A NEW YORK TIMES TOP TEN BOOK OF THE YEAR A WASHINGTON POST NOTABLE BOOK OF THE YEAR ONE OF TIME MAGAZINE´S TOP 10 FICTION BOOKS OF 2024 ONE OF NPR´S “BOOKS WE LOVE” 2024 NAMED A BEST BOOK OF THE YEAR BY: THE NEW YORKER ● VOGUE ● FINANCIAL TIMES ● OPRAH DAILY ● VULTURE ● VOX The New York Times bestselling author returns with an irreverently sexy, tender, hila[Bokinfo]

The decisions of a few industrial leaders shake the roots of capitalism and reawaken man's awareness of himself as a heroic being.

From #1 New York Times bestselling author Neil Gaiman, a contemporary masterpiece combing mythology, adventure, and illusion―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee Released from prison, Shadow finds his world turned upside down. His wife has been killed; a stranger offers him a job and Shadow, with nothing to lose, accepts. But a storm is coming. Beneath the placid surface of everyday life, a war is being fought - and the prize is the very soul of America. An inspired combination of mythology, adventure, and illusion, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. It is, quite simply, a contemporary masterpiece. "Piercingly observed, jaggedly poetic, ruthlessly cutting a path through graveyards of dead stars and dead money and dead feelings, this novel is the map back to dawn." -- Steve Erickson "American Gods manages to reinvent, and reassert, the enduring importance of fantastic literature itself in this late age of the world. Dark fun, and nourishing to the soul." -- Michael Chabon

A thrilling literary classic, and an unforgettable read. The Phantom of the Opera by Gaston Lerouxis an epic gothic romance first published in 1910 France and translated in English in 1911 United Kingdom. Be inspired and moved by prose written in times long gone. Classic works of literature have memorable characters and offer profound and eternal reflections about the human condition. Synopsis The Phantom of the Opera is a captivating story that revolves around the young, beautiful Christine Daaé. When her father, a famous musician, dies, she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. Over time she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. When he goes backstage to visit her he hears an ominous voice. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but what disaster lies ahead? A stunning reprint! At Ginger Classics, we take every step possible to ensure the original integrity of this book has been upheld to its highest standard. This means that the texts in this story are unedited and unchanged from the original author’s publication, preserving its earliest form for your indulgence. We are ready to ship this book off to you today at lightning speed, so you will find yourself indulging in this title without delay. Title Details Original 1911 Text 5 x 8 Inches Matte Cover White Paper

After working with bestselling crime writer Alan Conway for years, editor Susan Ryeland is intimately familiar with his detective, Atticus Pünd, who solves mysteries in sleepy English villages. His traditional formula has proved hugely successful, so successful that Susan must continue to put up with his troubling behavior if she wants to keep her job. Conway's latest tale involves a murder at Pye Hall, with dead bodies and a host of intriguing suspects. But the more Susan reads, the more she's convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

Winner of the Nobel Peace Prize Night is one of the masterpieces of Holocaust literature. First published in 1958, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Elie Wiesel writes of their battle for survival and of his battle with God for a way to understand the wanton cruelty he witnesses each day. In the short novel Dawn (1960), a young man who has survived World War II and settled in Palestine joins a Jewish underground movement and is commanded to execute a British officer who has been taken hostage. In Day (previously titled The Accident , 1961), Wiesel questions the limits of conscience: Can Holocaust survivors forge a new life despite their memories? Wiesel’s trilogy offers insights on mankind’s attraction to violence and on the temptation of self-destruction. A Hill & Wang Teacher's Guide is available for this title.

Lẽ phải của phi lý trí không phải là một cuốn sách hàn lâm khô khan chỉ toàn lý thuyết, mà nó được sử dụng dữ liệu từ những thí nghiệm thú vị và độc đáo dẫn đến những kết luận hấp dẫn về cách thức – và nguyên nhân tại sao chúng ta hành động như vậy. Từ những thái độ tại nơi làm việc của chúng ta, cho tới những mối quan hệ lãng mạn, tới việc chúng ta luôn tìm kiếm mục đích cuộc đời mình, Ariely lý giải cách thức phá vỡ những khuôn mẫu bi quan trong suy nghĩ và hành vi của chúng ta để đưa ra những quyết định tốt hơn. Cuốn sách kỹ năng này sẽ thay đổi cách thức chúng ta nhận thức bản thân trong công việc và trong gia đình – và soi xét các hành vi phi lý trí của chúng ta dưới một thứ sắc thái ánh sáng hoàn toàn mới mẻ. Đọc Lẽ phải của phi lý trí – một cuốn sách lãnh đạo và quản lý hữu ích, bạn sẽ biết nhiều điều như:- Tại sao những khoản tiền thưởng lớn lại có thể khiến các CEO làm việc kém hiệu quả hơn?- Làm cách nào mà những định hướng rối rắm lại hữu ích đối với chúng ta?- Tại sao việc trả thù lại quan trọng?- Tại sao có một sự khác biệt rất lớn giữa điều mà chúng ta nghĩ là sẽ khiến chúng ta hạnh phúc và những thứ thực sự khiến chúng ta hạnh phúc?- Và rất nhiều phát hiện thú vị khác.

What if Shakespeare was a woman??1581. Emilia Bassano is allowed no voice of her own, but finds a way to bring her work to the stage secretly. Yet by paying a man for the use of his name, she will write her own out of history. His name? William Shakespeare.?Now. Playwright Melina Green is determined to see one of her shows make the stage, but it appears a woman’s voice is still worth less than a man’s. Women have long been written out of history, but what if they held the pen all along?

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR FICTION NATIONAL BESTSELLER "Electrifying" ( People ) - "Masterly" ( The Guardian ) - "Dramatic and memorable" ( The New Yorker ) - "Magic" ( TIME ) - " Ingenious" ( The Financial Times ) - A gonzo literary performance" ( Entertainment Weekly ) - "Rare and splendid" ( The Boston Globe ) - "Remarkable" ( USA Today ) - "Delicious" ( The New York Times ) - "Book groups, meet your next selection (NPR) In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving "Brotherhood of the Arts," two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed--or untoyed with--by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls--until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true--though it's not false, either. It takes until the book's stunning coda for the final piece of the puzzle to fall into place--revealing truths that will resonate long after the final sentence. As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

"New superiour court judge Alex Cormier is assigned to preside over the case of the alleged Sterling High School shooter. Lawyer Jordan McAffee represents Peter--the boy who, on the day of the shooting, was found in the corner of the gymnasium holding a gun to his head with a shaky hand. Detective Patrick DuCharme has one star witness, but her story keeps changing. And then there's the biggest problem of all--the star witness happens to be Judge Cormier's daughter."--Container

Découvrez en VO le troisième volet des aventures de DUNK au royaume de WESTEROS, avec des traductions en marge pour vous aider à bien comprendre le texte original.

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

Lionel Essrog has always respected Frank Minna, who helped him out when he was young, and when Frank is found dead, Lionel and his friends, the Minna Men, scour the streets of Brooklyn in search of the killer.

Determined to fit in at his New England prep school, the narrator has learned to mimic the bearing and manners of his adoptive tribe while concealing as much as possible about himself. His final year, however, unravels everything he's achieved, and steers his destiny in directions no one could have predicted. The school's mystique is rooted in Literature, and for many boys this becomes an obsession, editing the review and competing for the attention of visiting writers whose fame helps to perpetuate the tradition. Robert Frost, soon to appear at JFK's inauguration, is far less controversial than the next visitor, Ayn Rand. But the final guest is one whose blessing a young writer would do almost anything to gain.

"In 1983, a wealthy businessman named Carl Fletcher is kidnapped from his driveway in the nicest part of Long Island, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse for wear, and the family begins the hard work of trying to move on with their lives and resume their prized places in the saga of the American dream, coming to understand that though their money may have been what put them in danger, it is also what guaranteed them their safety in the end. But forty years later, when Carl's mother dies and the family comes home to mourn her, it becomes clear that nobody ever really got over anything. Carl's wife, Ruth, has spent her potential protecting her husband's emotional health. Their three grown children are each a mess: Nathan cannot seem to advance at his law firm and may have made a terrible investment with his trust fund; Beamer, a Hollywood screenwriter, will consume anything-substance, foodstuff, women-in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she is not a product of the family's pathology that she comes to define it. Then there's Carl himself, the prickly, still-terrified father, who has been secretly seeking closure to the matter of his kidnapping for years, and the unthinkable act he commits that will alter the family's path forever"--

When your son can’t look you in the eye . . . does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. But he has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are directly in the spotlight. For Jacob’s mother, Emma, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it’s another indication why nothing is normal because of Jacob. And over this small family, the soul-searing question looms: Did Jacob commit murder?