""Studies in Hysteria"" is a groundbreaking book co-authored by Josef Breuer and Sigmund Freud, originally published in 1895. The book is a collection of case studies that explore the nature of hysteria and its treatment. Breuer and Freud's work challenges the traditional medical understanding of hysteria as a physical ailment and instead argues that it is a psychological disorder caused by repressed emotions and traumatic experiences. The book includes detailed case studies of patients who suffered from various symptoms of hysteria, including paralysis, convulsions, and amnesia. Through these case studies, Breuer and Freud demonstrate the effectiveness of their new treatment method, which involved the use of hypnosis and the ""talking cure"" to help patients confront and process their repressed emotions. ""Studies in Hysteria"" is considered a seminal work in the development of psychoanalysis and has had a significant impact on the field of psychology and psychiatry.Nervous And Mental Disease Monograph Series No. 61.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Valuable, wise, and quietly moving" ( Chicago Tribune ), This Is My God is Pulitzer Prize-winning writer Herman Wouk's famous introduction to Judaism. A miracle of brevity, This Is My God guides readers through the world's oldest practicing religion with all the power, clarity, and wit of Wouk's celebrated novels. "Anyone who wants to know what orthodox Judaism means to an informed and intelligent orthodox Jew, who is at the same time thoroughly American in outlook and culture, will do well to study this work." -- New York Times Book Review

This book is intended for those who wish to assume the responsibility of becoming the new intellectuals. It contains the main philosophical passages from my novels and presents the outline of a new philosophical system.The full system is implicit in these excerpts (particularly in Galt’s speech), but its fundamentals are indicated only in the widest terms and require a detailed, systematic presentation in a philosophical treatise. I am working on such a treatise at present; it will deal predominantly with the issue which is barely touched upon in Galt’s speech: epistemology, and will present a new theory of the nature, source and validation of concepts. This work will require several years; until then, I offer the present book as a lead or a summary for those who wish to acquire an integrated view of existence. They may regard it as a basic outline; it will give them the guidance they need, but only if they think through and understand the exact meaning and the full implications of these excerpts.-- from Preface

First published in 1967, Writing and Difference , a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence —the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.

Tomkins' magnum opus, Affect, Imagery, Consciousness , was published by Springer Publishing Company in four volumes over 30 years. When Tomkins began writing the book in the 1950's, American psychology was dominated by psychoanalytic and behaviorist theories - neither of which placed much importance on the role of basic emotions in everyday human behavior. Tomkins challenged the status quo by developing - over the span of nearly 2,000 pages -- a theory of consciousness and motivation that placed emotion at the core of the human experience. Because so few psychologists were studying emotion at that time, Tomkins drew liberally from other academic disciplines to help formulate his ideas and support his arguments: evolutionary biology, ethology, cybernetics, literature, philosophy, psychoanalysis, and neurophysiology, among others. In the process, Tomkins practically invented the field of "nonverbal behavior" through close observation of emotional expressions in people, including his own infant son. His work was a brilliantly eccentric pastiche of ideas that adhered to no strict disciplinary or ideological boundaries. In time, however, AIC came to prominence through the research of his disciples, notably Paul Ekman and Carroll Izzard, who went on to become major researchers in the psychology of emotion. Today, Tomkins's book is influential not just in psychology but in philosophy, sociology, communication studies, even in "affective computing. Springer Publishing Company is pleased to continue to offer this magisterial work in four volumes.

What is meant by the term "intelligence" and, once de- fined, how do we go about achieving a valid measurement of this faculty? This classic textbook, originally published in 1979, and now reissued with a new preface by Sybil Eysenck, incorporates a broad range of findings and reanalyzes much of the existing literature in this area. In The Structure and Measurement of Intelligence, Hans Eysenck draws on methods for determining the effect of genetics and environment on the development of intelligence and examines the validity of the term as defined in relation to internal as well as external criteria. He tests a number of hypotheses on intelligence against empirical research findings and considers various criticisms in detail. The significance of intelligence and its measurement in society are explored in depth. Eysenck greatly expands upon such questions as: Does IQ measure intelligence? How valid is the nature versus nurture argument? and, How might socioeconomic status influence one's intelligence? Designed primarily for students and scholars in psychology and education, this text will make thought-provoking reading for all concerned with the development and measurement of intelligence in the individual.

"Between 1978 and 1979, Jacques Derrida delivered a seminar on the themes of "the gift" and "time" titled "Donner-le temps." The first part of that seminar was published in 1991. Given Time II is an archival discovery of the second installment that was promised but never came to fruition during Derrida's lifetime. The eight seminar sessions collected here represent Derrida's most advanced work on the problematic of the gift in Heidegger's thought, with deep dives into some of the richest and most difficult texts in the Heideggerian corpus, such as the essays "The Origin of the Work of Art," "The Thing," and "On Time and Being." Beyond Heidegger, Derrida skillfully engages Claude Lévi-Strauss, Marcel Mauss, Maurice Blanchot, Jacques Lacan, and others on the topic of the gift. The themes discussed include the act of giving and receiving gifts, the necessary link between time and the gift, being as some "thing" given that exceeds things and beings as such, the sacrificial gift, and others. Through these analyses, Derrida begins to identify the paradox of gift giving: For the gift to be received as a gift, it must not appear as such, since its mere appearance as gift puts it in the cycle of repayment and debt. Given Time II is a remarkable and uniquely Derridean treatment of an important subject in the work of Heidegger and beyond"-- Provided by publisher.

""The Origins of Psychoanalysis: Letters to Wilhelm Fliess, Drafts and Notes, 1887-1902"" is a collection of letters, drafts, and notes written by Sigmund Freud to his close friend and colleague, Wilhelm Fliess. The book provides a fascinating insight into the early development of psychoanalysis, as Freud discusses his theories on sexuality, dreams, and the unconscious mind. The letters also reveal the personal struggles and conflicts that Freud faced during this period, including his own self-analysis and the breakdown of his friendship with Fliess. This edition includes an introduction by Peter Gay, a renowned Freud scholar, and a comprehensive index, making it an essential resource for anyone interested in the history of psychoanalysis or the life and work of Sigmund Freud.""This is a new release of the original 1954 edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Considering such witnesses of the time as Shakespeare, Dante, Petrarch, Michelangelo, Machiavelli, Montaigne, More and Bacon, Agnes Heller looks at both the concept and the image of a Renaissance man. The concept was generalised and accepted by all; its characteristic features were man as a dynamic being, creating and re-creating himself throughout his life. The images of man, however, were very different, having been formed through the ideas and imagination of artists, politicians, philosophers, scientists and theologians and viewed from the different aspects of work, love, fate, death, friendship, devotion and the concepts of space and time. Renaissance Man thus stood as both as a leading protagonist of his time, one who led and formulated the substantial attitudes of his time, and as one who stood as a witness on the sidelines of the discussion. This book, first published in English in 1978, is based on the diverse but equally important sources of autobiographies, works of art and literature, and the writings of philosophers. Although she uses Florence as a starting point, Agnes Heller points out that the Renaissance was a social and cultural phenomenon common to all of Western Europe; her Renaissance Man is thus a figure to be found throughout Europe.

Hitler's Professors is a book written by Max Weinreich that explores the role of scholarship and academia in the atrocities committed against the Jewish people during the Nazi regime in Germany. The book examines the complicity of German professors and intellectuals in the promotion and justification of Nazi ideology and the persecution of Jews, as well as the impact of their teachings on the broader society. Weinreich explores the ways in which these academics used their positions of power to legitimize anti-Semitic beliefs, and how their work contributed to the dehumanization and ultimate genocide of millions of innocent people. The book provides a detailed analysis of the historical and cultural context in which these events took place, drawing on primary sources and interviews with survivors and witnesses. It is a powerful and sobering account of the role that scholarship can play in perpetuating injustice and oppression, and a reminder of the importance of critical thinking and ethical responsibility in the pursuit of knowledge.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in Psycho-analysis. It is earnestly hoped that it will reveal more problems than it will solve.

""The Medical Man and the Witch During the Renaissance"" by Gregory Zilboorg is a historical account of the relationship between medicine and witchcraft during the Renaissance period. The book explores how medical professionals, such as physicians and surgeons, interacted with individuals accused of practicing witchcraft and the role they played in the persecution of witches. Zilboorg delves into the cultural and social context of the time, examining the beliefs and superstitions that shaped the attitudes towards witches and the methods used to diagnose and treat supposed witchcraft. The book also examines the impact of the witch trials on the medical profession and the development of medical knowledge during this period. Overall, ""The Medical Man and the Witch During the Renaissance"" provides a fascinating insight into the intersection of medicine and witchcraft during a tumultuous period in European history.Publications Of Institute Of The History Of Medicine, The Johns Hopkins University, Third Series, V2.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Leonid Andreyev's "Anathema: A Tragedy in Seven Scenes" explores profound questions of faith, existence, and the nature of good and evil. This landmark work of Russian literature delves into the realm of existentialism through a dramatic and philosophical lens. Andreyev, known for his intense and thought-provoking writing, crafts a compelling narrative that challenges conventional notions of morality and the divine. As a pivotal work in European drama, "Anathema" remains a powerful and relevant exploration of the human condition. This carefully prepared print edition allows readers to experience Andreyev's enduring vision. This tragedy invites reflection on timeless themes and continues to resonate with those interested in Russian literary collections and the philosophical currents of existentialism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

With all the intrigue and twists of a mystery, Questions for Freud uncovers the paradoxes that riddle psychoanalysis today and traces them to Freud's vacillation at key points in his work--and from there to a traumatic event in Freud's life. What role did censored family history play in shaping Freud's psychological inquiries, promoting and impeding them by turns? With this question in mind, Nicholas Rand and Maria Torok develop a new biographical and conceptual approach to psychoanalysis, one that outlines Freud's contradictory theories of mental functioning against the backdrop of his permanent lack of insight into crucial and traumatic aspects of his immediate family's life. Taking us through previously unpublished documents and Freud's dreams, his clinical work and institutional organization, the authors show how a shameful event in 1865 that shook Freud and his family can help explain the internal clashes that later beset his work--on the origins of neurosis, reality, trauma, fantasy, sexual repression, the psychoanalytic study of literature, and dream interpretation. Steeped in the history, theory, and practice of psychoanalysis, this book offers a guide to the wary, a way of understanding the flaws and contradictions of Freud's thought without losing sight of its significance. This book will alter the terms of the current debate about the standing of psychoanalysis and Freud.

The struggle to write with deep emotion is the subject of this extraordinary book, the previously unpublished credo of one of America's greatest 20th-century writers. "You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich," writes Nelson Algren in his only longer work of nonfiction, adding: "A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery." Nonconformity is about 20th-century America: "Never on the earth of man has he lived so tidily as here amidst such psychological disorder." And it is about the trouble writers ask for when they try to describe America: "Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards . . . [where there] are still . . . defeats in which everything is lost [and] victories that fall close enough to the heart to afford living hope." In Nonconformity, Algren identifies the essential nature of the writer's relation to society, drawing examples from Dostoyevsky, Chekhov, Twain, and Fitzgerald, as well as utility infielder Leo Durocher and legendary barkeep Martin Dooley. He shares his deepest beliefs about the state of literature and its role in society, along the way painting a chilling portrait of the early 1950s, Joe McCarthy's heyday, when many American writers were blacklisted and ruined for saying similar things to what Algren is saying here.

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

The Western Mind In Transition: An Eyewitness Story is a book written by Franz Alexander, a renowned psychoanalyst and psychiatrist. The book is a first-hand account of the intellectual and cultural changes that swept across Western society in the early 20th century. Through his personal experiences and observations, Alexander traces the evolution of Western thought from the rationalism of the Enlightenment to the existentialism and psychoanalysis of the 20th century. He discusses the impact of World War I, the rise of fascism, and the disillusionment of the post-war generation on the Western psyche.The book also delves into the role of psychoanalysis in shaping the modern Western mind. Alexander explores the theories and practices of Sigmund Freud and his followers, as well as his own contributions to the field.Overall, The Western Mind In Transition: An Eyewitness Story is a thought-provoking and insightful examination of the intellectual and cultural changes that have shaped the Western world. It is a must-read for anyone interested in the history of ideas and the evolution of the human mind.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

One of the most talked about books of the year. "A lucid and fiercely intelligent study of the disturbing implications of deconstruction, and at the same time, an impassioned argument for a more humane study of literature".--The New York Times.