This is the full story of the shocking true crime which still haunts this nation, the sex killing of 13-year-old Mary Phagan by sweatshop operator and B'nai B'rith official Leo Frank in Atlanta, Georgia in 1913 -- and also the story of the tremendous political and economic forces attempting to exonerate the killer even today. This innocent young girl's death has been the stuff of mystery, song, legal corruption, public outrage, vengeance, ethnic conflict, and accusations of racism and anti-Semitism. This is the author's much-expanded edition of her original book, more than twice the size of the first edition, with much more extensive contemporary documentation -- and in-depth analysis of the highly politicized lobbying and literature that has grown up around this case. It is written by Mary Phagan-Kean -- the great-niece of Mary Phagan, the 1913 murder victim.

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly

Weisberg’s first volume in the Whitewash series dissected the Warren Report and its failure to confront evidence of conspiracy in the JFK assassination. In this sequel he shows how the agencies of the investigation—the FBI, the Secret Service, the Dallas police, and the lawyers who worked for the Commission—made this possible by often corrupting evidence and consistently avoiding pursuit of clear and critical evidence pointing to and defining a conspiracy. The author demonstrates that their failure was rooted not only in institutional inability but also in a deliberately twisted investigative structure. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Dead End: Be Careful How You Live is a suspenseful crime thriller novel written by Ed Lacy. The story revolves around a young man named Johnny Dolan, who is wrongly accused of murdering his girlfriend. Despite his innocence, the police and the media are convinced of his guilt, and Johnny is forced to go on the run to clear his name.As Johnny tries to evade the law and find the real killer, he becomes embroiled in a dangerous world of organized crime and corruption. Along the way, he meets a cast of colorful characters, including a tough-talking private detective, a seductive nightclub singer, and a ruthless gangster who will stop at nothing to protect his interests.As the plot thickens, Johnny must use all his wits and resources to stay one step ahead of his pursuers and uncover the truth behind his girlfriend's murder. With plenty of twists and turns, Dead End: Be Careful How You Live is a gripping page-turner that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.