In Romantic Longings Steven Seidman offers an original perspective on the origins and current meaning of the American intimate culture. Drawing on a wide range of sources--sex surveys, advice literature, autobiographies, novels--he charts a change from a Victorian spiritual ideal to efforts by current reformers to sexualize love. Stressing that contemporary notions of intimacy are grounded in twentieth-century historical developments, he observes the birth of a culture of eroticism in the post-World War II years--a culture where sexuality is conceived as both a sphere of love and intimacy and a domain of pleasure and self-expression.

In all three Abrahamic faiths, Judaism, Christianity and Islam, marriage is part of God's plan for humanity, as illustrated in the Hebrew Scriptures, the New Testament, and the Koran as well as the religious literature of these three traditions. It is viewed as a sacred bond as well as a means to personal fulfilment. It is more than a legal contract, rather an institution with cosmic significance, legitimized through divine authority. In Judaism, Christianity and Islam, the purpose of marriage is to build a home, create a family and thereby perpetuate society. Yet, despite the similarity of perception in the great monotheistic faiths, there are important differences. In this book three scholars outline sex law, betrothal and marriage, family life and the understanding of divorce in these traditions and discuss the differences between them in a student-friendly and accessible way. -- Publisher

An extraordinary history of love, from the ancient Sumerians to Freud Of all human emotions, love is perhaps the most mysterious, and the most decisive in shaping our destiny. Without it we are unfulfilled. But is it one emotion, or a compound of many? The Anatomy of Loving captures the color and vitality of human experience and thought on the subject of love, beginning with the seduction poetry of ancient Sumer, and moving to the findings of twentieth-century psychoanalysis. In this brilliant, humanistic exploration, psychoanalyst and scholar Martin Bergmann examines the thinking of figures throughout history who have influenced our notions of love to the present day: Plato and Dante, Shakespeare and Goethe, Chekhov and Stendhal, Madame Bovary and Eliza Doolittle. Medieval courtly love and nineteenth-century romantic love, homosexual and bisexual love—all are examined by Dr. Bergmann as they have been manifested in art and literature. And, though proponents of psychoanalysis have yet to agree on a single definition of love, Bergmann traces the fine differences made in that discipline between sexuality, narcissism, love and infatuation, sublimated love, and religious love. Above all, Bergmann eloquently delineates how the idea of love serves as a unique crystallization of the longings that suffuse the human heart. “A learned appreciation . . . The perspectives afforded the reader are at once specialized and rich.”— Partisan Review

Love’s memories, love recalling itself in letters lost and found over an interval of forty years: Cixous’s writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers’ returning scenes, they have their addresses in Paris (rue Olivier de Serres, Avenue de Choisy, street names that endlessly feed love’s unconscious language) and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in Athens and along the shores of a great lake centuries ago in the country of myth. The lovers are poets or soldiers, philosophers or students madly in love with poetry and poets. They are as well mermaids or panthers. Panthers? Yes, for it is the passion of the animal that drives all these lovers to bare themselves, and sometimes their claws, before the beloved. Misunderstandings are often, even inevitably the result. Seconded and witnessed by her passionate, truth-telling cats, Cixous’s narrator-writer returns unerringly to moments of errancy inflicted on address and language, those errors and faults when love, perhaps, is listening only to itself, without subject or object, lover or beloved, just love itself, l’amour même, l’amour m’aime, love loving me, in the letter box of memory.

"A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis"--

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!