“I see God,” wrote Norman Mailer, “as a Creator, as the greatest artist. I see human beings as His most developed artworks.” In these moving, amusing, and probing dialogues conducted in the years before his death, Mailer establishes his own system of belief, rejecting both organized religion and atheism. He avows that sensual pleasures were bestowed on us by God; he finds fault with the Ten Commandments; and he holds that technology was the Devil’s most brilliant creation. In short, Mailer is original and unpredictable in this inspiring journey, in which “God needs us as much as we need God.” Praise for On God “[Norman Mailer’s] theology is not theoretical to him. After eight decades, it is what he believes. He expects no adherents, and does not profess to be a prophet, but he has worked to forge his beliefs into a coherent catechism.” — New York “The glory of an original mind in full provocation.” — USA Today “At once illuminating and exciting . . . a chance to see Mailer’s intellect as well as his lively conversational style of speech.” — American Jewish Life “Remarkable . . . [Mailer’s] a believer—in his own fashion. . . . He has made [God] into a complex character.” — The Globe and Mail Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.” — The New York Times “A writer of the greatest and most reckless talent.” — The New Yorker “Mailer is indispensable, an American treasure.” — The Washington Post “A devastatingly alive and original creative mind.” — Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.” — The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.” — Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.” — The Cincinnati Post

Some ancient civilizations, notably the Babylonians and the Israelites, held fast to the belief that their particular god (or gods) were stronger than all other heavenly powers and gods combined, supremely able to protect their well-being and success as a nation. This belief (which resounds in the modern-day rallying cry "God is on our side") led to some foolhardy and rash decisions, particularly when it came to war. For a nation defeated or conquered by a foreign power inevitably faced the profound, perplexing question: "Why did our God, who has sworn to protect us, allow this to happen?" Jonathan A. Goldstein turns to the religious literature of these ancient peoples to discover how they reconciled their beliefs with the realities of history. In a magnificent blend of several academic disciples (literary criticism, political theory, biblical and classical history), he compares and contrasts the responses of different eras and nations–from the Israelites, Babylonians, and Egyptians to the Zoroastrians, Iranians, and Persians under Alexander the Great. Goldstein’s close readings of literature written following such devastating events as the fall of the Israelites to the Assyrians and the Babylonians demonstrate that theology, far from being a static and unchanging set of beliefs, evolves with the course of history. Revealing how each defeat helped to shape and define the religious beliefs of the conquered, Peoples of an Almighty God clearly demonstrates that no belief can remain unchanged or untouched by the beliefs of other people.

"Where is God?" "What does God look like?" "How does God make things happen?" With little hands, and big hands. With young hands and old hands, With your hands." Mixing sparks of curiosity and spiritual imagination, this wondrous book lights children's creativity and shows how God is with us every day, in every way. It is a vibrant invitation to children and their adults to explore--together--what, where, and how God is in our lives. Multicultural, Nondenominational, Nonsectarian; Endorsed by Protestant, Catholic, and Jewish Religious Leaders

Now available in paperback, this highly acclaimed work, hailed by The New York Times as "graceful, fluid, and extremely accessible," is a study of the ways in which poets from the biblical age to the present have addressed the subject of the nature and existence of God. The book treats such authors as Dante, the medieval Hebrew religious poets, the 17th-century religious poets, and the 18th century Nature poets, and discusses, among other topics, the influence of Calvinism and the poetry of stoicism, agnosticism, and atheism. Throughout the work, Daiches examines the tensions generated when a traditional religious belief which the poet accepts, or feels he should accept, runs counter to the hard facts of his own experience. The author also considers the particular problems which have emerged in this century for the religious poet who cannot accept any specific religious creed, and for readers who are unable to appreciate a poet's set of beliefs. God and the Poets does not set out to provide a comprehensive account of the poetic portrayals of God, but offers the reader a wealth of illuminating reflections on a subject which has obsessed poets over the ages.