This compelling story of lesbian life in the twentieth century traces the evolution of lesbian identity and subcultures from the early years of the century--when career opportunities first enabled women to support themselves and spend their lives in "romantic friendships" with other women--to the diversity of today's life styles. Faderman uses journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous personal interviews with lesbians of all races, ages, and classes, to uncover and relate this often surprising narrative of lesbian life in America. Lesbian identity could emerge, Faderman maintains, only during that time, with the sexual freedom of the 1920s and the 1960s, as well as the social freedom made possible by World War II, the education of women, and the civil rights and women's movements. The term "lesbian" did not become current until the late nineteenth century, when European sexologists began to explore female same-sex loving. Where close relationships between women had once been accepted--even encouraged--the sexologists stigmatized same-sex pairing as deviant, but at the same time fostered a lesbian consciousness which was necessary before lesbian communities could be formed. This book tells how women who accepted the label "lesbian" altered the sexologists' definitions, creating identities and ideologies for themselves.--Adapted from book jacket.

The first anthology to investigate cultural production of lesbian sexuality The question of whether lesbians have sex, how they have sex, and when they began having sex has long obsessively preoccupied the heterosexual imagination. Today, discussions of lesbian sex abound with such terms as romantic friendships, stealth lesbians, and genitally sexual. As we approach the end of the twentieth century, lesbian sexuality remains hotly contested ground. What exactly qualifies as lesbian sex? What is the relationship, if any, between lesbian erotica and heterosexual pornography? How did the issue of sex in lesbian communities come to be such a fiercely debated subject? Lesbian Erotics is the first anthology to investigate the cultural production of sexually charged images of lesbians in film, law, literature, and popular culture in general. The contributors address an enormous range of sexualities and fora in which these sexualities flourish. In her chapter, Not Tonight, Dear, I'm Deconstructing a Headache: Confessions of a Lesbian Sex Therapist , Marny Hall illustrates how difficult some women find it to maintain erotic tension in lesbian relationships. Elizabeth Meese grapples with increasingly complex sexual identities in cyperspace. Kitty Tsui, cover model for On Our Backs , relays how she developed her own body into an art form in order to combat stereotypes of passive and invisible Asian women. This work, as Karla Jay writes in the introduction, invites readers to consider the implications, variations, and complexities of lesbian erotics. In the end, it is our sexual lives that mark us as outlaws. Therefore, we need to investigate and engage representations of our sexuality to define for ourselves, if we so choose, the scope, shape, and permutations of lesbian erotics.

Here are heartfelt writings from some renowned names in lesbian and gay literature, as well as some debut appearances. These essays explore a kind of love uncomplicated by romance, but surprisingly sensual. As the writers pursue their relationships with the oposite sex, they ultimately lay bare the nature of friendship itself.

Before E. M. Forster's Maurice, written in 1914, introduced a new openness about the favorable depiction of homosexuality in English fiction, a number of novels and stories carried coded portraits of homosexuals and homosexuality. Many of these were, by necessity, published privately; still others were written to insure that the homosexual component would be recognizable to a select few; still others embedded homosexual content within such "safe" genres as the Western and the public school novel. There have been several recent anthologies of twentieth-century gay fiction, but David Leavitt and Mark Mitchell's fascinating book is the first to explore the texts that circulated before the "gay fiction" genre came into being, and before greater tolerance allowed writers to treat homosexual themes directly. Leavitt and Mitchell include extracts from stories and novels by well-known writers such as Herman Melville, Walter Pater, Henry James, Willa Cather, and D. H. Lawrence, as well as work from neglected figures such as Count Eric Stenbock, John Francis Bloxam, "Alan Dale," and Gerald Hamilton -- the inspiration for Christopher Isherwood's Mr. Norris. The result is an entertaining and revelatory anthology, and a valuable contribution to our understanding of the literary treatment of homosexuality.

Provides an overview of lesbian fiction, and analyzes the ways in which it has both mirrored and shaped the lesbian movement and lesbian culture.