Walter Benjamin’s famous “Work of Art” essay sets out his boldest thoughts—on media and on culture in general—in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought. This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin’s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul. This book contains the second, and most daring, of the four versions of the “Work of Art” essay—the one that addresses the utopian developments of the modern media. The collection tracks Benjamin’s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin’s best-known work alongside fascinating, little-known essays—some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin’s media theory can be fully appreciated.

In the frenzied final years of the Weimar Republic, amid economic collapse and mourning political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of Selected Writings, covering the years 1927 to 1934, displays the full spectrum of Benjamin's achievements at this pivotal stage in his career. Previously concerned chiefly with literary theory, Benjamin during these Years does pioneering work in new areas, from the stud of popular Culture (a discipline he virtually created) to theories of the media and the visual arts. His writings on the theory of modernity-most of them new to readers of English--develop ideas as important to an understanding of the twentieth century as an contained in his widely anthologiied essay "The Work of Art in the Age of Technological Reproducibility. This volume brings together previously untranslated writings on major figures such as Brecht, Valéry and Gide, and on subjects ranging from film, radio, and the novel to memory, kitsch, and the theory of language. We find the manifoldly inquisitive Benjamin musing on the new modes of perception opened tip by techniques of photographic enlargement and cinematic montage, on the life and work of & Goethe at Weimar, on the fascination of old toys and the mysteries of food, and on the allegorical significance of Mickey Mouse.

Winner of the National Jewish Book Award from the Jewish Book Council How should we understand the stories of the Babylonian Talmud? Where do they come from? Why are they in the Talmud? How do they relate to Talmudic law? In Talmudic Stories , Jeffrey Rubenstein deepens our appreciation for the complexity of these texts by drawing attention to the literary aspects and cultural contexts that are essential to understanding their narrative art, meanings, and importance. Focusing on six famous stories of the Babylonian Talmud and discussing many others in relation to these, Rubenstein's analysis illuminates the ways in which the rabbis used narratives to grapple with fundamental tensions of their culture. The book also features an appendix including the original Hebrew/Aramaic texts for the reader's reference.

For the 150th anniversary of the birth of the "Jewish Mark Twain,"a new translation of his most famous works Tevye the Dairyman and Motl the Cantor's Son are the most celebrated characters in all of Jewish fiction. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof . And Motl is the spirited and mischievous nine-year-old boy who accompanies his family on a journey from their Russian shtetl to New York, and whose comical, poignant, and clear-eyed observations capture with remarkable insight the struggles and hopes and triumphs of Jewish immigrants to America at the turn of the twentieth century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This wonderful collection of Marcel Proust's Letters, selected and translated by Mina Curtiss, is both a revelatory introduction to the great writer and a treasure trove for those readers more familiar with "A la Recherche du Temps Perdu". Mina Curtiss especially chose them as apt illustrations of Proust's growing sensibility and intellectual power during the gestation of the novel. Indeed, many of the characters in the book are drawn from the men and women we meet here. The letters are also exciting as an unfolding panorama of the Belle Epoque and for their superb insights into literature, art and music. Published by Helen Marx Books and Books & Co.

In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell ("here I would leave this earth and these stars, because I would take nothing with me"). As László Krasznahorkai himself explains: "Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative..." A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, India, encounters a giant of a man on the banks of the Ganges ranting on and on about the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. "The excitement of his writing," Adam Thirlwell proclaimed in The New York Review of Books, "is that he has come up with his own original forms--there is nothing else like it in contemporary literature."

Hebrew fiction has emerged as a vital modern literary force, and the scope and riches of this literature is brilliantly exemplified by the eight short novels included in this landmark collection. Some of the authors represented here, like S.Y. Agnon, Amos Oz and A.B. Yehoshua are internationally celebrated. Others, like David Vogel, are writers of rare genius whose work until now had not been widely avaliable. Earlier writers like Y.H. Brenner and Uri Gnessin virtually created modern Hebrew literature, yet are rarely read by modern audiences. Writing in Hebrew, these writers tell of earlier European experiences, of emigration to Israel and of the lives of modern Israelis. Chosen and introduced by Alan Lelchuk, the American novelist, and Gershon Shaked, the Israeli critic, 8 Great Hebrew Short Novels has been superbly translated. This is an outstanding introduction to classic and contemporary Hebrew writing, now avaliable to English readers.

'Everyone makes mistakes, even God.' In the original Odessa Stories collection published in 1931, Babel describes the life of the fictional Jewish mob boss Benya Krik - one of the great anti-heroes of Russian literature - and his gang in the ghetto of Moldavanka, around the time of the October Revolution. Praised by Maxim Gorky and considered one of the great masterpieces of twentieth-century Russian literature, this is the first ever stand-alone collection of all Babel's narratives set in the city, and includes the original stories as well as later tales.

In this collection of fictional writings, the Golem of Jewish folklore is both hero and villain. The Golem, a creature made of clay and brought to life by Rabbi Leyb of Prague in the sixteenth century, has provided an enticing subject for fiction writers since the legend began. In some works, Rabbi Leyb gives birth to the Golem to help the Jews with the overbearing burden of their work. In others, the Golem is the protector of the Jews, keeping watch during the nights before Passover to make sure that a Gentile does not plant evidence for a blood libel in a Jewish home. But the powerful Golem can also lose control and have to be destroyed. Joachim Neugroschel has brought together some of the best work featuring the Golem, including H. Leivick's masterful blank verse play; Yudl Rosenberg's "pamphlet" full of Golem tales; and stories by S. Bastomski, Dovid Frishman, and Y. L. Peretz, which he translates fluidly from the Yiddish.

A new selection of Isaac Babel's 26 most vital and beautiful stories, in acclaimed translations by Boris Dralyuk Isaac Babel honed one of the most distinctive styles in all Russian literature. Brashly conversational one moment, dreamily lyrical the next, his stories exult in the richness of everyday speech and sensual pleasure only to be shaken by brutal jolts of violence. These stories take us from the underworld of Babel's native Odessa, city of gangsters and lowlives, of drunken brawls and bleeding sunsets, to the terror and absurdity of life as a soldier in the Polish-Soviet War. Selected and translated by the prize-winning Boris Dralyuk, this collection captures the irreverence, passion and coarse beauty of Babel's singular voice.

Making the rich narrative world of Talmud tales fully accessible to modern readers, renowned Talmud scholar Jeffrey L. Rubenstein turns his spotlight on both famous and little-known stories, analyzing the tales in their original contexts, exploring their cultural meanings and literary artistry, and illuminating their relevance. Delving into both rabbinic life (the academy, master-disciple relationships) and Jewish life under Roman and Persian rule (persecution, taxation, marketplaces), Rubenstein explains how storytellers used irony, wordplay, figurative language, and other art forms to communicate their intended messages. Each close reading demonstrates the story’s continuing relevance through the generations into modernity. For example, the story “Showdown in Court,” a confrontation between King Yannai and the Rabbinic judges, provides insights into controversial struggles in U.S. history to balance governmental power; the story of Honi’s seventy-year sleep becomes a window into the indignities of aging. Through the prism of Talmud tales, Rubenstein also offers timeless insights into suffering, beauty, disgust, heroism, humor, love, sex, truth, and falsehood. By connecting twenty-first-century readers to past generations, The Land of Truth helps to bridge the divide between modern Jews and the traditional narrative worlds of their ancestors.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

"In the works for sixteen years, The Complete Works of Primo Levi is the most ambitious literary translation of the twenty-first century. Primo Levi, the Italian-born chemist once described by Philip Roth as that "quicksilver little woodland creature enlivened by the forest's astute intelligence," has largely been considered a heroic figure in the annals of twentieth-century literature for If This Is a Man, his haunting account of Auschwitz. Yet Levi's body of work extends considerably beyond his experience as a survivor. Now, the transformation of Levi from Holocaust memoirist to one of the twentieth century's greatest writers culminates in this magisterial publication of The Complete Works of Primo Levi, which, twenty-eight years after his premature death in Turin, finally collects all of Levi's fourteen books--memoirs, essays, poetry, and fiction--into three slip-cased volumes, along with new translations, one revised by the original translator, and an introduction by Nobel laureate Toni Morrison. The appearance of this historic publication will occasion a major reappraisal of "one of the most valuable writers of our time" (Alfred Kazin)" --

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

Somewhere in the West Bank, an Israeli patrol is assaulted by a Palestinian commando. One Israeli soldier is killed and another is kidnapped. Wounded, in a state of shock, the hostage loses hold of reality and forgets everything, even his own name. Eventually he is rescued, taken in by two Palestinian women and his wounds heal. He becomes Nessim, brother of Falast?n, an anorexic Law student; and son of Asmahane, the blind widow of an official who was shot dead in an ambush. Nessim passes through the looking glass, suffering the daily anguish of the inhabitants of the colonized West Bank. In this poignant novel, Hubert Haddad makes Falast?n a modern Antigone: proud, untamed and the victim of man's cruelty. Reflecting the beauty of the setting in his style, he models a modern tragedy in all its horror and absurdity.

Awarded the Nobel Prize in Literature in 1966, S. Y. Agnon is considered the towering genius of modern Hebrew literature for his hard-edged modernism and soft-hued imagery. With this new collection of stories, the English-speaking audience has, at long last, access to the rich and brilliantly multifaceted fictional world of one of the great writers of this century. These stories span the lifetime of a quintessential wandering Jew - born in Buczacz, Poland, living in Germany, and finally settling in Jerusalem - and they bring to life the full gamut of the modern Jewish experience in fiction. This broad selection of Agnon's fiction introduces the full sweep of the writer's panoramic vision as chronicler of the lost world of Eastern European Jewry and the emerging society of modern Israel. Here are stories that portray the richly textured culture of traditional Jewish life in Poland, as well as changes in the life of the community over time. Several stories reflect on the Jewish infatuation with German and Western culture in the interwar period: "On the Road," for example, narrates an eerie encounter on the eve of a holy day between an itinerant Jew and a ghostly company of martyred Jews from the Crusades. The early years of Jewish settlement in the land of Israel are recalled in "Hill of Sand," which is also a revealing portrait of the artist as a young man; "A Book That Was Lost" is a powerful metaphor for the writer's own journey from Buczacz to Jerusalem.