"The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work's transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement"

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

Islamic antisemitism is as old as Islam itself, and is not a mere borrowing from non-Muslim sources, as has been claimed. The Legacy of Islamic Antisemitism provides comprehensive, meticulously documented evidence that a readily discernible, uniquely Islamic antisemitism—specific Muslim hatred of Jews—has been expressed continuously since the advent of Islam. Writing in 1971, S.D. Goitein, the pre-eminent scholar of Muslim-Jewish relations as revealed in the Geniza documentary record of the high Middle Ages (950-1250 C.E.), employed the term antisemitism, “…in order to differentiate animosity against Jews from the discrimination practiced by Islam against non-Muslims in general. Our scrutiny of the Geniza material has proved the existence of ‘antisemitism’ in the time and the area considered here…”. Goitein cited as concrete proof of his assertion that a unique strain of Islamic Jew hatred was extant at that time (i.e., up to a millennium ago)—exploding the common assumption of its absence—the fact that letters from the Geniza material, “…have a special word for it and, most significantly, one not found in the Bible or in Talmudic literature…but one much used and obviously coined in the Geniza period.” Important examples of antisemitic motifs in the foundational Muslim texts are presented: from the Koran and Koranic exegesis by the greatest classical and modern Muslim commentators; the hadith (words and deeds of the Muslim prophet Muhammad as recorded by pious Muslim transmitters), the sira (earliest Muslim biographies of Muhammad), as well as the writings of influential Muslim jurists, theologians, and scholars, from the Middle Ages through the contemporary era. These primary sources, and seminal secondary analyses translated here for the first time into English such as Hartwig Hirschfeld’s mid 1880s essays on Muhammad’s subjugation of the Jews of Medina, and George Vajda’s elegant, comprehensive 1937 study of the hadith—detail the sacralized rationale for Islam’s anti-Jewish bigotry. Numerous complementary historical accounts illustrate the resulting the plight of Jewish communities in the Muslim world across space and time, culminating in the genocidal threat posed to the Jews of Israel today. The Legacy of Islamic Antisemitism debunks the conventional wisdom which continues to assert that Muslim Jew hatred is entirely a 20th century phenomenon, a loose amalgam of re-cycled medieval Christian Judeophobic motifs, calumnies from the Czarist Russia “Protocols of the Elders of Zion”, and standard Nazi propaganda, that only arose after the advent of the Zionist movement and the protracted Arab-Jewish conflict over all of the lands comprising the original 1922 Mandate for historical Palestine. Scholars, educators, and interested lay readers will find this collection an invaluable resource for understanding the phenomenon of Muslim antisemitism, past and present. An updated Author’s Preface for this new edition—which includes materials through January 3, 2020—elucidates the current global pandemic of Muslim Antisemitism, and its resulting violent manifestations, in Israel, Western Europe, and the United States. Doctrinal drivers of this hatred, as espoused by iconic Muslim religious leaders representing the pinnacles of institutional Islamic religious education—both Sunni and Shiite—are introduced. This compendious, timely exposé rivets upon freshly translated samples of modern, seminal Koranic glosses—rife with Jew-hatred—which shape current understandings of Islam’s holy book, and Islam itself, by the Muslim masses. The new Preface concludes with a focused discussion about why non-Muslim religious leaders, especially Jews, must admonish institutional Islam to begin its own process, akin to Vatican II/Nostre Aetate, of expunging at least the most virulent Jew-hating motifs from Islam’s core theology.

The new single-volume edition of Conceived in Liberty is here! After so many years of having to juggle four volumes, the Mises Institute has finally put it altogether in a single, 1,616-page book. This makes it easier to read, and makes clearer just what a contribution this book is to the history of libertarian literature. There's never been a better time to remember the revolutionary and even libertarian roots of the American founding, and there's no better guide to what this means in the narrative of the Colonial period than Murray Rothbard. For anyone who thinks of Murray Rothbard as only an economic theorist or political thinker, this giant book is something of a surprise. It is probably his least known treatise. It offers a complete history of the Colonial period of American history, a period lost to students today, who are led to believe American history begins with the US Constitution. Rothbard's ambition was to shed new light on Colonial history and show that the struggle for human liberty was the heart and soul of this land from its discovery through the culminating event of the American Revolution. These volumes are a tour de force, enough to establish Rothbard as one of the great American historians. It is a detailed narrative history of the struggle between liberty and power, as we might expect, but it is more. Rothbard offers a third alternative to the conventional interpretive devices. Against those on the right who see the American Revolution as a "conservative" event, and those on the left who want to invoke it as some sort of proto-socialist uprising, Rothbard views this period as a time of accelerating libertarian radicalism. Through this prism, Rothbard illuminates events as never before. The volumes were brought out in the 1970s, but the odd timing and uneven distribution prevented any kind of large audience. They were beloved only by a few specialists, and sought after by many, thanks to their outstanding reputation. The Mises Institute is pleased to be the publisher of this integrated book. This single volume covers the discovery of the Americas and the colonies in the 17th century, the period of "salutary neglect" in the first half of the 18th century, the advance to revolution, from 1760-1775 and the political, military, and ideological history of the revolution and after.

"Banning people from libraries is even worse than banning books! Decades before the Civil Rights Movement, Samuel Wilbert Tucker, a Black lawyer in Virginia, organized a peaceful read-in at the local public library, which was segregated. He wanted to affirm the right of everyone to use the library. Thanks to efforts like his, we can all sit at a table, any table, pick up a book, any book, and read."--Back cover.

Erich S. Gruen investigates a remarkable phenomenon in religious and literary history: the freedom with which Jewish writers in antiquity retold and recast, sometimes distorted or bypassed, biblical narratives that ostensibly had the status of sacred texts.

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--