Marcus Jastrow's Hebrew and Aramaic Dictionary is an indispensable tool for any student or scholar studying Hebrew and Aramaic literature. This is a special edition which inclues the entire multi-volume dictionary, with all entries from Aleph - Tav in one book (10.5 pt. font). It also includes the errata and index. In his two-volume work, Jastrow covers all the Hebrew words attested in the Mishnah and Midrashim, as well as all the Aramaic words found in the Talmud and Targums. This massive corpus of information is very well crafted, with thousands of references to the Tanach, Talmud, and Midrashim. It also includes variant spellings and alternative pronunciations of the Hebrew and Aramaic lemmas. Whether you are studying the Midrashim, Talmud, or the Aramaic Targums - Jastrow's Dictionary a worthwhile investment.

The Pentateuch And The Haftaroth is a book written by Abraham Benisch in 1889. The book is a comprehensive guide to the Jewish scriptures, specifically the first five books of the Hebrew Bible, known as the Pentateuch, and the related readings from the Prophets, known as the Haftaroth. The Pentateuch, which includes the books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy, is considered the foundation of Jewish law and tradition. The Haftaroth, on the other hand, are selections from the books of the Prophets that are read in synagogues on Sabbaths and holidays, and are meant to complement the themes of the Torah portion.Benisch's book provides a detailed analysis of each section of the Pentateuch and the corresponding Haftarah reading, examining the historical context, literary style, and theological themes of each passage. The book also includes translations of the Hebrew text, as well as commentary and interpretation from various Jewish scholars throughout history.Overall, The Pentateuch And The Haftaroth is a valuable resource for anyone seeking a deeper understanding of Jewish scripture and tradition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Here is a sustained criticism of the "rather facile use" of rabbinic literature by New Testament scholarship. In particular, Neusner addresses the writings of Helmut Koester, Samuel Sandmel, Reginald Fuller, Harvey Falk, Geza Vermes, E.P. Sanders, S.J.D. Cohen, Morton Smith, John P. Meier, and Brad H. Young. The book begins with a study of the characteristics of rabbinic literature and a demonstration of why this literature cannot be easily used for the kind of history New Testament scholarship proposes to produce. Then follow critiques of the writings by various New Testament scholars and the differences between Professor Neusner and his critics. A concluding section pays tribute to the New Testament field for all it has taught the author.

In this English translation of the 1993 Sor Juana Inés de la Cruz Prize winner Dulcinea encantada (1992) by Mexican author Angelina Muñiz-Huberman, Dulcinea travels in a car writing novels in her mind about several Dulcineas: a medieval princess on a quest, a nineteenth-century lady-in-waiting in Mexico, and a twentieth-century young woman who was sent to Russia as a girl to escape the Spanish Civil War and later journeys to Mexico to reunite with her parents. Unsure of her identity, Dulcinea remembers, debates, and records memories of her exile. As she circles Mexico City, she examines the role of memory, speech, and writing through her fragmented narrative voice. Dulcinea explores her place in the world through storytelling, blurring the line between reality and imagination. This novel pairs a lyrical and contemplative style with experimental writing to present common themes of identity formation and exile in a unique form. Dulcinea’s quest is also one of spiritual connection with apocalyptic and mystical overtones. With allusions to both Christian and Jewish mystical traditions, this novel reveals a crypto-Jewish presence typical of Muñiz-Huberman’s writing, forming part of a Sephardic literary tradition. This edition includes an introduction and annotations by the translator, Rebecca Marquis.