A tale of suffering, sorrow, and redemption, "Ransom" is a retelling of one of the most famous stories in all of literature--Achilles's slaughter and desecration of Hector, and Priam's attempt to ransom his son's body in Homer's "The Iliad."

Simone Weil (1909-1943) is one of the most brilliant and unorthodox religious and philosophical minds of the twentieth century. She was also a political activist, worked in the Renault car factory in France in the 1930s and fought briefly as an anarchist in the Spanish Civil War, before her tragic early death in England at the age of thirty-four. Her work spans an astonishing variety of subjects, from ancient Greek philosophy and Christianity to oppression, political freedom and French national identity. Intimations of Christianity Among the Ancient Greeks sees Weil apply her unique and piercing intellect to early Greek thought, where she finds fundamental precursors to Christian religious ideas. She argues, provocatively, that concepts fundamental to Christianity such as incarnation, redemption, suffering and resurrection are Greek as well as Christian and that there is much we can learn, spiritually and philosophically, from their entwinement. This Routledge Classics edition includes a new Foreword by Christopher Hamilton.

Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining, smelly and disgusting bits about the Greeks! It's history, but not as we know it! Find out everything you ever needed to know in this brilliant, action-packed, fact-filled book, including: - Why the ancient Greeks were mad about olive oil - Who Pythagoras was - Why Alexander the Great named a city after his horse, Bucephalus, and - How the Greeks invented the first computer, vending machine and death-ray

"The key methodological commitment of this book, then, is to the study of literary culture as a whole. From this follow certain other methodological consequences. Studying literary culture as a whole implies an attention to overall patterns more than to individual details. I thus regularly offer statistics and maps. While I do make many qualitative pronouncements, these are, with a few exceptions, generalizing and impressionistic, and not based on close readings. Studying the regularities of literary culture as a whole also implies adopting a perspective which need not have been available to the ancient actors themselves (they had pursued their own practices, without necessarily pausing to consider their literary culture as a whole). For this reason, I make no effort to identify the authors' concepts and am content to deploy my own observer's concepts throughout. The result is a book very different from traditional classical philology. The complex footnote with its plethora of primary and secondary sources is almost entirely avoided (my footnotes, instead, merely point to the key, recent studies with which the reader, wishing to pursue a point of detail, may begin her research ). Only rarely do I offer close readings of individual passages or reconstructions of the meanings of original terms. Fortunately for me, traditional philology now has few champions and I will not spend time arguing against the straw man of the philological critic. Instead, I will apologize to him "--