A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how they experienced every aspect of immigrant life in the early part of the twentieth century. This invaluable contribution to Jewish literature and culture is now back in print in a new paperback edition, which includes a new foreword by noted author and literary critic Morris Dickstein.

Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

Presented here are the key texts of the major Marxist controversies over literature and art that involved Ernst Bloch, Georg Lukacs, Bertolt Brecht, Walter Benjamin and Theodor Adorno.

Alfred Kazin burst onto the American literary scene in 1942, when his first book, "On Native Grounds," announced the arrival of an important new literary critic. "A Walker in the City," his second, signaled the other direction his career would follow: author of several intense, intimate, and lyrical memoirs. Years later he would admit how he struggled writing it. He thought he wanted to concentrate on New York itself, describing a series of walks around the city. But what emerged was the story of his own boyhood encounters with it, starting from Brownsville, the Brooklyn Jewish neighborhood of his birth, then stretching out to alluring, mysterious Manhattan and from there to the world. Each walk is simultaneously a journey out and a journey in: outward, from the neighborhood to the land beyond, the great, electric, canyoned streets of the city; inward, into his own soul, as it grows and falls in love with books and language and literature, with music and metaphysics and politics, with the city and the country and the world and rapturously tries to take them all in.

The author of the classic Keep the River on Your Right here tells the remarkable story of his four years among the Asmat of New Guinea, a jungle-dwelling people rumored to have killed Michael Rockefeller. Instead of ferocious cannibals, Schneebaum found a regal, loving, gentle people who freely accepted him and initiated him into a way of life no outsider had ever seen before. Adopted into an Asmat family in the village whose people were said to have killed Rockefeller, he crossed the boundaries into another culture and another age, learning secrets no other outsider had been allowed to see before. But it wasn't until Schneebaum met Akatpitsjin, a handsome married man with five children, that he entered the erotic world of the Asmat, when the two became "exchange friends' and lovers, a practice basic to the sexual life of the village. Schneebaum's encounter with the Asmat ultimately became something more intimate and liberating for him than the mere discovery of tribal secrets. He confronted himself. His odyssey is as much the record of a journey into himself as it is a unique and sensitively observed account of a vanishing society, written with a shimmering sensuality that has no equal in the literature of anthropology or self-confession.

This 20th anniversary edition of transsexual trailblazer Kate Bornstein’s unconventional guide to staying alive for teens, freaks and gender outlaws features 20 NEW Alternatives, a new foreword by the author, and a new afterword by Paul Preciado. "A don't-hurt guide for anyone who's been tempted to give in to despair."— Time Out New York "You'll want to keep extra copies of this one on the shelf to give away to friends in need." — Bitch magazine Now updated and with new material Hello, Cruel World features a catalog of 121 alternatives to suicide that range from the playful (moisturize!), to the irreverent (shatter some family values), to the controversial, fun, challenging and easy. Encouraging readers to unleash their hearts' harmless desires, the book has only one directive: "Don't be mean." It is this guiding principle that brings the reader on a self-validating journey and toward a resounding decision to embrace life. Using graphics and checklists, and with great humor and gutsiness, Kate Bornstein dares readers to re-envision the gender system as we know it. She offers stories and insights that are tenderly intimate and unapologetically edgy. Hello, Cruel World also includes: an Introduction by Sara Quin of Tegan and Sara The Hello Cruel Scale of Feelings an Index of Alternatives with safety and effectiveness scales Suicide rates among LGBTQ+ teens are much higher than for their cis peers; with love and humor and confession and insight, Bornstein hopes to keep every freak out there alive. She is a radical role model, an affectionate best friend, and a guiding mentor all in one. This one-of-a-kind guide to staying alive is a much-needed, sometimes unorthodox approach to life for those who want to stay on the edge, and alive. Finalist, LGBT Nonfiction Lambda Literary Award, 2009 Honor Book, Stonewall Children’s and Young Adult Literature Award, 2009

Dr Abraham Joshua Heschel (19071972), professor of Ethics and Mysticism at the Jewish Theological Seminary in New York, was one of the outstanding philosophers and theologians of our time. Internationally acclaimed author, scholar, activist and theologian, Dr Heschel's classic, "Man's Quest for God", originally published in 1954, continues to be a significant contribution to contemporary Jewish literature. In his poetic and inspiring style, Heschel offers insights that speak deeply to the essence of prayer.

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

With his groundbreaking and controversial DIM hypothesis, Dr. Leonard Peikoff casts a penetrating new light on the process of human thought, and thereby on Western culture and history. In this far-reaching study, Peikoff identifies the three methods people use to integrate concrete data into a whole, as when connecting diverse experiments by a scientific theory, or separate laws into a Constitution, or single events into a story. The first method, in which data is integrated through rational means, he calls Integration. The second, which employs non-rational means, he calls Misintegration. The third is Disintegration—which is nihilism, the desire to tear things apart. In The DIM Hypothesis Peikoff demonstrates the power of these three methods in shaping the West, by using the categories to examine the culturally representative fields of literature, physics, education, and politics. His analysis illustrates how the historical trends in each field have been dominated by one of these three categories, not only today but during the whole progression of Western culture from its beginning in Ancient Greece. Extrapolating from the historical pattern he identifies, Peikoff concludes by explaining why the lights of the West are going out—and predicts the most likely future for the United States.

The Purloined Clinic is a retrospective of essays, reviews, and reports that reflect the range and depth of Janet Malcolm's engagement with psychology, criticism, art, and literature. She examines aspects of "that absurdist collaboration," the psychoanalytic dialogue, from which come "small, stray sell recognitions that no other human relationship yields, brought forward under conditions . . . that no other human relationship could survive." She addresses such subjects as Tom Wolfe's vendetta against modern architecture, Milan Kundera's literary experiments, and Vaclav Havel's prison letters. She explores the somewhat deflated world of post-revolutionary Prague, guides us through the labyrinthine New York art world of the eighties, and takes us behind the one-way mirror of Salvador Minuchin's school of family therapy. And to each subject she brings the incisive skepticism and dazzling epigrammatic style that are her hallmarks. “Why don’t more people write like [Malcolm]? . . . She is cast from the mold of the Eastern European intellectual: beholden to modernism. as familiar with Kundera’s exile as she is with Freud’s Vienna. This sensibility must grant her the detachment she sometimes so mercilessly employs, but it also gives her an unassailable passion for getting to the center of things.” — Boston Globe

Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed. Covering the Middle Ages through the end of the nineteenth century, Sander L. Gilman explores the depictions of mental illness as seen in manuscripts, sculptures, lithographs, and photography. With artistic renderings and medical illustrations side-by-side, this volume includes over 250 visual displays of the mentally ill. These images capture society's reliance on visual motifs to assign concrete qualities to abstract ailments in an attempt to understand the marginalized. Gilman's collection of images demonstrates how society has relegated the mentally ill to a state of "otherness" and portrays how society's perceived realities concerning the insane have morphed and evolved over centuries. Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including The Face of Madness and Sexuality: An Illustrated History . " Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heartbreaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill." - American Journal of Psychiatry "As extraordinary in concept as it is in its execution. . . . This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly." - Antiquarian Bookman Readers interested in related titles from Sander L. Gilman will also want to see: Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (ISBN: 9781626549234), Sexuality: An Illustrated History (ISBN: 9781626549227).

Weisberg’s first volume in the Whitewash series dissected the Warren Report and its failure to confront evidence of conspiracy in the JFK assassination. In this sequel he shows how the agencies of the investigation—the FBI, the Secret Service, the Dallas police, and the lawyers who worked for the Commission—made this possible by often corrupting evidence and consistently avoiding pursuit of clear and critical evidence pointing to and defining a conspiracy. The author demonstrates that their failure was rooted not only in institutional inability but also in a deliberately twisted investigative structure. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

The Ojibwa Woman is a book written by Ruth Landes that explores the life and culture of the Ojibwa people, specifically focusing on the experiences of Ojibwa women. The book is based on Landes' fieldwork among the Ojibwa people in the early 1930s, during which she lived among the tribe and conducted extensive interviews with women to gain a better understanding of their lives, beliefs, and customs.The book covers a wide range of topics related to Ojibwa women, including their roles in the community, their relationships with men and other women, their experiences of motherhood and childbirth, and their spiritual beliefs and practices. Landes also explores the impact of colonialism and Christianity on the Ojibwa people, and the ways in which these forces have affected the lives of Ojibwa women.Throughout the book, Landes presents a nuanced and empathetic portrait of the Ojibwa people and their culture, drawing on her own observations and the insights of the women she interviewed. The book is a valuable resource for anyone interested in the history and culture of indigenous peoples, as well as for those interested in the experiences of women in different cultures and societies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Tales of magic and wonder can be found in every phase of Jewish literature, from the sacred to the secular. The fairy tale in particular--set in enchanted lands and populated with a variety of human and supernatural beings, both good and evil--holds a very special place in the Jewish tradition. For in the fairy tale, where good and evil engage in a timeless struggle, we have a clear reflection of the Jewish world view, where faith in God can defeat the evil impulse. In Elijah's Violin, Howard Schwartz offers a sumptuous collection of thirty-six Jewish fairy tales from virtually every corner of the world. At once otherworldy and earthy, pious and playful, these celebrated tales from Morocco and India, Spain and Eastern Europe, Babylon and Egypt, illustrate not only their Jewish character but also their universality of themes. Invoking the biblical tale of David and Goliath, we read as King David defeats the giant by hovering above its spear in King David and the Giant. In the romantic tale of The Princess in the Tower, a variant of Rapunzel, we watch as the cautious King Solomon recognizes the vanity in trying to prevent Providence from taking place. And we see the religious nature of the quest for Elijah's violin in the title story. The successful completion of the king's quest enables the violin's imprisoned melodies, emblematic of the Jewish spirit, to be set free. Throughout this richly illustrated collection, one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale. Skillfully translated, these stories will captivate children and adults alike in which romance and magic become enchantingly entwined with faith, duty, and wisdom.

This book, "The Venus Project: The Redesign of Culture", by Jacque Fresco, is a replication of a book originally published before 1995. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama's latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination.

""Heil Hunger! Health Under Hitler"" is a non-fiction book written by Martin Gumpert. The book explores the impact of Nazi policies on the health and well-being of the German people during the Third Reich. Gumpert examines the various measures taken by the Nazi regime to promote health and fitness, including the establishment of physical education programs and the promotion of healthy eating habits. However, he also highlights the negative effects of Nazi policies, such as the forced sterilization of individuals deemed ""unfit"" and the mistreatment of concentration camp prisoners. Through extensive research and analysis, Gumpert provides a comprehensive look at the complex and often contradictory relationship between health and politics in Nazi Germany. Overall, ""Heil Hunger! Health Under Hitler"" offers a thought-provoking perspective on a dark period in history and the ways in which ideology can impact public health.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

An important contribution in the burgeoning literature relating to the delivery of medical care, and to the broader question of responsible decision-making in those social areas where tragic choices have to be made. The effort is an excellent example of research into, and therapy for, an important social process.

Written while Lombroso was professor of forensic medicine at the University of Turin, L'Uomo delinquente (Criminal Man) set out to conduct an anthropological study of its subject. The premise was that the criminal is born and could be identified from congenital traits. By learning to recognise them, and by developing a detailed system of classification, the aim was better to understand the criminal so as to optimise prevention, reform, or containment. The author leaves no stone unturned, examining every type and level of criminal, recording every measurable characteristic, be it physical, physiological, or psychological. Although subsequently subject to criticism, and now long deprecated, the work was enormously influential in the late 19th and early 20th centuries, as both a pioneering and sincere effort to understand the origins and sources of crime. The work went through five Italian editions, in which Lombroso continued to expand and refine his theory. However, because of its length, it was difficult to get the book translated, so no English edition existed until after the author's death. First published in 1911, the present text is a summary prepared for the Anglo-American market by his daughter, Gina, while her father still lived, and it is in this form that it became known in the English speaking world. Its influence would be felt throughout Europe and America, and would transcend criminology to find references in literature. The likes of Émile Zola, Leo Tolstoy, Joseph Conrad, and Bram Stoker, the later in his descriptions of the vampire in Dracula, drew from Lombroso's work on criminal man.