"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

Eschewing social scientific approaches, which tend to examine race and racism in terms of quasi-static ideal types, this book surveys differing historical contexts from the era of scientific racism in the nineteenth-century to the post-racial racism of the post 9/11 period, and from Europe to the United States, in order to understand how racism has been articulated in differing situations. It is distinguished by the attention it pays to the on-going power of racial discourse in the contemporary period as a legitimating factor in oppression. It exemplifies methodological openness, combining the work of historians, philosophers, religious scholars, and literary critics, and includes differing theoretical models in pursuing a critical approach to race: cultural studies; trauma theory and psychoanalysis; critical theory and consideration of the "new racism"; and postcolonialism and the literature on globalization. It brings together the work of leading academics with younger practitioners and is capped off by an interview with world-renowned intellectual Cornel West on black intellectuals in America. This book was previously published as a special issue of Patterns of Prejudice.

Winner of the 2005 Francis Parkman Prize A century ago, U.S. policy aimed to sever the tribal allegiances of Native Americans, limit their ancient liberties, and coercively prepare them for citizenship. At the same time millions of arriving immigrants sought their freedom by means of that same citizenship. In this subtle, eye-opening new work, Alan Trachtenberg argues that the two developments were, inevitably, juxtaposed: Indians and immigrants together preoccupied the public imagination, and together changed the idea of what it meant to be American. To begin with, programs of "Americanization" were organized for both groups, yet Indians were at the same time celebrated as noble "First Americans" and role models. Trachtenberg traces the peculiar effect of this implicit contradiction, with Indians themselves staging "The Song of Hiawatha" (which was also translated into Yiddish); Edward Curtis's poignant photographs memorializing vanishing heroism; and the Wanamaker department store making a fortune from commercialized versions of their once reviled cultures. By 1925 the national narrative had been rewritten, and citizenship was granted to Indians as a birthright, while the National Origins Act began to close the door on immigrants. "In Shades of Hiawatha," Trachtenberg eloquently suggests that we must re-create America's tribal creation story in new ways if we are to reaffirm its beckoning promise of universal liberty.

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

Race and Mixed Race is an exploration of the philosophical, social, and historical problems related to racial identity - from the perspectives of individuals of "pure" and mixed race. Tracing the history of racial designations in the United States, Naomi Zack uses philosophical methods to criticize the logic of American racial categories. She discusses why racial identity is a matter of importance; examines the treatment of mixed race in law, society, and literature; and addresses philosophical questions related to the designation of someone as belonging to a given race. In this first philosophical challenge to accepted racial classifications in the United States, Zack argues that black and white designations are themselves racist because the concept of race does not have an adequate scientific foundation. The "one drop" rule, which originally was a rationalization for slavery, persists to this day despite the fact that there have never been "pure" races and that most American blacks have "white" genes. Challenging the equation that black plus white always results in black, the author explores the existential problems of mixed race identity. The stringent bi-racial system in this country does not recognize mixed racial heritage, which generates a special racial alienation for many Americans. Discussing the possibility of eliminating all racial identities for their lack of scientific or moral underpinning, Zack analyzes American racial words to reveal their metaphorical nature. Ironically suggesting the inclusion of "gray" into the vocabulary as a designation for mixed black and white race, she concludes that any racial identity, based as it must be on false and unjust racial identification, is an expression of bad faith.

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.

Many books, both popular and scholarly, have examined racism in the United States, but this unique volume is the first to examine the existence of anti-racism in the first two hundred years of U.S. history. Herbert Aptheker challenges the view that racism was universally accepted by whites. His book thoroughly debunks the myth that white people never cared about the plight of African-Americans until just before the outbreak of the Civil War. Covering the period from the 1600s through the 1860s, Aptheker begins with a short introduction and a questioning of racism's pervasiveness, taking examples of anti-racism from the literature. He then devotes sections to sexual relations, racism and anti-racism, to joint struggles to reject racism, and to a discussion of Gregoire, Banneker, and Jeffersonianism. Next he considers inferiority as viewed by poets, preachers, and teachers and by entrepreneuers, seamen, and cowboys. After a consideration of the Quakers, he turns his attention to the American and French revolutions and racism and to the Republic's early years and racism. Aptheker then devotes several sections to Abolitionism and concludes the work with the the Crisis Decade, the Civil War, Emancipation, and anti-racism. This book by a well-known scholar in the field will be of interest to all concerned with U.S. history and African American history.