The members of the literary circle known as the Violet Quill -- Christopher Cox, Robert Ferro, Michael Grumley, Andrew Holleran, Felice Picano, Edmund White, and George Whitmore -- collectively represent the aspirations and the achievement of gay writing during and after the gay liberation movement. This social history shows how the works of these authors both reflected and criticized the values, principles, and prejudices of the culture of gay liberation. In spinning many of the most important stories gay men told of themselves in the short period between the 1969 Stonewall Riots and the devastation of the AIDS epidemic during the 1980s, the Violet Quill exerted an enormous influence on gay culture.

Worldly, Jewish, at one time a standout on his legendary Greenwich Village basketball team, an American classical guitar teacher seeks a new life in Portugal after the death of so many friends. But what he calls the viral eclipse over sexuality pursues him even there, when Antonio, his most talented and beloved student, tests HIV-positive and threatens to give up on life at just twenty-four. Desperate to show the young man that he still has a future, 'the Professor' arranges a car trip across Spain to Paris, hoping to be able to convince a leading virtuoso there to begin preparing his protege for a concert career. Antonio's estranged father, Miguel, a stonemason by trade, insists on coming along with them, and en route the three fall into a triangle of adventure, personal disclosure, violence, and at last a strange redemption.

Here are heartfelt writings from some renowned names in lesbian and gay literature, as well as some debut appearances. These essays explore a kind of love uncomplicated by romance, but surprisingly sensual. As the writers pursue their relationships with the oposite sex, they ultimately lay bare the nature of friendship itself.

Before E. M. Forster's Maurice, written in 1914, introduced a new openness about the favorable depiction of homosexuality in English fiction, a number of novels and stories carried coded portraits of homosexuals and homosexuality. Many of these were, by necessity, published privately; still others were written to insure that the homosexual component would be recognizable to a select few; still others embedded homosexual content within such "safe" genres as the Western and the public school novel. There have been several recent anthologies of twentieth-century gay fiction, but David Leavitt and Mark Mitchell's fascinating book is the first to explore the texts that circulated before the "gay fiction" genre came into being, and before greater tolerance allowed writers to treat homosexual themes directly. Leavitt and Mitchell include extracts from stories and novels by well-known writers such as Herman Melville, Walter Pater, Henry James, Willa Cather, and D. H. Lawrence, as well as work from neglected figures such as Count Eric Stenbock, John Francis Bloxam, "Alan Dale," and Gerald Hamilton -- the inspiration for Christopher Isherwood's Mr. Norris. The result is an entertaining and revelatory anthology, and a valuable contribution to our understanding of the literary treatment of homosexuality.

Leyland, Winston (ed) Love Poems and Selected Letters