"In the bitter desolation of Siberia, Esther and her family fight to stay alive." It is June 1941. The Rudomin family has been arrested by the Russians. They are "capitalists--enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia. For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future. Notable Children's Books of 1968 (ALA) 1968 Boston Globe-Horn Book Award Honor Book Outstanding Children's Books of 1968 (NYT) 1969 Jane Addams Award 1971 Lewis Carroll Shelf Award Nominee, 1969 National Book Award for Children's Literature 1969 Shirley Kravitz Children's Book Award 1987 Deutsche Jugenliteraturpreis (German Youth Literature Prize) "Honorable List" 1969 Fanfare Honor List (The Horn Book)

An important collection of writings and memoirs on the Russian Futurist movement from one of America's pre-eminent linguists and literary theorists. Born in Moscow in 1896, Roman Jakobson brought an extraordinary rare poet's sensibility to his exploration of language. This volume, which fills a major gap in the literature of the Russian avant-garde, is a lively collection of letters, memoirs, poetry, prose, and essays. It includes recollections of Mayakovsky, Khlebnikow and others.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

One afternoon in December 1992, Yuri Lotman sat down to dictate to his assistant. These sessions were spread out over that winter and into the spring of 1993—the final spring of Lotman's life. The result is this book of memories and recollections. Five sections concern a single anecdote or theme—lice on the front, an encounter with a hare, a "totally Bulgakovian" episode, a visit from the KGB, Tartu School politics. The remaining two sections supply the narrative backbone of the memoir, focusing on the passage of time: school and frontline life, the end of the war, and postwar university life. --

The Red Pencil (1989) examines the many ways in which Soviet censorship interfered in the creative process - in the words of those who experienced it first hand. It helps to identify the ways in which Soviet artistic and intellectual production was shaped by the practices of Soviet censorship. The book goes beyond the simple recounting of banned books and taboo subjects to examine the more subtle issue of how Soviet writers attempted to strike a balance between accommodating the demands of government censorship while retaining for themselves a modicum of unfettered expression and intellectual integrity. Most of the contributing authors were active as writers, critics, editors, film and theatre specialists, or scientists prior to their departure from the Soviet Union in the 1970s.

This subtle, unusual book explores the many, often overlapping ways in which the Russian Jewish past has been remembered in history, in literature, and in popular culture. Drawing on a wide range of sources?including novels, plays, and archival material? Imagining Russian Jewry is a reflection on reading, collective memory, and the often uneasy, and also uncomfortably intimate, relationships that exist between seemingly incompatible ways of seeing the past. The book also explores what it means to produce scholarship on topics that are deeply personal: its anxieties, its evasions, and its pleasures. Zipperstein, a leading expert in modern Jewish history, explores the imprint left by the Russian Jewish past on American Jews starting from the turn of the twentieth century, considering literature ranging from immigrant novels to Fiddler on the Roof . In Russia, he finds nostalgia in turn-of-the-century East European Jewry itself, in novels contrasting Jewish life in acculturated Odessa with the more traditional shtetls. The book closes with a provocative call for a greater awareness regarding how the Holocaust has influenced scholarship produced since the Shoah.

While living in exile in Berlin, the formidable literary critic Viktor Shklovsky fell in love with Elsa Triolet. He fell into the habit of sending Elsa several letters a day, a situation she accepted under one condition: he was forbidden to write about love. Zoo, or Letters Not about Love is an epistolary novel born of this constraint, and although the brilliant and playful letters contained here cover everything from observations about contemporary German and Russian life to theories of art and literature, nonetheless every one of them is indirectly dedicated to the one topic they are all required to avoid: their author's own unrequited love.

"At the turn of the twentieth century, over forty percent of the world's Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish 'Dark Continent.' Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive--what he called an Oral Torah of the common people rather than the rabbinic elite--which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish--exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies--the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction. Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky's almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky's project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity." -- Publisher's Web site.

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This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.

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