The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his--or any--age. To this day, mention the name "Andy Warhol" to almost anyone and you'll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol's name and dominated the public's image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. "The meanings of his art depend on the way he lived and who he was," as Gopnik writes. "That's why the details of his biography matter more than for almost any cultural figure," from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the "performance" of being an artist, accompanied by global fame and stardom--and his attempted assassination. The extent and range of Warhol's success, and his deliberate attempts to thwart his biographers, means that it hasn't been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol's archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions--he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today

Two authorities on popular culture reveal the ways in which art can enhance mood and enrich lives - now available in paperback. This passionate, thought-provoking, often funny, and always-accessible book proposes a new way of looking at art, suggesting that it can be useful, relevant, and therapeutic. Through practical examples, the world-renowned authors argue that certain great works of art have clues as to how to manage the tensions and confusions of modern life. Chapters on love, nature, money, and politics show how art can help with many common difficulties, from forging good relationships to coming to terms with mortality.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

A steampunk princess is torn between love and duty in this prequel to SyFy.com’s wildly popular webisodes. Riese has never been happy as a princess; she’d much rather be hunting or fighting than sitting through another lesson on court etiquette. When she meets Micah, a wandering artist with a mysterious past, she pretends to be a peasant—it’s a chance to be just a normal girl with a normal boy for a while. But with war decimating her once-proud nation and the sinister clockwork Sect infiltrating her mother’s court, Riese’s moments with Micah are the only islands of sanity left in a world gone mad. As her kingdom falls and the Sect grows ever stronger, will Riese remain true to her duty as a princess…or risk everything on a boy she barely knows? SyFy’s enormously popular Riese webisodes come to literary life in this prequel rife with steampunk technology and medieval mysticism.

Just months before her death, Marilyn Monroe gave a young photographer his big break, and this is his story "You're already famous, now you're going to make me famous," photographer Lawrence Schiller said to Marilyn Monroe as they discussed the photos he was about to shoot of her. "Don't be so cocky," Marilyn replied, "photographers can be easily replaced." The year was 1962, and Schiller, 25, was on assignment for Paris Match magazine. He already knew Marilyn -- they had met on the set of Let's Make Love -- but nothing could have prepared him for the day she appeared nude during a swimming pool scene for the motion picture Something's Got to Give . Marilyn & Me is an intimate story of a legend before her fall and a young photographer on his way to the top. Schiller's original text and extraordinary photographs--over two thirds of which have never or rarely been published --take us back to that time, and to the surprising connection that allowed Marilyn to bond with a kid from Brooklyn, a kid with a lot of ambition but very little experience. Now, 50 years later, TASCHEN is publishing Lawrence Schiller's story as a signed, numbered monograph limited to 1,962 copies, for the year of Monroe's untimely death. Schiller's is a story that has never been told before, and he tells it with tact, humor, and compassion. The result is a real and unexpected portrait that captures the star in the midst of her final struggle. Collector's Edition of 1,712 numbered copies (books numbered No. 251-1,962) signed by the photographer. Also available in two Art Editions of 125 copies , each with an original photograph The book and clamshell box are covered in a custom woven duchesse silk from one of the world's most distinguished silk mills, Taroni , of Como, Italy Printed on archival paper Four foldouts, with one gatefold measuring a full 110 cm (44 in.) across Translation booklet of the text available in German, French and Spanish with purchase upon request

He's bad at sports and not much better at school, but Jimmy sure can draw terrific cartoons. And his dream, like that of his Uncle Lester, who writes flop Broadway musicals'is to be recognized for what he loves doing most.

Pre-eminent author and art historian - Simon Schama has written widely on art for many years to great acclaim. In "Hang-Ups", a personal selection of his articles from, amongst others, The New Yorker, appears in Britain for the very first time. Brilliantly and lucidly written by one of the most singular voices in non-fiction, this volume of provocative and often idiosyncratic essays makes hugely satisfying reading for lovers of both art and social history. It contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the 'unforgettable peculiarity' of Stanley Spencer. From the author whose writing has been called 'sublime' and whose ability to bring art and history vividly to life has earned him admiration worldwide, "Hang-Ups" is Schama's rallying cry for the art lover to look at familiar works of art and their artists - and embrace a new way of seeing.

Hailed as a masterpiece by Jean Genet, Marguerite Duras, and Jean-Paul Sartre, Tropisms is considered one of the defining texts of the nouveau roman movement. Nathalie Sarraute has defined her work as the "movements that are hidden under the commonplace, harmless instances of our everyday lives." Like figures in a grainy photograph, Sarraute's characters are blurred and shadowy, while her narrative never develops beyond a stressed moment. Instead, Sarraute brilliantly finds and elaborates subtle details--when a relationship changes, when we fall slightly deeper into love, or when something innocent tilts to the smallest degree toward suspicion.

Sixteen more lost stories by Ben Hecht from the Snickersnee Press, this compilation about Chicago's pioneering Modernist artists, their art and the pioneering skyscrapers punctuating the cityscape. Audiences include 1. Art and cultural historians of early Modernism in Chicago; 2. Short story lovers interested in literary journalism of Ben Hecht at his before-30 Chicago brightest. 3. Chicago history. The 1921-1922 short works reveal Hecht's passion for avant-garde art including German DaDa, show off his unbridled wordsmithery, philosophizing and humor in his salad days before he became Hollywood's most sought-after film writer and script doctor (Scarface, Spellbound, Notorious). Written for his Chicago Daily News column 1001 Afternoons in Chicago, the pieces vary from bar rooom comedy about specific artists to intellectual arguments about Modernism and beauty, subjects unexplored by other Hecht biographers. Uncompiled until rediscovered on microfilm by archival research consultant and Hecht biobibliographer Florice Whyte Kovan, they rejuvenate and contextualize with her historical notes and profuse illustrations. Hecht interviews Primitivist Jerome Blum, visiting Russian painter Nicholas Roerich; satirizes landscape artist George Peyraud, expounds on Dadaist Johannes Van Baader. He features his own illustrators Herman Rosse and Wallace Smith, the latter illustrating Hecht's banned book, Fantasius Mallare. Two-page spreads recall George Grosz's early Americana drawings; works by eccentric Stanislaw Szukalski's, recently a NetFlix subject. No-Jury artists rejected at Art Institute of Chicago, as Hecht laments, receive a two-page cartoon spread. Over 20 artists referenced. Hecht's skyscraper stories track daily construction of the spire-topped Temple Building and extoll the iconic Wrigley Tower. A roman a clef with a surprise ending invokes the extravagant dreams of architect Frank Lloyd Wright. Kovan's quirky landscape-oriented layout varies column height evoking the cityscape. Her research at Smithsonian Archives of American Art, MoMA and Library of Congress establishes that several artist friends became Hollywood artists and set designers. She adds scholarly value with material, 104 reference images including film stills; bibliography, image acknowledgements, internal commentary, endnotes, foreword, afterword, index. The vibrant sundrenched cover is from hand-made painted washi paper by Washington, DC artist Sheila Crider who created it for Kovan's original artist book.

The three are John, Gary and Kris. Three young men who know one another and have learnt to love. Howard Roffman photographed the story of this menage a trois with a loving eye over a long period. Fantasy and reality coalesce and a romantic collage full of sensually erotic pictures is the result.

As a result of the success of M is for Moose, Canadian children can rhyme off their ABCs with images of ducks, kayaks, moose, and Lake Winnipeg shimmering in their imaginations. Now children can learn their numbers with Canada Counts. On these pages, new artwork illustrates numbers from 1 to 20, as well as other important Canadian numbers such as 1867 and 1982. There may be 1 walking boy, but there are 3 territories, 4 seasons, and 9 Supreme Court justices. With Canada Counts, Charles Pachter has written another love letter to our country.

This episodic, narrative photobook presents intimate observations of young couples in various uninhibited constellations.

Renoir Drawings is a comprehensive collection of drawings by the renowned French artist Pierre-Auguste Renoir, compiled and curated by art historian John Rewald. The book features over 300 drawings, including sketches, studies, and finished works, spanning Renoir's entire career from his early years as a student to his later years as a master painter. The drawings are accompanied by insightful commentary and analysis by Rewald, providing readers with a deeper understanding of Renoir's artistic process and techniques. The book is a must-have for art lovers and collectors, as well as anyone interested in the history and evolution of Impressionism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Alfred Bader's achievements—as the founder of one of the most important companies in its field in the world, as a collector and dealer in Old Master paintings, and as a legendary philanthropist—make for fascinating reading. This book begins where Alfred Bader's first autobiography, Adventures of a Chemist Collector, ended: with the boardroom coup in which he was dismissed from the chemical company he had built up from the ground. Bader now turns his enormous energy to Old Master paintings, in which he had become interested at a young age and in which he by now has the means to invest. The chapters that follow are roughly chronological, with some devoted to particularly meaningful paintings or groups of paintings, memorable auctions, mysteries, or discoveries relating to the artworks in the Bader Collection, while others are dedicated to friends, family, love, religion, charity, and, occasionally, chemistry.

Photographer Mark Arbeit’s career spans three decades. His striking images have appeared in top fashion and beauty magazines all over the world including Vogue, Marie Claire, and Vanity Fair. Originally drawn to Photography from his travels to exotic places with his family, the real spark came when he met Helmut Newton who would become his mentor and friend. This first exquisite Monograph of Mark Arbeit’s photographs is a collection of his personal artistic projects. Each chapter is separated by a Out-of-Focus, Artist Atelier, Hawaiian, and Polajunk Series. A prolific and sensitive photographer. Arbeit makes images that are timeless in their originality and beauty. Arbeit’s photographs of Paris are some of the last greatest images taken in the 20th Century in that amazing place. Whoever owns this book owns a key to a treasure. An inspiration for all lovers of photography, lovers of Paris, lovers of women. 208 pages, 167 Tri-tone Plates. Printed in a limited edition of 1000 copies

I paint with acrylic and oil paint on canvas, I use gold leaf and glazes in many works, I often write poetry to accompany my paintings. I paint many subjects from birds and patriotic art, to marriage equality. Most of the images and ideas I use are taken from real life, the birds that walk around my pond, the fabric of my mother's dress, the wallpaper in her bedroom. I use imagery that I have drawn from memories of growing up in Boston, Lady Liberty, Uncle Sam, weathervanes and antiques, geometrics from the nineteen seventies and eighties, rain running down a pane of glass. The poems I write may be reflective of my artwork or reflective of my life experience. I have exhibited my art in Boston and Vero Beach, Florida for; Art Ark, Dale Sorensen, Vero Beach Museum of Art, The Regina Stark Gallery and President Obama. In 2012 I was asked by the Democratic Party and Forward America to exhibit nine of my paintings for President Obama's election, that exhibit ran for several months here in Vero Beach, Florida, something I am very proud of. I have since created two paintings for President and Mrs. Obama I have spent my life like most people in America, working full time and taking care of my home and family. It wasn't until the year 2011 that I was able to make the commitment to paint and write full time. Three years later, the result of that commitment is "The Art of Thomas Rose." My hope is that "The Art of Thomas Rose" brings enjoyment to the reader and encourages free thought about life and love. We are all beautiful people, deserving of love, respect and understanding. I hope you enjoy my book. As always, peace and love. Tom