In literary theory, the philosophy of law, and the sociology of knowledge, no issue has been more central to current debate than the status of our interpretations. Do they rest on a ground of rationality or are they subjective impositions of a merely personal point of view? In Doing What Comes Naturally, Stanley Fish refuses the dilemma posed by this question and argues that while we can never separate our judgments from the contexts in which they are made, those judgments are nevertheless authoritative and even, in the only way that matters, objective. He thus rejects both the demand for an ahistorical foundation, and the conclusion that in the absence of such a foundation we reside in an indeterminate world. In a succession of provocative and wide-ranging chapters, Fish explores the implications of his position for our understanding of legal, literary, and psychoanalytic interpretation, the nature of professional and institutional culture, and the place of reason in a world that is rhetorical through and through.

The Oxford Illustrated Shakespeare Dictionary is the first of its kind, a brand new illustrated alphabetical dictionary of all the words and meanings students of Shakespeare need to know. Every word has an example sentence selected from the twelve most studied plays including Macbeth, Hamlet, Romeo and Juliet, A Midsummer Night's Dream, and Henry V. Usage notes and theatre notes provide additional background to Shakespearean times and the performance of his plays. Further support is provided by language panels on select topics like the humours, swearing, and stage directions, and full-colour illustrated thematic spreads on special feature topics from clothes and armour to music and recreation. The dictionary is easy to use with its clear signposting, accessible design, and expertly levelled contemporary look and feel. It is the perfect support for a full understanding of Shakespeare, created by renowned authors Professor David Crystal and actor Ben Crystal, a father and son team who combine for the first time the academic and the theatre, bringing together language, literature, and lexicography in this unique Shakespeare dictionary of global appeal.

'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and times, and in recent years there has been a renewed surge of interest into aspects of his language. So how can we better understand Shakespeare? How did he manipulate language to produce such an unrivaled body of work, which has enthralled generations both as theater and as literature? David Crystal addresses these and many other questions in this lively and original introduction to Shakespeare's language. Covering in turn the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary, and conversational style - the book shows how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity.

WCW, The Embodiment of Knowledge. Early essays.