This book recounts the libel suit against historian Deborah Lipstadt by David Irving, which resulted in a formal denunciation of a Holocaust denier.

Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

A journalist's account of the London trial of David Irving vs. Penguin Books and Deborah Lipstadt, held in January-April 2000, interspersed with reflections on Holocaust memory and denial. The case became a Holocaust trial, albeit without perpetrators and victims. It did not generate a new narrative of the Holocaust, a revisionist one, as Irving had hoped. Without endorsing Irving's views, defends his right to historical dissent and regrets that his reputation as an outstanding historian was undermined. Contends that the critics of Irving's views, including Lipstadt, misinterpreted his writing as an outgrowth of postmodern deconstruction; what Irving assaulted was not rationalism and history as a science, but the Jews. His main motive was antisemitism. Contends that the depoliticized myth of the "Nazi war against the Jews", characteristic of some historiographic works, made the deniers' task easier. Believes that the Jews are not immune to critical analysis of their history; however, Irving crossed the divide between legitimate criticism and prejudiced vilification of the Jews as a people.

Elizabeth I is one of England's most admired and celebrated rulers. She is also one of its most iconic: her image is familiar from paintings, film and television. This wide-ranging interdisciplinary collection of essays examines the origins and development of the image and myths that came to surround the Virgin Queen. The essays question the prevailing assumptions about the mythic Elizabeth and challenge the view that she was unambiguously celebrated in the literature and portraiture of the early modern era. They explain how the most familiar myths surrounding the queen developed from the concerns of her contemporaries and yet continue to reverberate today. Published to mark the 400th anniversary of the queen's death, this volume will appeal to all those with an interest in the historiography of Elizabeth's reign and Elizabethan, and Jacobean, poets, dramatists and artists.

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

Jews, Christians and Muslims describe elements of their origins with close reference to the narrative of Abraham, including the complex story of Abraham's relations with Hagar. This volume sketches the significance of this narrative in the three traditions.

This book addresses one of the most timely and urgent topics in archaeology and biblical studies -- the origins of early Israel. For centuries the Western tradition has traced its beginnings back to ancient Israel, but recently some historians and archaeologists have questioned the reality of Israel as it is described in biblical literature. In Who Were the Early Israelites and Where Did They Come From? William Dever explores the continuing controversies regarding the true nature of ancient Israel and presents the archaeological evidence for assessing the accuracy of the well-known Bible stories. Confronting the range of current scholarly interpretations seriously and dispassionately, Dever rejects both the revisionists who characterize biblical literature as "pious propaganda" and the conservatives who are afraid to even question its factuality. Attempting to break through this impasse, Dever draws on thirty years of archaeological fieldwork in the Near East, amassing a wide range of hard evidence for his own compelling view of the development of Israelite history. In his search for the actual circumstances of Israel's emergence in Canaan, Dever reevaluates the Exodus-Conquest traditions in the books of Exodus, Numbers, Joshua, Judges, and 1 & 2 Samuel in the light of well-documented archaeological evidence from the late Bronze Age and early Iron Age. Among this important evidence are some 300 small agricultural villages recently discovered in the heartland of what would later become the biblical nation of Israel. According to Dever, the authentic ancestors of the "Israelite peoples" were most likely Canaanites -- together with some pastoral nomads and small groups of Semitic slaves escaping from Egypt -- who, through the long cultural and socioeconomic struggles recounted in the book of Judges, managed to forge a new agrarian, communitarian, and monotheistic society. Written in an engaging, accessible style and featuring fifty photographs that help bring the archaeological record to life, this book provides an authoritative statement on the origins of ancient Israel and promises to reinvigorate discussion about the historicity of the biblical tradition.

"Tony Greenstein offers a comprehensive and incisive analysis of the indissoluble nexus between anti-Semitism and Zionism. This connection is exposed in its ugliest form during the Holocaust. You can trust a courageous and committed fighter against anti-Semitism, such as Tony, to guide us through this particular dark moment when Zionism and antiSemitism interacted in Europe's darkest hour to educate us about its historical manifestations and implications for our time." Ilan Pappe, Professor of Middle East History, Exeter University "This book is essential reading. Understanding the politics of the thirties and forties is essential if we are to ensure the horrors of World War Two never happen again. Tony Greenstein's detailed reference to original sources leads to conclusions that cannot be ignored." Ken Loach, socialist film maker "In this timely scholarly polemic Tony Greenstein authoritatively demystifies Zionism, convincingly depicting its long obscured and misunderstood connections with anti-Semitism, especially during its horrifying climax in the Holocaust. Essential reading for anyone that wants to understand Israel as a state built upon the premise of Jewish supremacy and sustained by a cruel apartheid regime to deny basic rights to the Palestinian people in their own country." Richard Falk, Professor of International Law Emeritus, Princeton University and Chair of Global Law, Queen Mary University London "The present book is about the entire history of this relationship between Zionism and anti-Semitism. Tony's encyclopaedic familiarity with the dispersed relevant publications and his achievement in arranging the vast material in a coherent account are second to none." Emeritus Professor Moshé Machover, King's College, London University "This is a work of remarkable historical scholarship and analysis, its subject matter is as telling and relevant today as it ever was." Dr Derek Summerfield, Honorary Senior Clinical Lecturer King's College, University of London "Greenstein's book, meticulously researched and liberally peppered with quotations from original sources, will make uncomfortable reading for anyone who feels a sneaking sympathy for Zionism". Dr. Susan Blackwell, Dept of Languages, Literature and Communication, University of Utrecht "The historical relationship of Zionism with antisemitic and racist regimes and movements has been an area long neglected by normative research, influenced as it is by Zionist assumptions; this is why Tony Greenstein's book is so crucial, further developing the pioneering work by Lenni Brenner. Greenstein work is epic in scope, shedding light on dark corners, covering an immense historical, geographic, political and discursive arena; It provides an updated, comprehensive account and evaluation of Zionism's complex interrelation with, as well as its uses and abuses of the Holocaust." Professor Haim Bresheeth, School of Oriental and African Studies, University of London "In this substantial, detailed and scrupulously referenced account, the history of Zionist policies and practices before, during and after the Nazi Holocaust is examined in all its awfulness. Greenstein will no doubt be vilified by predictable opponents, but he offers a powerful alternative to the way most people would think about Zionism, given its current status as beyond criticism, on pain of accusations of antiSemitism." Patrick Williams, Emeritus Professor, Nottingham Trent University

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

First published in 1995, this polemical study challenges generally accepted truths of the Israel-Palestine conflict as well as much of the revisionist literature. This new edition critically re-examines dominant popular and scholarly images in the light of the current failures of the peace process.

How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems of representation, memory, memorialization, and historical practice? These are some of the questions explored by an esteemed group of scholars in Catastrophe and Meaning, the most significant multiauthored book on the Holocaust in over a decade. This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice. --

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

A collection of lectures delivered in May 2002 under the auspices of the Samuel and Althea Stroum Lectures in Jewish Studies at the University of Washington. Analyzes autobiographical works of seven Jews from antiquity to the 20th century. Two of these reflect despair in the midst and in the wake of World War II. Ch. 4 (pp. 103-138), "Autobiography as Farewell I: Stefan Zweig, " discusses the Austrian Jewish writer, who committed suicide in 1942, as a non-Zionist universalist even in the face of Nazism. Pp. 131-136 deal with the persecution of the Jews. Ch. 5 (pp. 139-174), "Autobiography as Farewell II: Sarah Kofman, " discusses the life and works of Kofman, who committed suicide in 1994. Focuses on her "Rue Ordoner, Rue Labat" and her Holocaust experiences as a child in Paris. Her father was killed in Auschwitz, and Kofman was looked after by a Christian woman to whom she felt closer than her mother. Deals with the conflicts in Kofman's sexual and religious identities.

"History from Loss challenges the common thought that 'history is written by the winners' and explores how history makers in different times and places across the globe have written histories from loss, even when this has come at the threat to their own safety. A distinguished group of historians from around the globe offer an introduction to different history-makers' lives and ideas, and important extracts from their works which highlight various meanings of loss: from physical ailments to social ostracism, exile to imprisonment, and from dispossession to potential execution. Throughout the volume consideration of the information 'bubbles' of different times and places helps to show how information has been weaponised to cause harm. In this way, the text helps to put current debates about the biases and weaponization of platforms such as social media into global and historical perspective. In combination, the chapters build a picture of history from loss which is global, sustained, and anything but a simple mirror of history made by victors. The volume also includes an Introduction and Afterword which draw out the key meanings of history from loss, and which offer ideas for further exploration. History from Loss provides an invaluable resource for students, teachers, and general readers who wish to put current debates on bias, the politicization of history, and threats to history makers into global and historical perspective"--

The common view held by the community of historians is that there are no, and cannot be, lessons of history; however, up to this day, serious writers continue to seek lessons of the Holocaust. Examines historical and philosophical literature on the Holocaust, and shows that throughout the post-1945 period a broad spectrum of lessons that can be derived from the Holocaust has been proposed by historians, philosophers, writers, journalists, etc. For example, while for Hannah Arendt the lesson is condemnation of bureaucracy and conformism, for Emil Fackenheim it is the imperative to keep fidelity to the Jewish nationhood. There have been Jewish and even Israeli lessons of the Holocaust - e.g. that the Jewish diaspora is doomed and that the Jews need to be strong and to have a state of their own; and there have been universalist lessons - the condemnation of totalitarianism and of "modernity", the imperative of tolerance, of historical memory, etc. Maintains that there are no objective lessons of the Holocaust. The knowledge of past atrocities cannot prevent atrocities in the future.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Argentina is the only country in the Americas that has successfully erased the presence of Indians, Africans, and mestizos from its national story. Official documents, reports, and censuses have largely omitted any references to the country's non-European inhabitants, mirroring official policies that once included the extermination of indigenous peoples and continued to encourage Europeanization well into the twentieth century. In Captive Women, Susana Rotker exposes this concerted act of forgetting by looking at a historical phenomenon that has been expunged from the national record: the widespread kidnapping of white women by Argentine Indians in the nineteenth century.Captivity narratives form a major part of the early colonial literature of the United States, but Argentina has no such tradition. These narratives contradict Argentina's carefully shaped self-image, one historically based on the absence of aboriginal peoples and the impossibility of miscegenation. Captive Women uses close and imaginative readings of military documents, government treaties, travel journals, essays, and memoirs to explore the foundations of Argentina's strategies of silence and its negation of uncomfortable historical realities.

The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc's own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

This book is the first to evaluate the development of feminist scholarship in various fields within Jewish studies. Eminent scholars in biblical studies, rabbinics, theology, history, literature, sociology, anthropology, philosophy, and film studies assess the state of knowledge about women in each field, analyze how this knowledge has affected the mainstream of the discipline, and propose new questions and concepts to pursue. The authors - Joyce Antler, Lynn Davidman, Tikva Frymer-Kensky, Judith Hauptman, Paula E. Hyman, Sonya Michel, Judith Plaskow, Susan Starr Sered, Naomi Sokoloff, Shelly Tenenbaum, and Hava Tirosh-Rothschild - consider a range of fascinating issues.Among them are: whether Jewish culture is as patriarchal as is typically assumed; how gender arrangements in Jewish life are shaped by the structures and culture of the larger societies in which Jews live; the different ways in which changes in Jewish families over time and place are experienced by women and by men; whether women or men have been more reluctant to assimilate; and how segregation of the sexes has affected women's autonomy in different periods and locations in Jewish history. Together, the articles present a strong argument for the inclusion of gender as a category of analysis in all fields of Jewish studies.