"This picture book biography follows the youngest ever Nobel Prize laureate, Pakistani women's rights activist Malala Yousafzai"--

"A growing up guidebook for young boys"--

“Annabelle Gurwitch is the child prodigy of the literature on aging. The only downside of this book is that it is bound to deepen your laugh lines.”—Barbara Ehrenreich, author of Nickel and Dimed Actor and humorist Annabelle Gurwitch returns with a wickedly funny book of essays about the indignities faced by femmes d’un certain âge. Whether she is falling in lust at the Genius Bar, coping with her best friend’s assisted suicide, or navigating the extensive—and treacherously expensive—anti-aging offerings at the beauty counter, Gurwitch confronts middle age with candor, wit, and a healthy dose of self-deprecation. Scorchingly honest, surreally and riotously funny, I See You Made an Effort is the ultimate coming-of-middle-age story and according to Bill Maher, "it should be required reading for anyone between the ages of 40 and death. Scratch that—even after death, it's a must read."

Oskar has just killed himself. After waiting a quarter century, he returned to Prague only to find it was no longer his home. With his memorial service, Yale historian and prize-winning author Marci Shore leads us gently into the post-totalitarian world. We meet a professor of literature who as a child played chess with the extortionist who had come to deliver him to the Gestapo and an elderly Trotskyite whose deformed finger is a memento of seventeen years in the Soviet gulag. Parents who had denounced their teenage dissident daughter to the communist secret police plead for understanding. For all of these people, the fall of Communism has not ended history but rather summoned the past: rebellion in 1968, Stalinism, the Second World War, the Holocaust. The revolutions of 1989 opened the archives, illuminating the tragedy of twentieth-century Eastern Europe: there were moments in which no decisions were innocent, in which all possible choices caused suffering. As the author reads pages in the lives of others, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical, touching, and sometimes heartbreaking portrayal of how history moves and what history means.

The third volume of the Library of America's edition of Saul Bellow's complete novels collects three essential works: Mr. Sammler's Planet (1970), Humboldt's Gift (1975) -- and The Dean's December (1982). In each, Bellow shows himself a master of biting social commentary and bold characterization--above all through a trio of unforgettable protagonists. These novels, written in the period of Bellow's greatest literary and popular acclaim--he was awarded the Nobel Prize in Literature in 1976--are unsparing yet humane, and range widely in their philosophical and cultural concerns. They offer the indispensable voice of a great American raconteur and thinker.

"A picture book biography about Georgia Gilmore, the woman whose cooking helped feed and fund the Montgomery bus boycott of 1956"--

From literature, social chronicles, and family documents comes a study of the evolution and social role of the English country house since the Middle Ages

Examines the aesthetics of censorship and how writers are cooperating

"Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical '60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman's intellectual autobiography, tracing his career as a thinker through the way he read the "signs in the street.""--

In 1934, American writer Rebecca Hourwich Reyher recorded the remarkable life story of Christina Sibiya, the first of sixty-five wives of the uncrowned king of the Zulus. What Reyher faithfully recorded — and then crafted into a moving narrative — is the riveting story of a South African woman who entered life among the Zulu royal family and then, after enduring psychic and physical abuse, found the courage to leave. In 1915, fifteen-year-old Christina Sibiya leaves teaching at a mission school to become the first wife of Solomon ka Dinuzulu. While at the royal household, Sibiya successfully adjusts to the expectations of her new position: finding her place among the other wives, and negotiating Zulu and Christian tradition. The royal headquarters, however, becomes increasingly plagued by diviseness, dissolution, and ill health. After a series of hardships, climaxing in a beating by Solomon, Sibiya, at the age of twenty-eight, escapes to Durban. Although pursued by Solomon's representative, Sibiya successfully resists Solomon's authority by testifying first in a European magistrate's court and then at the royal headquarters that her marriage was invalid. First published in 1948, Zulu Woman is placed in new context by an introduction and afterword which consider the book's relationship to other African literature and oral history, attend to questions of power and authorship, and draw upon newly available archival materials.

Argues that antisemitism in England has always been either disregarded, underestimated, or misunderstood. England has seen four forms of antisemitism during its history: a radical antisemitism, which ended with the expulsion of the Jews in 1290; a literary antisemitism; a quotidian antisemitism of insult and partial exclusion that has existed since the mid-17th century; and an emergent, antisemitic anti-Zionism. Various forms and motifs of antisemitism were invented in England (e.g. expulsion) and others were adapted and extended - e.g. it was in England that the blood libel arose in its canonic medieval form, and where its first literary representation appeared, written by Thomas of Monmouth. Dwells on antisemitic motifs in English literature, from the 13th century ballad "Sir Hugh, or the Jew's Daughter" to Tom Paulin's poem "Killed in Crossfire" (2001). Since the 17th century, the antisemitism has been weak and mainly verbal; antisemitic zealots have been few in number and marginal in their influence. Nonetheless, it existed and was widespread amongst the populace. Modern political antisemitism emerged in the 1860s and continued into the 20th century, when the Jews came to be perceived as a challenge to British security. Dwells on the English antisemitic mentality, as well as on antisemitic anti-Zionism. Discerns two forms of the latter: secular anti-Zionism, supported by the left and post-left; and confessional anti-Zionism, either Muslim, Jewish, or Christian conservative.

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

A rabbi remembers her life as a child in Kiev, Ukraine, where her family lived under Soviet rule until they moved to the United States when she was fifteen.

Explores how Latino gang culture mirrors the most destructive aspects of the American Dream through a look at novels and memoirs "There's a place for us / Somewhere a place for us." With the emergence of a rich body of literature chronicling the experiences of Latino and Latina gang members, popular understanding of this outlaw culture has advanced far beyond West Side Story. However, the diverse works discussed in this important book--ranging from the breakthrough 1967 memoir Down These Mean Streets and the crime novel Carlito's Way to the play Zoot Suit and the World War II-era historical novel Don't Spit on My Corner, to more recent works such as Always Running/La Vida Loca: Gang Days in L.A. and Chicana gang narratives like Locas and Two Badges--all share with the award-winning musical a crucial discourse on nationality, citizenship, and belonging. In Gang Nation, Monica Brown offers a sophisticated analysis of these narratives produced by former gang members and by "outside" observers writing within the Latino community. She examines the ubiquity of language and behavior within this literature that reveal the frustrated longings within gangs for greater participation in America's national culture and the desire of members to craft an alternative environment in which they are welcome. Through literature and memoirs written from within the culture, Brown illustrates how these youth mimic the rhetoric and rituals of American nationalism's most destructive aspects--intense territoriality, justification of violence, and cultural chauvinism--to assert their citizenship in an alternative nation. Before now, studies of gang culture have centered on either the choices of individual members or the social forces that inspire their unfocused rage. But through Latino and Chicano gang literature, Brown provides a more nuanced portrait of that culture, one that raises broader concerns about dominant nationalism, civil rights, the criminalization of urban youth of color, and the often unfulfilled sense of communal identity and acceptance among American youth.

It was over thirty years ago that Georke Mikes wrote How to be an Alien, the classic vade mecum for foreigners in Britain. The book became required reading for the alien, and an indispensable aid to self-understanding for the native. It is a heavy responsibility to be acknowledged as the leading expert on a subject as tricky as the British. For one thing, even they can change a good deal in thirty years. In acknowledgement of this, Mr Mikes has felt bound to write a new guide. At the heart of the book are the important sections on How to Lose an Empire, Become a Colony, and Stop Being an Island. All these themes are brand new. Others are familiar, but required new treatment. Sex could no longer be despatched in the shortest chapter known to literature (ten words) but called for at least a page (Britons whose self-confidence is wobbly had better skip it). The art of getting lost in London has become infinitely more complex than it was, and what is happening to the language is hair-raising. But the native will find that although his self-esteem takes some hard knocks, he ends in a glow of self-congratulation. It seems that when Great Britain finally becomes a desert island it will have its Robinson Crusoe in the shape of George Mikes. Amid all the changes two things remain the same: Nicholas Bentley is still the perfect illustrator for George Mikes's wit, and a special chemistry still exists between Mikes and his adopted country. The chemistry produced the most famous of all his works, and now it has produced the book to rival it.

At one time an underground hero in the world of journalism, with prose on a par with Tolstoy and Kafka, Joseph Roth now looms large in the pantheon of European literature. Indeed, the last five years have seen a major Roth revival culminating in Report from a Parisian Paradise, a haunting epitaph by the greatest foreign correspondent of his age. An exile in Paris, Roth captured the essence of France in the 1920s and 1930s. From the port town of Marseille to the erotic hill country around Avignon, Report from a Parisian Paradise—superbly translated by Michael Hofmann—paints the sepia-tinted landscapes, enchanting people, and ruthless desperation of a country hurtling toward dissolution. Roth's book is not only a paean to a European order that could no longer hold but also a miraculous and revelatory work of transcendent philosophical clarity.

From a 13-year old ninja to young Salem "witches"--a guided tour through the lives of outlaw children from history, their dastardly crimes, and awful punishments So you've broken a classroom window and you're standing outside the principal's office with sweaty palms and a serious sinking feeling in your stomach. Do you think no one's ever had a life as bad as you? Well, you're wrong--this book reveals how kids in the past have had to suffer much worse punishments than a lecture about how they've let the whole school down. For instance, however angry your principal gets, it's fairly certain that she's not going to put you in a pillory and nail your ears to it. All through history, children have been getting into some serious scrapes, and they didn't often get off lightly. This is a guided tour to children for whom laughing, dancing on a Sunday, killing a rabbit that wasn't on your land, or just being in the wrong place at the wrong time could mean a beating, beheading, or ordeal by hot water (no, it's not a nice warm bath with bubbles and a little plastic duck).

Cursed by older generations, Generations X means a lot of things to a lot of people. They are a culture, a demographic, an outlook, a style, an economy, a scene, a literature, a political ideology, an aesthetic, an age, a decade, and a way of life. Here is a collage of the most revered voices of Generation X, demonstrating that while twentysomethings may, indeed, have dropped out of American culture (as it is traditionally defined), they also stand as a testament to American ingenuity, optimism, instinct, and intelligence.

In addition to producing much other literature, Marxist economist Perlo (1912-99) wrote more than 3,000 People vs. Profits columns over 39 years for the Communist Party paper People's Weekly World . Survivors and colleagues reprint a selection based on their portrayal of conditions at the time. Presumably a second volume will consider foreign matters. Annotation (c) Book News, Inc., Portland, OR (booknews.com)