Indeed, the last five years have seen a major Roth revival culminating in Report from a Parisian Paradise, a haunting epitaph by the greatest foreign correspondent of his age. An exile in Paris, Roth captured the essence of France in the 1920s and 1930s. From the port town of Marseille to the erotic hill country around Avignon, Report from a Parisian Paradise—superbly translated by Michael Hofmann—paints the sepia-tinted landscapes, enchanting people, and ruthless desperation of a country hurtling toward dissolution. Roth's book is not only a paean to a European order that could no longer hold but also a miraculous and revelatory work of transcendent philosophical clarity.