A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.

Through the synthesis of psychoanalytic theory, literature, interviews, and personal experiences, the author analyzes the losses of childhood, youth, impossible expectations, and loved ones and demonstrates what one must give up in order to continue to grow

Exploring the startling history of the heterosexual concept, Jonathan Ned Katz reveals that as late as the 1920s, heterosexuality was still defined in a major American dictionary as "morbid sexual passion for one of the opposite sex." It was only through a slow process that heterosexuality became this society's dominant norm. Analyzing the work of such pioneering students of sexuality as Sigmund Freud and Richard von Krafft-Ebing, Katz considers the effects of their ideas about the sacred primacy of heterosexuality on both scientific literature and popular culture. He also examines the varied commentaries on heterosexuality by such contemporary writers as James Baldwin, Betty Friedan, Adrienne Rich, Kate Millett, and Michel Foucault.

The Evolutionary Bases of Consumption by Gad Saad applies Darwinian principles in understanding our consumption patterns and the products of popular culture that most appeal to individuals. The first and only scholarly work to do so, this is a captivating study of the adaptive reasons behind our behaviors, cognitions, emotions, and perceptions. This lens of analysis suggests how we come to make selections such as choosing a mate, the foods we eat, the gifts that we offer, and more. It also highlights how numerous forms of dark side consumption, including pathological gambling, compulsive buying, pornographic addiction, and eating disorders, possess a Darwinian etiology. Engaging and diverse in scope, the book maps consumption phenomena onto four key Darwinian modules: survival, reproduction, kin selection, and reciprocal altruism. As an interesting proposal, the author suggests that media and advertising contents exist in their particular forms because they are a reflection of our evolved human nature - negating the notion that they exist through the reverse causal link, as proposed by social constructivists. The link between evolutionary theory and consumption behaviors is detailed throughout the book via an examination of (among many others): appearance-enhancing products and services; financial and physical risk-taking; use of sexual imagery and the depictions of women in advertising; and television programs, movies, songs, music videos, literature, religion, and art. The Evolutionary Bases of Consumption will appeal to evolutionists who desire to explore new areas wherein evolutionary theory can be applied; consumer and marketing scholars who wish to learn about the ways in which biological-and evolutionary-based theorizing can be infused into the consumer behavior/marketing/advertising disciplines; as well as other interdisciplinary scholars interested in gaining knowledge about the power of evolutionary theory in explaining a wide range of behavioral phenomena.

This reinterpretation of the full sweep of English and American romantic poetry offers close readings of poems of Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Whitman, Yeats, and Stevens. It also reviews the crucial ideas of Emerson, Nietzsche, and in particular Freud, whose psychoanalytic theory of repression and defense Bloom undertakes to revise for purposes of literary criticism. "Bloom offers a fully defined alternative to the principal modes of contemporary criticism, from Freudian literary criticism (which he insists is neither Freudian nor literary criticism) to the New Criticism and structuralist and archetypal approaches. It is an original, vigorous, and passionate study which is both compelling and provocative."-The British Studies Monitor "Show me but one paragraph of Bloom's approaches to texts, and I'm hooked. . . . I find sheer delight in his ingenious ways."-Kenneth Burke "Bloom has made a remarkable contribution to poetic theory."-Phoebe Pettingell, The New Leader

Employs diaries, biographies, interviews, artwork, literature, psychology, and historical documents to illustrate the role of gender, sexuality, aspirations, and public personae in the causes and effects of war.

Stories pervade our daily lives, from human interest news items, to a business strategy described to a colleague, to daydreams between chores. Stories are what we use to make sense of the world. But how does this work? In Making Stories , the eminent psychologist Jerome Bruner examines this pervasive human habit and suggests new and deeper ways to think about how we use stories to make sense of lives and the great moral and psychological problems that animate them. Looking at legal cases and autobiography as well as literature, Bruner warns us not to be seduced by overly tidy stories and shows how doubt and double meaning can lie beneath the most seemingly simple case.

These essays by sixteen eminent psychoanalysts revise Freud's long-standing, phallocentric view of women. The authors achieve a more realistic picture of the human female as they dispel myths about dependency, biological determinism, penis envy, and masochism. Their writings go on to explore the maternal instinct, childbearing, gender identity, and sexual identity and to comment on the role of women in literature. The result is a book that throws new light on psychoanalysis for women today and on women's continuing struggle for a more fulfilling way of life.

Suicide haunts our literature and our culture, claiming the lives of ordinary people and celebrities alike. It is now the third leading cause of death for fifteen- to twenty-four-year-olds in the United States, raising alarms across the nation about the rising tide of hopelessness seen in our young people. It is a taboo subtext to our successes and our happiness, a dark issue that is often euphemized, avoided, and little understood. In our century, psychology and psychiatry alike have attempted to understand, prevent, and medicalize these phenomena. But they have failed, argues Dr. Edwin Shneidman, because they have lost sight of the plain language, the ordinary everyday words, the pain and frustrated psychological needs of the suicidal individual. In The Suicidal Mind, Dr. Shneidman has written a groundbreaking work for every person who has ever thought about suicide or knows anybody who has contemplated it. The book brims with insight into the suicidal impulse and with helpful suggestions on how to counteract it. Shneidman presents a bold and simple premise: the main cause of suicide is psychological pain or "psychache." Thus the key to preventing suicide is not so much the study of the structure of the brain, or the study of social statistics, or the study of mental diseases, as it is the direct study of human emotions. To treat a suicidal individual, we need to identify, address, and reduce the individual's psychache. Shneidman shares with the reader his knowledge, both as a clinician and researcher, of the psychological drama that plays itself out in the suicidal mind through the exploration of three moving case studies. We meet Ariel, who set herself on fire; Beatrice, who cut herself with the intent to die; and Castro, a young man who meant to shoot his brains out but survived, horribly disfigured. These cases are presented in the person's own words to reveal the details of the suicidal drama, to show that the purpose of suicide is to seek a solution, to illustrate the pain at the core of suicide, and to isolate the common stressor in suicide: frustrated psychological needs. Throughout, Shneidman offers practical, explicit maneuvers to assist in treating a suicidal individual--steps that can be taken by concerned friends or family and professionals alike. Suicide is an exclusively human response to extreme psychological pain, a lonely and desperate solution for the sufferer who can no longer see any alternatives. In this landmark and elegantly written book, Shneidman provides the language, not only for understanding the suicidal mind, but for understanding ourselves. Anyone who has ever considered suicide, or knows someone who has, will find here a wealth of insights to help understand and to prevent suicide.

At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not a historical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault.

The title that the authors have chosen for this book, The Causes and Cures of Criminality, suggests that it may be just another book specu lating on the sociological evils that need to be put right for "everything in the garden to be lovely." If this is the expectation, the reader could not be more mistaken. The recurrent theme, in fact, is a strong accent on psychological experiments. Both authors have tackled the theoretical and practical side of crime through an exhaustive literature review of past experi mental work. Hans J. Eysenck has concentrated on the constitutional and biological theory of criminality, whereas Gisli Gudjonsson has con cerned himself more with a review of ongoing research into therapy and possible prevention of antisocial behavior. Part I goes into considerable detail on the causes of criminality, stressing much of the strangely neglected area of individual differences in personality. Research studies point to a very heavy involvement of heredity in the causation of criminality, but the authors are careful to acknowledge that much can be done environmentally to discourage a life of crime once those persons who are at risk have been identified.

This book is a collection of writings by active researchers in the field of Artificial General Intelligence, on topics of central importance in the field. Each chapter focuses on one theoretical problem, proposes a novel solution, and is written in sufficiently non-technical language to be understandable by advanced undergraduates or scientists in allied fields. This book is the very first collection in the field of Artificial General Intelligence (AGI) focusing on theoretical, conceptual, and philosophical issues in the creation of thinking machines. All the authors are researchers actively developing AGI projects, thus distinguishing the book from much of the theoretical cognitive science and AI literature, which is generally quite divorced from practical AGI system building issues. And the discussions are presented in a way that makes the problems and proposed solutions understandable to a wide readership of non-specialists, providing a distinction from the journal and conference-proceedings literature. The book will benefit AGI researchers and students by giving them a solid orientation in the conceptual foundations of the field (which is not currently available anywhere); and it would benefit researchers in allied fields by giving them a high-level view of the current state of thinking in the AGI field. Furthermore, by addressing key topics in the field in a coherent way, the collection as a whole may play an important role in guiding future research in both theoretical and practical AGI, and in linking AGI research with work in allied disciplines

"Imagine keeping a record of every book you ever read. What would those titles say about you? With humor and warmth, the editor of The New York Times Book Review shares the stories that have shaped her life. For twenty-eight years, Pamela Paul has been keeping a diary that records the books she reads, rather than the life she leads. Or does it? Over time, it's become clear that this Book of Books, or Bob, as she calls him, tells a much bigger story. For Paul, as for many readers, books reflect her inner life-- her fantasies and hopes, her dreams and ideas. And her life, in turn, influences which books she chooses, whether for solace or escape, diversion or self-reflection, information or entertainment. My Life with Bob isn't about what's in those books; it's about the relationship between books and readers. Bob was with her when she struggled to get through the Norton Anthology of English Literature in college and when she read Anna Karenina while living abroad alone. He was there when she fell in love and much needed when she sought solace in self-help and memoirs like Autobiography of a Face. Through marriage and divorce, remarriage (The Master and Margarita) and parenthood (The Hunger Games), professional setbacks and successes, Bob recorded what she read while all that happened. The diary--now coffee-stained and frayed--is the record of a lifelong love affair with books, and has come to mean more to her than any other material possession. My Life with Bob is a testament to the power of books to provide the perspective, courage, companionship, and ultimately self-knowledge to forge our own path"--

Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.

Over the course of a monumental career, Claude Lévi-Strauss has interwoven artistic materials and themes into his seminal analyses of the “savage mind.” Now the world's most famous anthropologist turns his attention entirely to the domain of aesthetics. In a series of brilliant but meticulous studies, he ranges widely across the domains of painting, music, literature and the plastic arts, his fertile mind opening more general, philosophical perspectives. Look, Listen, Read begins with an analysis of Nicolas Poussin's method of visual composition, and after drawing a surprising parallel with Marcel Proust, moves into a fascinating discussion, joined by Ingres and Delacroix among others, on the art of painting. Next the author turns to music, taking his inspiration from an inquiry into certain chord modulations in Rameau's opera Castor et Pollux, which at the time of its composition were considered a musical breakthrough. The book then considers the nature of the “beautiful.” The reference point here remains the French Enlightenment, and in particular Diderot's reflections on painting. Focusing on the aesthetic controversies of this same period, but with regard to music, a fascinating series of chapters revives the work of the largely forgotten eighteenth-century musicologist Michel-Paul-Guy de Chabanon and his surprisingly contemporary discussion of music's partial resemblance to language. This leads to a consideration of the relations of words to music in opera, where Lévi-Strauss reveals something of his own tastes in music while engaging in a critical review of a work by his recently deceased friend and colleague, Michel Leires. The relation between sounds and colors is considered next, largely through a breathtaking examination of a famous but difficult poem by Arthur Rimbaud. There follows an exchange of notes with André Breton, written some fifty years ago, on the nature of the work of art. In the book's concluding chapters the author dons the more familiar mantle of the anthropologist, and by looking at the myths of the American Indians, offering an analysis of their understanding of the place of art and of the artist in their own societies. Look, Listen, Read is a truly original work, far removed from the intellectual fads that mark contemporary discussions on aesthetics, as Lévi-Strauss advances into new territory even as he remains faithful to his structuralist inspiration. The book weaves a dense tissue of connections, correspondences, and principles, while at the same time remaining sensitive to the specificities of each of the beaux-arts. In a valedictory statement capping a lifetime's work, Lévi-Strauss has made a major new contribution to our understanding of the place of art in human life, the nature of its appeal, the source of its creativity, and its universality.

The Most Dangerous Book You Were Never Meant to Read A legendary underground classic that reshaped alternative publishing, Apocalypse Culture is a definitive collection of forbidden ideas, shocking theories, and fringe voices from the edge of modern thought. Edited by Adam Parfrey, founder of Feral House, this anthology dives deep into the darkest corners of politics, belief, and human behavior. Combining essays, interviews, and manifestos, Apocalypse Culture explores topics that mainstream media won't touch: government mind control, body modification, ritual abuse, cult psychology, taboo sexuality, social decay, eugenics, Satanic panic, and end-times theology. Many of these texts have been banned, suppressed, or ignored--until now. Since its initial release in the late 1980s, Apocalypse Culture has become a touchstone for readers interested in the occult, true crime, radical politics, and conspiracy theories. Revered by artists, feared by censors, and cited in countless works of film, music, and journalism, this book continues to challenge what it means to be civilized in an age of collapse. Whether you're a student of subversive literature or a newcomer to transgressive nonfiction, Apocalypse Culture remains a vital document of Western civilization's shadow self.

Human beings have long imagined their subjectivity, ethics, and ancestry with and through animals, yet not until the mid-twentieth century did contemporary thought reflect critically on animals' significance in human self-conception. Thinkers such as French philosopher Jacques Derrida, South African novelist J. M. Coetzee, and American theorist Donna Haraway have initiated rigorous inquiries into the question of the animal, now blossoming in a number of directions. It is no longer strange to say that if animals did not exist, we would have to invent them.This interdisciplinary and cross-cultural collection reflects the growth of animal studies as an independent field and the rise of "animality" as a critical lens through which to analyze society and culture, on a par with race and gender. Essays consider the role of animals in the human imagination and the imagination of the human; the worldviews of indigenous peoples; animal-human mythology in early modern China; and political uses of the animal in postcolonial India. They engage with the theoretical underpinnings of the animal protection movement, representations of animals in children's literature, depictions of animals in contemporary art, and the philosophical positioning of the animal from Aristotle to Derrida. The strength of this companion lies in its timeliness and contextual diversity, which makes it essential reading for students and researchers while further developing the parameters of the discipline.

In modern childhood, free, unstructured play time is being replaced more and more by academics, lessons, competitive sports, and passive, electronic entertainment. While parents may worry that their children will be at a disadvantage if they are not engaged in constant, explicit learning or using the latest "educational" games, David Elkind's The Power of Play reassures us that unscheduled imaginative play goes far in preparing children for academic and social success. Through expert analysis of the research and powerful situational examples, Elkind shows that, indeed, creative spontaneous activity best sets the stage for academic learning in the first place: Children learn mutual respect and cooperation through role-playing and the negotiation of rules, which in turn prepare them for successful classroom learning; in simply playing with rocks, for example, a child could discover properties of counting and shapes that are the underpinnings of math; even a toddler's babbling is a necessary precursor to the acquisition of language. An important contribution to the literature about how children learn, The Power of Play suggests ways to restore play's respected place in children's lives, at home, at school, and in the larger community. In defense of unstructured "down time," it encourages parents to trust their instincts and resist the promise of the wide and dubious array of educational products on the market geared to youngsters.

"For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory"--OCLC

Text and photographs follow a young boy as he finds out how to give up the habit of sucking his thumb. Includes a question-and-answer guide for parents and medical professionals.