WINNER OF THE 2019 NATIONAL BOOK AWARD FOR FICTION NATIONAL BESTSELLER "Electrifying" ( People ) - "Masterly" ( The Guardian ) - "Dramatic and memorable" ( The New Yorker ) - "Magic" ( TIME ) - " Ingenious" ( The Financial Times ) - A gonzo literary performance" ( Entertainment Weekly ) - "Rare and splendid" ( The Boston Globe ) - "Remarkable" ( USA Today ) - "Delicious" ( The New York Times ) - "Book groups, meet your next selection (NPR) In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving "Brotherhood of the Arts," two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed--or untoyed with--by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls--until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true--though it's not false, either. It takes until the book's stunning coda for the final piece of the puzzle to fall into place--revealing truths that will resonate long after the final sentence. As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

"The definitive biography of an American icon, from a New York Times best-selling author with unique access to Ali's inner circle. He was the wittiest, the prettiest, the strongest, the bravest, and, of course, the greatest (as he told us himself). Muhammad Ali was one of the twentieth century's most fantastic figures and arguably the most famous man on the planet. But until now, he has never been the subject of a complete, unauthorized biography. Jonathan Eig, hailed by Ken Burns as one of America's master storytellers, radically reshapes our understanding of the complicated man who was Ali. Eig had access to all the key people in Ali's life, including his three surviving wives and his managers. He conducted more than 500 interviews and uncovered thousands of pages of previously unreleased FBI and Justice Department files, as well dozens of hours of newly discovered audiotaped interviews from the 1960s. Collectively, they tell Ali's story like never before--the story of a man who was flawed and uncertain and brave beyond belief. "I am America," he once declared. "I am the part you won't recognize. But get used to me--black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own. Get used to me." He was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. He fought his way back, winning hearts, but at great cost. Like so many boxers, he stayed too long. Jonathan Eig's Ali reveals Ali in the complexity he deserves, shedding important new light on his politics, religion, personal life, and neurological condition. Ali is a story about America, about race, about a brutal sport, and about a courageous man who shook up the world."--Publisher's description

The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his--or any--age. To this day, mention the name "Andy Warhol" to almost anyone and you'll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol's name and dominated the public's image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. "The meanings of his art depend on the way he lived and who he was," as Gopnik writes. "That's why the details of his biography matter more than for almost any cultural figure," from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the "performance" of being an artist, accompanied by global fame and stardom--and his attempted assassination. The extent and range of Warhol's success, and his deliberate attempts to thwart his biographers, means that it hasn't been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol's archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions--he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today

Full Length Drama Characters: 8 male 1 female Unit set. A searing drama about public and private indifference to the AIDS plague and one man's lonely fight to awaken the world to the crisis. Produced to acclaim in New York London and Los Angeles The Normal Heart follows Ned Weeks a gay activist enraged at the indifference of public officials and the gay community. While trying to save the world from itself he confronts the personal toll of AIDS when his lover die

In No Matter the Wreckage , Sarah Kay takes you on a profound journey through her self-discovery in New York. Following her breakout poem "B," this debut poetry collection showcases her accessible brilliance. With each verse, Kay transports readers to a world of love, nostalgia, and life's wonders. Her elegant words celebrate family bonds, young love, travel, and the echoes of history shaping our present. What sets No Matter the Wreckage apart is Kay's ability to find magic in the ordinary, painting intimate portraits of unlikely love affairs between objects and exploring whimsical topics. This collection's transformative helps readers to find a sanctuary of words that uplift your spirit and ignite imagination. No Matter the Wreckage is a must-have for poetry lovers, an unforgettable journey.

Written with a trenchant, sardonic edge, The Group is a dazzlingly outspoken novel and a captivating look at the social history of America between two world wars. "Juicy, shocking, witty, and almost continually brilliant."--CosmopolitanAward-winning Mary McCarthy's most celebrated novel follows the lives of eight Vassar graduates, known simply to their classmates as “the group.” An eclectic mix of personalities and upbringings, they meet a week after graduation to watch Kay Strong get married. After the ceremony, the women begin their adult lives -- traveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them passes away that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group.

Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.

A literary love story that rivals those celebrated in earlier classics. "St. Louis Post-Dispatch" In Helprin s rhapsodic rendering . . . "In Sunlight and in Shadow" is . . . the romance of life itself. " Los Angeles Times" In the summer of 1946, New York City pulses with energy. Harry Copeland, a World War II veteran, has returned home to run the family business. Yet his life is upended by a single encounter with the young singer and heiress Catherine Thomas Hale, as each falls for the other in an instant. They pursue one another in a romance played out in Broadway theaters, Long Island mansions, the offices of financiers, and the haunts of gangsters. Catherine s choice of Harry over her longtime fiance endangers Harry s livelihood and threatens his life. In the end, Harry must summon the strength of his wartime experience to fight for Catherine, and risk everything. In its storytelling heft, its moral rectitude, the solemn magnificence of its writing and the splendor of its hymns to New York City, ["In Sunlight and in Shadow"] is a spiritual pendant to Winter s Tale and every bit as extraordinary . . . Even the most stubbornly resistant readers will soon be disarmed by the nobility of the novel s sentiments and seduced by the pure music of its prose. "Wall Street Journal" [NO AUTHOR PHOTO] Mark Helprin is the acclaimed author of Winter s Tale, A Soldier of the Great War, The Pacific, Memoir from Antproof Case, Freddy and Fredericka, Ellis Island, and numerous other works. "

'The first single-volume edition of this stunning early Mamet play. You know how much of our life we''re alive, you and me. Nothing. Two minutes out of the year. When we meet someone new, when we get married, when, when, when, when we''re in difficulties. once in our life at the death of someone that we love. That''s. in a carcrash. and that''s it. You know, you know, we''re sheltered. A fortune-teller''s teasing rumination sends Edmond lurching into New York City''s hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption. A furious, unflinching, whirlwind of a play first produced in 1982. ''A stunning amorality play, glittering and disturbing, suspended in the dark void of contemporary New York. It is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions'' Financial Times. ''A riveting theatrical experience that illuminates the heart of darknes''s Newsweek. Publication of this edition ties in with a production in July 2003 at the Royal National Theatre starring Kenneth Branagh.'

(Vocal Selections). 13 selections from the Lerner & Loewe classic presented in standard piano/vocal format with the melody in the piano part. Includes: Almost like Being in Love * Brigadoon * Come to Me, Bend to Me * Down on MacConnachy Square * From This Day On * The Heather on the Hill * I'll Go Home with Bonnie Jean * Jeannie's Packin' Up * The Love of My Life * My Mother's Weddin' Day * Prologue * There but for You Go I * Waitin' for My Dearie.

Winner! 1993 Olivier Award Best Musical Revival Winner! Five 1994 Tony Awards including Best Revival of a Musical Winner! Three 1994 Drama Desk Awards Nominee: Seven 1994 Drama Desk Awards including Outstanding Musical Revival Winner! Two 2018 Tony Awards Nominee: Eleven 2018 Tony Awards including Best Revival of a Musical Winner! Five 2018 Drama Desk Awards including Outstanding Orchestrations Nominee: Twelve 2018 Drama Desk Awards including Outstanding Musical Revival In a Maine coastal village toward the end of the 19th century the swaggering carefree carnival barker Billy Bigelow captivates and marries the gentle millworker Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and desperately intent upon providing a decent life for his family he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later and he encounters the daughter he never knew. She is a lonely friendless teenager her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

Arthur Miller has set this devastating play inside a mind. The mind belongs to Quentin, a lawyer with a lofty reputation and a prosecutor's zeal for pursuing the finest threads of guilt. Yet the guilt that most obsesses Quentin is his own: his guilt as son and husband, friend, lover, and man. And in the course of his plunge through the labyrinths of consciousness and conscience, Quentin will be joined by several hostile witnesses -- from the partner he abandoned to the beautiful, childlike wife he couldn't save. Masterly in its orchestration, searing in its candor, After the Fall is a victory of the moral imagination. Book jacket.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

It is Christmas 1183, and Henry II of England and Eleanor of Aquitaine are together in the castle at Chinon. Henry flaunts his new mistress; Eleanor plots against him with their sons. They will do anything they can to hurt each other, and they love each other to distraction.

“Two married couples have been best friends for years. In their Connecticut home, Karen and Gabe, international food writers, are giving a dinner for Beth and Tom, which he doesn’t attend. It emerges from the heartbroken Beth that he has left her for another woman. Gabe and Karen are almost as crushed, having expected 'to grow old and fat together, the four of us.' When Tom shows up at his home in the next scene, late at night, he is enraged that Beth broke the news of their breakup in his absence. Late as it is, he rushes over to his friends in the next scene to present his side of the story. Act Two begins with another dinner, twelve and a half years earlier, in a summer house on Martha’s Vineyard, where Karen and Gabe are introducing Beth to Tom. Then we skip five months after the events in Act One, as Beth reveals to Karen...that she has fallen in love with an old friend whom she intends to marry...Later that day, in a Manhattan bar, Tom, a lawyer, tells Gabe about his [newfound] happiness, to which Gabe reacts sourly. Still later that night, Gabe and Karen are going to bed in the Vineyard house, and discuss the Tom-and-Beth situation, as well as their own [marriage]...clinging to it like the shipwrecked to their raft..." -- Publisher's website.

Ben Stein recounts his slow conversion from self-interested, career-oriented baby boomer to loving and caring father. Ben Stein has proved himself a jack-of-all-trades in a series of jobs: author, magazine columnist, lawyer, film and TV actor, presidential speechwriter, professor, and television game show host, to name a few. But the career he has loved the most is that of raising his son, Tommy. In Tommy and Me, Ben Stein gives us an intimate look at life with his “angel boy.” Adopting a son in his forties challenged Stein in a way that no other relationship ever had. Spending time with Tommy transformed Stein’s values, leading him to abandon the self-absorption that had consumed him since law school days in the 1960s. In his life today, Tommy comes first. This whimsical and warm story reveals that life can begin when you think you have nothing left to learn. Through Tommy, Ben Stein learns to value the generous, nurturing side of himself. He also gains new insight into his relationship with his own father by becoming one. Most of all, he learns gratitude for the “perfect angel” he has as his son. Fatherhood was the role Ben Stein was waiting for all his life. His intimate and revealing journey through parenthood in the late 1990s will delight all Ben Stein fans who watch the TV program Win Ben Stein’s Money and the vast numbers of parents who need to value the best job on earth: “Daddy.”

Time magazine called Mortimer J. Adler a ''philosopher for everyman.'' In this guide to considering the big questions, Adler addresses the topics all men and women ponder in the course of life, such as ''What is love?'', ''How do we decide the right thing to do?'', and, ''What does it mean to be good?'' Drawing on his extensive knowledge of Western literature, history, and philosophy, the author considers what is meant by democracy, law, emotion, language, truth, and other abstract concepts in light of more than two millennia of Western civilization and discourse. Adler's essays offer a remarkable and contemplative distillation of the Great Ideas of Western Thought.

A naked man running for his life across the ice, his hair flying ... Paul Apak Angilirq and Zacharias Kunuk grew up hearing the incredible legend of Atanarjuat, The Fast Runner. So, when they became filmmakers, the project they were most eager to tackle was the story of love, murder, revenge and shamanism tha t had haunted them since childhood.And tackle it they did. Atanarjuat, The Fast Runner, the first feature film scripted in the Inuktitut language and made almost entirely by Inuit filmmakers and actors, has become a legend of its own, even taking the Caméra d'Or prize for best first feature at the 2001 Cannes Film Festival.This book presents the entire screenplay of Atanarjuat in a dual-language edition (in both Inuktitut syllabics and English), and contextualizes it with interviews with the filmmakers, detailed explorations of the legend of Atanarjuat and of the Inuit culture and large full-colour photos with detailed captions throughout. It is, simultaneously, a document of a spectacular film and an incredible culture.

The seminal, uncollected essays—lauded as “dazzling” ( The New York Times Book Review )—by the late Christopher Hitchens, author of the #1 New York Times bestseller God Is Not Great , showcase the notorious contrarian’s genius for rhetoric and his sharp rebukes to tyrants and the ill-informed everywhere. For more than forty years, Christopher Hitchens delivered essays to numerous publications on both sides of the Atlantic that were astonishingly wide-ranging and provocative. His death in December 2011 from esophageal cancer prematurely silenced a voice that was among the most admired of contemporary voices—writers, readers, pundits and critics the world over mourned his loss. At the time of his death, Hitchens left nearly 250,000 words of essays not yet published in book form. “Another great book of essays from a writer who we wish were still alive to produce more copy” ( National Review ), And Yet… ranges from the literary to the political and is a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Orhan Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written, yielding “a bounty of famous scalps, thunder-blasted targets, and a few love letters from the notorious provocateur-in-chief’s erudite and scathing assessments of American culture” ( Vanity Fair ). Often prescient, always pugnacious, formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, he remains, “America’s foremost rhetorical pugilist” ( The Village Voice ).