Leo Gursky is trying to survive a little bit longer, tapping his radiator each evening to let his upstairs neighbor know he's still alive, drawing attention to himself at the milk counter of Starbucks. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And although he doesn't know it, that book also survived: it crossed oceans and generations, and changed lives. Fourteen-year-old Alma was named after a character in that book. She has her hands full keeping track of her little brother Bird (who thinks he might be the Messiah) and taking copious notes in her book, How to Survive in the Wild Volume Three. But when a mysterious letter arrives in the mail she undertakes an adventure to find her namesake and save her family. In her extraordinary new novel Nicole Krauss has created some of the most memorable and moving characters in recent fiction. A tale brimming with laughter, passion, and soaring imaginative power, The History of Love confirms Krauss as one of the most remarkable writers of her generation.

Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes -- Why the Holocaust? Why mice? Why comics? -- and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right. - Publisher.

A brief biography of the Polish doctor, author, founder of orphanages, and promoter of children's rights, who lost his life trying to protect his orphans from the Nazis.

Intended for children, relates the Holocaust experiences of Froim Baum, born in Warsaw in April 1926. After his father died in 1932, his mother was left with seven children. Froim, the youngest, was placed in Janusz Korczak's orphanage. While in the ghetto, he was active in crossing to the Aryan side and smuggling food into the ghetto for his family and friends. When the orphanage was liquidated, Baum happened to be visiting his mother and was not taken away with the other children. The Baum family then escaped from the ghetto to Plonsk, but were arrested there and deported to Auschwitz and other camps. Froim was liberated in Dachau; only two of his brothers survived.

"In the evening I had to prepare food and cook supper, which exhausted me totally. In politics there's absolutely nothing new. Again, out of impatience I feel myself beginning to fall into melancholy. There is really no way out of this for us." This is Dawid Sierakowiak's final diary entry. Soon after writing it, the young author died of tuberculosis, exhaustion, and starvation--the Holocaust syndrome known as "ghetto disease." After the liberation of the Lodz Ghetto, his notebooks were found stacked on a cookstove, ready to be burned for heat. Young Sierakowiak was one of more than 60,000 Jews who perished in that notorious urban slave camp, a man-made hell which was the longest surviving concentration of Jews in Nazi Europe.The diary comprises a remarkable legacy left to humanity by its teenage author. It is one of the most fastidiously detailed accounts ever rendered of modern life in human bondage. Off mountain climbing and studying in southern Poland during the summer of 1939, Dawid begins his diary with a heady enthusiasm to experience life, learn languages, and read great literature. He returns home under the quickly gathering clouds of war. Abruptly Lodz is occupied by the Nazis, and the Sierakowiak family is among the city's 200,000 Jews who are soon forced into a sealed ghetto, completely cut off from the outside world. With intimate, undefended prose, the diary's young author begins to describe the relentless horror of their predicament: his daily struggle to obtain food to survive; trying to make reason out of a world gone mad; coping with the plagues of death and deportation. Repeatedly he rallies himself against fear and pessimism, fighting the cold, disease, and exhaustion which finally consume him. Physical pain and emotional woe hold him constantly at the edge of endurance. Hunger tears Dawid's family apart, turning his father into a thief who steals bread from his wife and children.The wonder of the diary is that every bit of hardship yields wisdom from Dawid's remarkable intellect. Reading it, you become a prisoner with him in the ghetto, and with discomfiting intimacy you begin to experience the incredible process by which the vast majority of the Jews of Europe were annihilated in World War II. Significantly, the youth has no doubt about the consequence of deportation out of the ghetto: "Deportation into lard," he calls it. A committed communist and the unit leader of an underground organization, he crusades for more food for the ghetto's school children. But when invited to pledge his life to a suicide resistance squad, he writes that he cannot become a "professional revolutionary." He owes his strength and life to the care of his family.

An authentic literary great, Singer was an author whose extraordinary talents won him a worldwide audience. And with this impressive novel, he proved that he was at the height of his creative power until his recent death at age 86. Scum evokes the teeming life of 1906 Warsaw's backstreets. Max Barabander, distraught over the recent death of his son, flees the life of wealth and respectability he has attained in Buenos Aires, to return to the poverty and shadows of his youth spent in Warsaw. He fears impotence which leads him to the pursuit of mindless sex with five different women who view him only as an escape from their drab lives. The author recalls the teeming life of 1906 Jewish Warsaw in this impressive novel of changing mores and values. . .

It's 1922 and David Bendiger, an aspiring eighteen-and-a-half-year-old writer, arrives in Warsaw, penniless and homeless. His only contacts are Sonya, a young woman with whom he has had amorous dealings in the village they have left, and a Zionist functionary who informs him he has qualified for a certificate permitting him to emigrate to Palestine. But in order to make the journey David must enter into a fictitious marriage with a woman so eager to get to Palestine that she will pay all the expenses. While David waits for his certificate, he becomes involved not only with Sonya but with Edusha, the sexually avant-garde Communist Party member in whose apartment he finds a temporary haven; and with Minna, the well-to-do young woman who wants to join her fiance in Palestine and agrees to "marry" David. Grappling with romantic, political, and youthful turmoil, David also confronts his literary future and religious past when his older brother - a writer disillusioned by a recent sojourn in Russia - and his father, an Orthodox rabbi, both turn up in Warsaw. The Certificate was serialized in Yiddish in 1967, but may have been written much earlier. The translator, Leonard Wolf, in a postscript calls it "a very young man's book" and "certainly the most playful of Singer's long fictions", with its alternately comic and poignant shifts in plot. Young David's passions for women, philosophizing, Jewish religious speculation, and Walter Mitty-like fantasies make The Certificate a captivating novel in the great tradition of a master storyteller.

"The first middle-grade book from a picture book master-a harrowing, heartrending, illustrated account of his childhood escape from the terrors of war"--

Responsa from the Holocaust, Hebrew Edition, Volume 2. Hebrew name שאלות ותשובות ממעמקים, which translate as 'Responsa From the Depths'. Condition is VERY GOOD with some fading and very slight roughness only on the edge of the covers. This is the second of 5 volumes of this prestigious and extremely rare set of books dealing with the Rabbi's Responsa during the holocaust in Kovno ghetto, Lithuania, 1941 - 1945. There are essentially none of these books available on the internet, period.

“He is our Dante . . . writing a modern masterpiece about his journey into Hell . . . [that is] unique in the literature of the Holocaust.” — USA Today A Penguin Classic Primo Levi was one of the most astonishing voices to emerge from the twentieth century: a man who survived one of the ugliest times in history, yet who was able to describe his own Auschwitz experience with an unaffected tenderness. Levi was a master storyteller but he did not write fairytales. These stories are an elegy to the human figures who stood out against the tragic background of Auschwitz, “the ones in whom I had recognized the will and capacity to react, and hence a rudiment of virtue.” Each centers on an individual who—whether it be through a juggling trick, a slice of apple or a letter—discovers one of the “bizarre, marginal moments of reprieve.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An adaptation for children of Grossman's "With a Camera in the Ghetto" (1970). Contains 17 of the photographs taken by him in the Łódź ghetto, accompanied by brief texts. Grossman did not survive the Holocaust.

In this new collection of essays, Adam Michnik—one of Europe’s leading dissidents—traces the post-cold-war transformation of Eastern Europe. He writes again in opposition, this time to post-communist elites and European Union bureaucrats. Composed of history, memoir, and political critique, In Search of Lost Meaning shines a spotlight on the changes in Poland and the Eastern Bloc in the post-1989 years. Michnik asks what mistakes were made and what we can learn from climactic events in Poland’s past, in its literature, and the histories of Central and Eastern Europe. He calls attention to pivotal moments in which central figures like Lech Walesa and political movements like Solidarity came into being, how these movements attempted to uproot the past, and how subsequent events have ultimately challenged Poland’s enduring ethical legacy of morality and liberalism. Reflecting on the most recent efforts to grapple with Poland’s Jewish history and residual guilt, this profoundly important book throws light not only on recent events, but also on the thinking of one of their most important protagonists.

Winner, 2015 USC Book Award in Literary and Cultural Studies, for outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies The Ethics of Witnessing investigates the reactions of five important Polish diaristswriters—Jaroslaw Iwaszkiewicz, Maria Dabrowska, Aurelia Wylezynska, Zofia Nalkowska, and Stanislaw Rembek—during the period when the Nazis persecuted and murdered Warsaw’s Jewish population. The responses to the Holocaust of these prominent prewar authors extended from insistence on empathic interaction with victims to resentful detachment from Jewish suffering. Whereas some defied the dehumanization of the Jews and endeavored to maintain intersubjective relationships with the victims they attempted to rescue, others selfdeceptively evaded the Jewish plight. The Ethics of Witnessing examines the extent to which ideologies of humanism and nationalism informed the diarists’ perceptions, proposing that the reality of the Final Solution exposed the limits of both orientations and ultimately destroyed the ethical landscape shaped by the Enlightenment tradition, which promised the equality and fellowship of all human beings.

In this pathbreaking study of responses to the Holocaust in wartime and postwar Polish literature, Rachel Feldhay Brenner explores seven writers' compulsive need to share their traumatic experience of witness with the world. The Holocaust put the ideological convictions of Kornel Filipowicz, Józef Mackiewicz, Tadeusz Borowski, Zofia Kossak, Leopold Buczkowski, Jerzy Andrzejewski, and Stefan Otwinowski to the ultimate test. Tragically, witnessing the horror of the Holocaust implied complicity with the perpetrator and produced an existential crisis that these writers, who were all exempted from the genocide thanks to their non-Jewish identities, struggled to resolve in literary form. Polish Literature and the Holocaust: Eyewitness Testimonies,1942-1947 is a particularly timely book in view of the continuing debates about the attitudes of Poles toward the Jews during the war. The literary voices from the past that Brenner examines posit questions that are as pertinent now as they were then. And so, while this book speaks to readers who are interested in literary responses to the Holocaust, it also illuminates the universal issue of the responsibility of witnesses toward the victims of any atrocity--Provided by publisher.

The conflict between Haskalah and hasidism was one of the most important forces in shaping the world of Polish Jewry for almost two centuries, but our understanding of it has long been dominated by theories based on stereotypes rather than detailed analysis of the available sources. In this award-winning study, Marcin Wodziński challenges the long-established theories about the conflict by contextualizing it, principally in the Kingdom of Poland but also with regard to other parts of eastern Europe. Covering the period from the earliest anti-hasidic polemics in the late eighteenth century through to the post-Haskalah movements of the twentieth century, it follows the development of this important conflict in its central arena. Using source materials (including many hitherto unknown documents) in Polish and five other languages, Wodziński has succeeded in reconstructing the way the conflict expressed itself. Identifying the motives, the methods, and the consequences of the conflict as it was played out in five Polish towns (Lódz, Opoczno, Piotrków, Warsaw, and Warta), he shows that it was primarily informed by non-ideological clashes at the level of local communities rather than by high-level ideological debates. Much attention is also devoted to the general characteristics of hasidism and the Haskalah, as well as to the post-Haskalah movements. Here too Wodziński challenges the ideologically charged assumptions of a generation of historians who refused to see the advocates of Jewish modernity in nineteenth-century Poland as an integral part of the Haskalah movement. Extensive consideration is given to the professional, social, institutional, and ideological characteristics of the Polish Haskalah as well as to its geographic extent, and to the changes the movement underwent in the course of the nineteenth century. Similar attention is given to the influence of the specific characteristics of Polish hasidism on the shape of the conflict, especially as regard the size of the movement and the evolution of hasidic communal involvement. In consequence the book presents a synthesis that offers both breadth and depth, contextualizing its subject matter within the broader domains of the European Enlightenment and Polish culture, hasidism and rabbinic culture, tsarist policy and Polish history, not to mention the ins and outs of the Haskalah itself across Europe. An extensive appendix presents translations of nineteen important and hitherto unknown sources of relevance to a nuanced understanding of many aspects of nineteenth-century Jewish history in Poland and eastern Europe more generally.

Analysing the political relations between the Kingdom of Poland and the hasidic movement, this book examines plans formulated by the government and by groups close to government circles regarding hasidim, and describes how a hasidic body politic developed in response. Marcin Wodzinski demonstrates that the rise of hasidism was an important factor in shaping the Jewish policy of both central and provincial authorities and shows how the creation of socio-political conditions that were advantageous to the hasidic movement accelerated its growth. While concentrating on the dynamic that developed in the Kingdom of Poland, the discussion is informed by a consideration of the relationship between the state and the hasidic movement from its inception in the Polish - Lithuanian Commonwealth. The novelty of this study lies in the fact that, whereas most analyses of political culture concentrate on states and societies with well-established electoral systems of representation, Wodzinski focuses on the under-researched area of political relations between a non-democratic state and a low-status community lacking authorized representation. Applying concepts more often associated with cultural history, his analysis draws a distinction between the terms of reference of high-level political debate and the actual implementation of policy middle- and low-level officials. Similarly, in analysing hasidic responses he differentiates between high-level hasidic representations in the state and the grassroots politics of the community. This combination enables a broad contextualization of the whole subject, integrating the social and cultural history of Polish Jewry with that of Polish society in general.