Web of Life weaves its suggestive interpretation of Jewish culture in the Palestine of late antiquity on the warp of a singular, breathtakingly tragic, and sublime rabbinic text, Lamentations Rabbah. The textual analyses that form the core of the book are informed by a range of theoretical paradigms rarely brought to bear on rabbinic literature: structural analysis of mythologies and folktales, performative approaches to textual production, feminist theory, psychoanalytical analysis of culture, cultural criticism, and folk narrative genre analysis. The concept of context as the hermeneutic basis for literary interpretation reactivates the written text and subverts the hierarchical structures with which it has been traditionally identified. This book reinterprets rabbinic culture as an arena of multiple dialogues that traverse traditional concepts of identity regarding gender, nation, religion, and territory. The author's approach is permeated by the idea that scholarly writing about ancient texts is invigorated by an existential hermeneutic rooted in the universality of human experience. She thus resorts to personal experience as an idiom of communication between author and reader and between human beings of our time and of the past. This research acknowledges the overlap of poetic and analytical language as well as the language of analysis and everyday life. In eliciting folk narrative discourses inside the rabbinic text, the book challenges traditional views about the social basis that engendered these texts. It suggests the subversive potential of the constitutive texts of Jewish culture from late antiquity to the present by pointing out the inherent multi-vocality of the text, adding to the conventionally acknowledged synagogue and academy the home, the marketplace, and other private and public socializing institutions.

Jacob Neusner, a noted scholar and prolific author on Jewish literature, history, and religion, believes that Jews and Christians do well to seek in their encounter with the teachings of the living God, the wisdom, imagination, and insight of the ages. "In this book," he writes in the Preface, "I want to contribute some modest measure of my own faith, Judaism, as that faith may add to the faith of our Christian neighbors, for all of us now dwell together in the new catacomb, the darkness of disdain for our common faith in one God, creator of heaven and earth, judge of all humankind. This is a book of religious faith."

For over 1000 years, the secrets of the Jewish psyche have been the province of the few who could master the language and nuances of The Midrash Rabbah, the greatest biblical commentary ever produced by the hand of man. Now, for the first time, the original Hebrew text, along with a cogent English language translation and a new groundbreaking analysis and interpretation of this master commentary is presented in a definitive work. Read it to discover the vast storehouse of knowledge that has kept Judaism vibrant and alive.

Burton L. Visotzky surveys the scholarly literature on Midrash Leviticus Rabbah, a 5th century rabbinic anthology. He presents the findings of his own research that Leviticus Rabbah is a quasi-encyclopedic miscellany of rabbinic thought and commentaries on Torah and its study. He outlines the content of Leviticus Rabbah, its novel elements of style, structure, and redaction. The results of this analysis place the text at a turning point in rabbinic literature. The author undertakes to survey and synthesize the broad areas necessary to understand Leviticus Rabbah, while at the same time offering detailed studies of both structure and content.Its attitudes - and so, rabbinic attitudes - on topics like theology, angelology, anthropology, women, the poor, and the Other are also commented on.

Genesis Rabbah, the earliest rabbinic commentary on the book of Genesis, was composed in Roman Palestine around the fifth century CE and continued to be studied throughout medieval and modern times. In this volume, an international team of scholars explores the literary formation and textual transmission of this work as well as the historical, cultural, religious, and political contexts in which it was composed. -- From back cover.