Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

The author of the classic Keep the River on Your Right here tells the remarkable story of his four years among the Asmat of New Guinea, a jungle-dwelling people rumored to have killed Michael Rockefeller. Instead of ferocious cannibals, Schneebaum found a regal, loving, gentle people who freely accepted him and initiated him into a way of life no outsider had ever seen before. Adopted into an Asmat family in the village whose people were said to have killed Rockefeller, he crossed the boundaries into another culture and another age, learning secrets no other outsider had been allowed to see before. But it wasn't until Schneebaum met Akatpitsjin, a handsome married man with five children, that he entered the erotic world of the Asmat, when the two became "exchange friends' and lovers, a practice basic to the sexual life of the village. Schneebaum's encounter with the Asmat ultimately became something more intimate and liberating for him than the mere discovery of tribal secrets. He confronted himself. His odyssey is as much the record of a journey into himself as it is a unique and sensitively observed account of a vanishing society, written with a shimmering sensuality that has no equal in the literature of anthropology or self-confession.

Where and why was democracy successful in the twentieth century? In The Democratic Century , Seymour Martin Lipset and Jason Lakin combine social, cultural, economic, and institutional analyses to explain why democracy has succeeded in some countries and failed in others. Defining democracy as a political system in which all adults may vote in contested elections to choose their representatives, Lipset and Lakin argue that the mainstays of a successful system are institutions that encourage the diffusion of power—such as competitive parties, an independent civil society, and federalist arrangements. But central to their argument is the notion that culture, at least as much as any other variable, is responsible for the establishment of democracy. The authors’ concept of culture is not static, however. They argue that, because cultures interact with social, economic, and political variables, they can change and become compatible with democracy. Consequently, Lipset and Lakin hope for a democratic twenty-first century. The Democratic Century revisits theories from Lipset’s earlier works, including the classics Agrarian Socialism and Political Man . But the authors do more than update Lipset’s work; they offer an expansive view of democratic systems and of the vast body of relevant literature.

From small village communities to prosperous city-states that culminated in the magnificent empires of the Aztecs and Incas, this classic work traces the development of pre-Columbian America, its inhabitants, agriculture, and cultural sphere. "...a product of judicious reflection by an able mind fully abreast of a widely dispersed literature..."-- American Historical Review. "...a fine example of how a scholar can tap both archeological and historical resources to produce a lucid synthesis of an area."-- Latin American Research Review.

Here, Ilan Stavans, one of the foremost Latino scholars, collects his best essays into one volume. As a Mexican Jew whose native languages are Yiddish and Spanish, Stavans writes in English to limn the tensions, contradictions, and possibilities within the compex notion of a multi-cultural identity.

For almost twenty years, Ilan Stavans—described by the Washington Post as "Latin America’s liveliest and boldest critic and most innovative cultural enthusiast"—has interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume Stavans’s most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.

Mariano Siskind’s groundbreaking debut book redefines the scope of world literature, particularly regarding the place of Latin America in its imaginaries and mappings. In Siskind’s formulation, world literature is a modernizing discursive strategy, a way in which cultures negotiate their aspirations to participate in global networks of cultural exchange, and an original tool to reorganize literary history. Working with novels, poems, essays, travel narratives, and historical documents, Siskind reads the way Latin American literary modernity was produced as a global relation, from the rise of planetary novels in the 1870s and the cosmopolitan imaginaries of modernism at the turn of the twentieth century, to the global spread of magical realism. With its unusual breadth of reference and firm but unobtrusive grounding in philosophy, literary theory, and psychoanalysis, Cosmopolitan Desires will have a major impact in the fields of Latin American studies and comparative literature.

In this comprehensive, up-to-the-minute survey of research and opinion by leading Latin American cultural and literary critics, Naomi Lindstrom examines five concepts that are currently the focus of intense debate among Latin American writers and thinkers. Writing in simple, clear terms for both general and specialist readers of Latin American literature, she explores the concepts of autonomy and dependency, postmodernism, literary intellectuals and the mass media, testimonial literature, and gender issues, including gay and lesbian themes. Excepts (in English) from relevant literary works illustrate each concept, while Lindstrom also traces its passage from the social sciences to literature.