"A murder investigation draws firebrand attorney Samantha Brinkman into her boyfriend's past in this novel of high-risk suspense by bestselling author Marcia Clark. When it comes to relationships and self-preservation, defense attorney Samantha Brinkman has always been cut and run. But it's different with her new lover, Niko, an ambitious and globally famous entrepreneur. Sam is putting her faith in him. She has to. He's also her new client-a suspect in the murder of an investor whose shady dealings turned Niko's good life upside down. He had the motive: revenge. As did many others who banked a fortune on the wrong man. That's a point in Niko's favor. So is his alibi for the day of the slaying. Until that alibi mysteriously disappears. As Sam's feverish search for another viable killer begins, the investigation only leads deeper into Niko's past and its secrets. From the darkest suspicions to final judgment, fighting for Niko is Sam's job. To do it, she must risk everything on a man who could make all her worst fears come true." --

"Jenny Erpenbeck (the author of Go, Went, Gone and Visitation) is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck's new novel Kairos-an unforgettably compelling masterpiece tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of the two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears. As the Times Literary Supplement writes: "The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck's work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies." In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: "Hofmann's translation is invaluable-it achieves what translations are supposedly unable to do: it is at once 'loyal' and 'beautiful.'""--

"After Rusty Sabich's heated acquittal in the trial for his life, he's restlessly tried to accept his retirement and get his name out of the spotlight. Now, years later, he's found himself living a quiet life in the town of Mirror with a house on the idyllic lake and a new love, Bea. But the peace that's taken him so long to find comes crashing down when Bea's adoptive son, Aaron, who's under Rusty and Bea's supervision while on probation for a possession conviction, goes missing. The court has ordered that Aaron stay in contact with Rusty and Bea, and if he doesn't return soon, he might get sent back to jail. The trouble doesn't end when Aaron eventually turns up. It turns out that he'd been camping with Mae, his childhood sweetheart who has been an endless source of trouble for Aaron. Except Mae didn't return with Aaron. Mae's prosecuting attorney father, Hardy, brings in all of his resources from local police to the FBI to find his daughter. And when Mae is discovered dead, Hardy immediately points the finger at Aaron and the state jumps to trial. Rusty finds himself coming out of retirement to defend his step-son-to-be from a murder charge where the evidence doesn't seem to add up. But regardless of where the truth is pointing, it seems that the odds are stacked against Aaron. It's going to take all of Rusty's knowledge as a lawyer and judge to show the jury that Aaron isn't a murderer and that if they have any reasonable doubt, they must cast "Not guilty." Aaron's life is on the line and so is the one that Rusty has worked so hard for and all that stands between freedom for both of them is the rage-fueled prejudice against Aaron"--

"The long-awaited final volume in the acclaimed Penguin translation of Marcel Proust's In Search of Lost Time-one of the world's most beloved works of literature. "The greatest literary work of the twentieth century."-The New York Times. Ian Patterson's acclaimed new translation of Finding Time Again introduces a new generation of American readers to the literary riches of Marcel Proust. The seventh and final volume in Penguin Classics' superb new edition of In Search of Lost Time-the first completely new translation of Proust's masterpiece since the 1920s-brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In Finding Time Again, Marcel discovers his world destroyed by war and those he knew transformed by the march of time. An exquisite picture of France in the throes of the First World War, and containing, in the "Bal des têtes" sequence, one of Proust's most devastating set-pieces, Finding Time Again triumphantly describes the paradox of facing mortality yet overcoming it through the act of writing. As Marcel rediscovers his vocation, he realizes that he can live on by writing down the story of his own memories and of his quest to recapture the past"--

"A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there's little glamour for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening, they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there's always disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz clearly saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany's self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz's The Passenger was rediscovered in 2021, it was heralded as a masterpiece that terrifyingly captured the zeitgeist of life under Nazism. Now, Berlin Shuffle-his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm-brings to life the society that would enable fascism's takeover. The triumph of one of world literature's spectacular talents, Berlin Shuffle is a dire warning, sent from a pivotal moment in history to our own time"-- Provided by publisher.

Text: English, French (translation)

"In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play."--Page 4 of cover.

"Moacyr Scliar was the preeminent literary voice of the Jewish immigrant experience in modern Brazil. Now his most ambitiously satirical and irreverent novel is at last translated into English, offering not just a significant contribution to Latin American and Jewish literature but to world literature as well. In a past-life therapy session, a mysterious woman makes a remarkable breakthrough when she discovers that in a previous life she was one of King Solomon's seven hundred wives. In language that hilariously mixes modern jargon and biblical diction, she sets out to tell the story of her earlier incarnation three thousand years in the past, revealing how she went from a provincial nobody to a queen. Yet being royalty isn't all it's cracked up to be. As the least desirable of King Solomon's wives and concubines, she is unceremoniously discarded and forgotten in his harem. But as luck would have it, she possesses a unique gift: she is a woman who knows how to read and write. Once her talent is discovered, King Solomon charges her with writing what will become one of the most important texts in human history. Along the way our nameless narrator leverages her newfound status as royal scribe to bring about her own secret agenda. A brilliant feminist critique skewering the absurdities of patriarchy, The Woman Who Wrote the Bible is a comic masterpiece of truly biblical proportions"-- Provided by publisher.

Although Ruth Weiss at forty is the picture of a scholarly professor of English, she questions if the literature she escaped to in her youth has benefited her.