Employs diaries, biographies, interviews, artwork, literature, psychology, and historical documents to illustrate the role of gender, sexuality, aspirations, and public personae in the causes and effects of war.

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

"These lit-crit essays are at once spoofable and brilliant".-Esquire. "'Trauma TV' is . . . the most illuminating essay on TV and video ever written".-Artforum. "Ronell is one of the few critical theorists of talent who can write her way out of the hermeticism typically associated with the deconstructionism of Derrida, Blanchot, Nancy, or Lacoue-Labarthe. She jumps between the vulgate of television talk shows and the high theoretical jargon of the academy with the adroitness of a speed-fiend switchboard operator . . . [She is] the reigning queen of termino-millenarianism".-Poetics Today. Suspending the distinction between headline news and high theory, Ronell examines diverse figures of finitude in our modern world: war, guerrilla video, trauma TV, AIDS, music, rumor. Her essays address such questions as: How do rumors kill? How has video become the call of conscience of TV? How have the police come to be everywhere, even when they are not? Is peace possible? Ronell writes to "the community of those who have no community-to those who have known the infiniteness of abandonment". Avital Ronell is also the author of The Telephone Book: Technology, Schizophrenia, Electric Speech (1989) and Crack Wars: Literature, Addiction, Mania (1992), both published by the University of Nebraska Press. She is a professor in and chair of the Department of German and a professor of comparative literature at New York University.