From the internationally acclaimed author who enthralled the world with Exodus, Battle Cry, and other classics of twentieth-century fiction comes a sweeping and powerful epic adventure. Leon Uris captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost--a magnificent portrait of a people divided by class, faith, and prejudice. It is an unforgettable saga of the fires that devastated a majestic land--and the unquenchable flames that burn in the human heart.

In Feed My Dear Dogs, Emma Richler returns to the life of the Weiss family, first introduced to readers in her debut–and much-celebrated–book, Sister Crazy, through a series of interconnected stories narrated by Jemima (Jem) Weiss. The Weisses are a tight unit of seven: father Yaakov, a gruff sportswriter whose love for his children is manifest in his stern instructions and impromptu boxing lessons; mother Frances, a wise and gentle beauty adored by her family, almost to the point of obsession by her husband; Ben, the most heroic of the siblings, by virtue of birth-order and also for knowing the answer to all questions; Jude, Jem’s almost-twin, who is only fifteen months older than she and the most serious of the children, careful to point out the anti-Semitic leanings of Jem’s literary heroes; Jem, the narrator, who would prefer to never leave the comforting confines of her family; delicate yet hilarious Harriet, Jem’s only sister, who can sound like a little old lady or a sultry vixen, depending on what movie she’s quoting; and Gus, the frail little boy who completes the circle at the beginning of the book with his birth and arrival home from the hospital. Feed My Dear Dogs beings with the family in London, where eight-year-old Jem and her sister attend a convent school to the consternation of most of the nuns, since not only are the Weiss children not Catholic, but, most perplexingly, they are half-Jewish. Not surprisingly, Jem prefers home to school. At home she is surrounded by the books she loves, (particularly Tintin and Le Morte d’Arthur) and the comforts only a big, happy family can provide. Soon, however, the family departs for Canada –“Dad’s country,” as the children see it–where together they begin a new life, shuttling between a Montreal townhouse and a country home, and adapting to their new land –even creating the “Weiss on Ice” hockey team. No matter where the family is, each member is fiercely loyal to home. From the use of short notes: “Out. Back soon. – Jude” to a simple “I’ll be up in my room!” yelled down the stairs, to Yaakov’s frantic bellowing of “Frances!” through the house, the family keeps close tabs on its members, which also allows Jem to subconsciously control it: “. . . my universe still the Universe, a place I wander with a slight swagger.” But the comfort and security of family can’t last forever, Jem learns in high school, as Jude plans an extensive travel itinerary for himself and Ben contemplates moving out on his own. Meanwhile, Jem’s burgeoning feminism pits her against her father and brothers while she battles with a burden of guilt over the near-drowning death of her youngest brother. Spiraling into a breakdown by the story’s tragically beautiful end, Jem discovers that families simply can not remain fixed, like the stars in the galaxies, unchanged forever. Intermingled through the story of the Weiss family are Jem’s (and her siblings’) encyclopedic knowledge of history, literature, film, religion and language. Richler also interweaves the almost mythic life story of Frances, the family’s matriarch, into the book, and provides glimpses into Jem’s troubled mind through a series of present-day conversations with her therapist, all of which serve to create a fully drawn portrait of Jem, her mother and the bond between them and the family as a whole.

Fifth Volume in the Series: Proust Complete Bilingual - English / French - Vol. 1 to 7.Each English Volume is annotated and illustrated by P. Segal: PROUST SAID THAT, with different numbers and topics, followed by the original French version.In this volume: Issue N°5 from "Proustsaidthat Americana Collection." (27 pages).Topics: In This Issue; Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Remembrance of Things Past / À la Recherche du Temps Perdu. Previously also translated as In Search of Lost Time is a novel in seven volumes, written by Marcel Proust (1871-1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the Madeleine" which occurs early in the first volume.The novel had great influence on twentieth-century literature; some writers have sought to emulate it, others to parody it. In the centenary year of the novel's first volume, Edmund White pronounced À la Recherche du Temps Perdu "the most respected novel of the twentieth century." "Within a Budding Grove" was awarded the "Prix Goncourt" in 1919.Charles Kenneth Scott Moncrieff, MC (The Military Cross is the third-level military decoration awarded to officers and (since 1993) other ranks of the British Armed Forces, and used to be awarded to officers of other Commonwealth countries.) was a Scottish writer, most famous for his English translation of most of Proust's À la recherche du temps perdu, which he published under the Shakespearean title Remembrance of Things Past.About the SeriesSeries: Proust Complete Bilingual - English / French- Vol. 1 to 7. Translated from French by C. K. Scott Moncrieff: -Volume I: Swann's Way [1922] / Du Côté de chez Swann (1913), sometimes translated as The Way by Swann's. -Volume II: Within a Budding Grove [1924] / À L'ombre Des Jeunes Filles en Fleurs (1919), also translated as In the Shadow of Young Girls in Flower. Goncourt Prize in 1919.-Volume III: The Guermantes Way [1925] / Le Côté de Guermantes (1920/1921)-Volume IV: Cities of the Plain [1927] / Sodome et Gomorrhe (1921/1922) sometimes translated as Sodom and Gomorrah.-Volume V: The Captive [1929] / La Prisonnière (1923), also translated as The Prisoner. Volume VI: The Sweet Cheat Gone [1930] / Albertine Disparue (1925) La Fugitive) sometimes translated as The Fugitive [last line of Walter de la Mare's poem "The Ghost"] or Albertine Gone. Translated by Stephen Hudson: Volume VII: Time Regained [1931] / Le Temps Retrouvé (1927), also translated as Finding Time Again and The Past Recaptured.Topics in the "Proustsaidthat Americana Collection": Issue N°1: Proust Support Group, nocturnal liestyle, drugs, Pink Floyd, Stephen Hawking, Dreyfus Affair, madeleines Issue N°2: Marcel Purroust, neurosis, Fortuny, Bonny DoonV ineyard, French postcards, nesselrode puddingIssue N°3: Untortured Love, Cacophony Society, Paris and Venice, The Little Phrase, Raymond Chandler, fried sole.Issue N° 4: Proust's Life and Mine, Rejection, Proust Questionnaire, Florence, Coffee, S. Richter, bouillabaisse.Issue N°5: Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Front Cover: Hélène Standish, born Hélène de Pérusse des Cars.Marcel Proust is inspired by several models for the character Oriane de Guermantes in his novel, In Search of Lost Time.

In Search of First Contact is a monumental achievement by the influential literary critic Annette Kolodny. In this book, she offers a radically new interpretation of two medieval Icelandic tales, known as the Vinland sagas. She contends that they are the first known European narratives about contact with North America. After carefully explaining the evidence for that conclusion, Kolodny examines what happened after 1837, when English translations of the two sagas became widely available and enormously popular in the United States. She assesses their impact on literature, immigration policy, and concepts of masculinity. Kolodny considers what the sagas reveal about the Native peoples encountered by the Norse in Vinland around the year A.D. 1000, and she recovers Native American stories of first contacts with Europeans, including one that has never before been shared outside of Native communities. These stories contradict the dominant narrative of "first contact" between Europeans and the New World. Kolodny rethinks the lingering power of a mythic American Viking heritage and the long-standing debate over whether Leif Eiriksson or Christopher Columbus should be credited as the first discoverer. With this paradigm-shattering work, Kolodny shows what literary criticism can bring to historical and social scientific endeavors.