Winner of the 2013 National Book Prize from Grub Street, the Towson Prize for Literature, and the 2013 Prakhin International Literary Foundation Award. Ellen Cassedy's longing to recover the Yiddish she'd lost with her mother's death eventually led her to Lithuania, once the "Jerusalem of the North." As she prepared for her journey, her uncle, sixty years after he'd left Lithuania in a boxcar, made a shocking disclosure about his wartime experience, and an elderly man from her ancestral town made an unsettling request. Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation--how do successor generations, moral beings--overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman's exploration of Lithuania's Jewish history combined with a personal exploration of her own family's place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to "speak to a Jew" before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation--Cassedy finds that it's not just the facts of history that matter, but what we choose to do with them.

It is set in the summer of 1931, when twenty-year-old Nora Krieger returns to her small-town home in Lithuania from university in Berlin ready to present her new, mature self. Instead, her time at home becomes a period of unrequited love, difficult memories and introspection. Hopeful that her long wallks and intellectual banter with Albert Arin will lead to romance. Nora must abandon the notion when she discovers Arin's affair with his daughter's friend. Determined to come to terms with her relationship with her father, who was driven to madness after being tortured in the First World War, Nora must confront her own fear of losing her sanity. Young, educated and Jewish, she must accept the limits imposed on her by a class-conscious, increasingly anti-Semitic society.