Leo Gursky is trying to survive a little bit longer, tapping his radiator each evening to let his upstairs neighbor know he's still alive, drawing attention to himself at the milk counter of Starbucks. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And although he doesn't know it, that book also survived: it crossed oceans and generations, and changed lives. Fourteen-year-old Alma was named after a character in that book. She has her hands full keeping track of her little brother Bird (who thinks he might be the Messiah) and taking copious notes in her book, How to Survive in the Wild Volume Three. But when a mysterious letter arrives in the mail she undertakes an adventure to find her namesake and save her family. In her extraordinary new novel Nicole Krauss has created some of the most memorable and moving characters in recent fiction. A tale brimming with laughter, passion, and soaring imaginative power, The History of Love confirms Krauss as one of the most remarkable writers of her generation.

A memoir in bite-size chunks from the author of the viral Modern Love column “You May Want to Marry My Husband.” “[Rosenthal] shines her generous light of humanity on the seemingly humdrum moments of life and shows how delightfully precious they actually are.” — The Chicago Sun-Times How do you conjure a life? Give the truest account of what you saw, felt, learned, loved, strived for? For Amy Krouse Rosenthal, the surprising answer came in the form of an encyclopedia. In Encyclopedia of an Ordinary Life she has ingeniously adapted this centuries-old format for conveying knowledge into a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere—preferably at the beginning—and see how one young woman’s alphabetized existence can open up and define the world in new and unexpected ways. An ordinary life, perhaps, but an extraordinary book.

Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' house, a cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference to the other. But during the warm, languorous summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks’ duration and an experience that marks them for a lifetime.For what the two discover on the Riviera and on a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured as in Andre; Aciman’s frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

For many years, the great poet Von Humboldt Fleisher and Charlie Citrine, a young man inflamed with a love for literature, were the best of friends. At the time of his death, however, Humboldt is a failure, and Charlie's life has reached a low point: his career is at a standstill, and he's enmeshed in an acrimonious divorce, infatuated with a highly unsuitable young woman, and involved with a neurotic mafioso. And then Humboldt acts from beyond the grave, bestowing upon Charlie an unexpected legacy that may just help him turn his life around.

A powerful memoir from Natalie Goldberg—the woman who changed the way writing is taught in this country—sharing her experience with cancer grounded in her practice of writing and Zen Let the Whole Thundering World Come Home begins at the grave of Katagiri Roshi, Natalie’s Zen teacher, in Japan. Twenty years after Katagiri’s death and Natalie’s return to New Mexico, she is permanently settled in Santa Fe with her partner, Yukwan. Except that, as Buddhism teaches us, nothing is permanent. Natalie learns that she has CLL, a potentially fatal form of blood cancer. For two years, Natalie dances with her cancer—visiting doctor after doctor, attempting treatment after treatment. Nothing helps; in fact, one of the treatments only feeds the cancer and encourages its growth. Then Natalie’s partner, Yukwan discovers that she, too, has cancer—breast cancer—as well as an off-the-charts oncotype score that requires her to have surgery immediately. The cancer twins, as Natalie calls herself and Yukwan, now must each navigate her own illness, carve out her own cancer territory. Each can provide only limited emotional and physical energy for the other. And, somehow, they both need to find a way to stay together, to stay in love—and to heal. As the title expresses, Let the Whole Thundering World Come Home is so much more than a cancer memoir. Through a direct and grounded narrative, Natalie illuminates a path through illness: that we need to be in love with the lives we have, to embrace the dark and the light in our lives. For Natalie, writing and painting represent the light, and her cancer takes her deeper into her art practices. Balanced with a Zen practice that helps to her face death, this book is a moving meditation on living life in full bloom.

Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.

Jacqueline Susann broke all the rules. Her life was flamboyant, outrageous, a mile-a-minute trip through the gossip columns and casting couches of the entertainment world. At 50, she knew herself a failure. She had missed the brass ring and now lived under a possible death sentence. It was then that she wrote the novel that would become one of the bestselling novels of all time--VALLEY OF THE DOLLS. LOVELY ME gives us the real woman behind the legends and the lies. She was amoral, loving, vulgar, brilliant, intensely loyal and capable of viciousness--a woman who lived at full throttle and without regret. She may shock you, but one thing is You will never forget her.

"In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler's son from Canterbury with a daring desire to be known--and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism. What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare. Dark Renaissance illuminates both Marlowe's times and the origins and significance of his work--from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge. Introducing us to Marlowe's transgressive genius in the form of a thrilling page-turner, Stephen Greenblatt brings a penetrating understanding of the literary work to reveal the inner world of the author, bringing to life a homosexual atheist who was tormented by his own compromises, who refused to toe the party line, and who was murdered just when he had found love. Meanwhile, he explores how the people Marlowe knew, and the transformations they wrought, gave birth to the economic, scientific, and cultural power of the modern world including Faustian bargains with which we reckon still." --

"A memoir exploring the author's father's love of wine" --

Dramatic Comedy / 2mWhat if all your dreams came true. . . for your best friend? The Four of Us follows Ben whose first novel vaults him into literary stardom and his friend David a struggling playwright who is thrilled by Ben's success. . . and crushed by it. From the dreams of aspiring youth to the realities of adulthood this poignant two-man comedy explores friendship and memory the gap between our hopes and our lives and the struggles between our egos and our capacity to love.An extreme"

Enraged about the literary successes of his ex-girlfriend and her new lover, Ian, an aspiring writer and coffee shop employee, becomes involved in a scheme to pen a bogus memoir and discovers unsettling industry hypocrisies.

Maurois ends the enormous, sprawling life of Balzac with the question, ""But who would wish to be Balzac?"" A man's query perhaps. A woman might write to him admiringly, at first anonymously, as so many did then. What Maurois evokes here so strongly is the writer and the lover and the always hungry dreamer of fame, greatness and happiness. Balzac's feats were prodigious. Hounded by creditors throughout his life, he bought antiques and jewelled walking sticks, and indulged in one ruinous financial deal after another. He worked for months at a frenzied pace. With a passion for unity, he tried to make a comprehensive world from his many works-- ""La Comedie Humaine."" He was lover to many women but he loved only two-Madame de Berny, his mistress in youth and twenty years his senior, and Madame Hanska, whom he married just before his death. Most of the time the narrative is just shy of the many quotations. Maurois is a little like the wise ""friend of the family"" who tells the story with all the intimate speculations, small reproaches and loving (sometimes sentimental) praise one might expect. Names, places and figures abound, and while many of these particulars are only scantily examined, one doesn't mind. Such a French abundance of ""givens"" is in keeping with the rush and energy of Balzac's life. There are good but simple summaries of Balzac's thought but for the most part this close biography draws one headlong into a fantastic life. KIRKUS REVIEW

"A writer's notebook becomes the key that unlocks memories of a love formed and lost in 1960s Paris. In the aftermath of Algeria's war of independence, Paris was a city rife with suspicion and barely suppressed violence. Amid this tension, Jean, a young writer adrift, met and fell for Dannie, an enigmatic woman fleeing a troubled past. A half century later, with his old black notebook as a guide, he retraces this fateful period in his life, recounting how, through Dannie, he became mixed up with a group of unsavory characters connected by a shadowy crime. Soon Jean, too, was a person of interest to the detective pursuing their case--a detective who would prove instrumental in revealing Dannie's darkest secret. The Black Notebook bears all the hallmarks of this Nobel Prize-winning literary master's unsettling and intensely atmospheric style, rendered in English by acclaimed translator Mark Polizzotti. Once again, Modiano invites us into his unique world, a Paris infused with melancholy, uncertain danger, and the fading echoes of lost love"--

With these interwoven autobiographical essays, Geoffrey Wolff, author of the acclaimed The Duke of Deception, recounts the moral (and immoral) education of a writer, friend, husband, and father, as he offers his spirited, elegant, and deeply felt observations on an extraordinary life: from wildly dysfunctional childhood Christmases to a concupiscent career teaching literature in Istanbul; from a victory over the chaos of drink to a life-affirming surrender to the majesty of the Matterhorn; and from a foundering friendship to the transcending love of family. He shares with us, then, the wisdom of an alert man learning through the unsettling collisions of time, place, and local custom, and through the force of hardship and hazard, to bring his many disparate selves together -- with astonishing high-stakes candor and dazzling literary agility. From the Trade Paperback edition.

Revisits moments of the author's past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women--Geneviève, Martine, Madeleine, a certain Madame Huberson--in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become.

Lloyd has a particular set of skills. He writes the small print for prescription drugs, marital aids, and incontinence products. The clients present him with a list of possible side effects. His job is "to "ecite and minimize", sometimes by just saying them really fast and other times by finding the language that can render them acceptable. The results are ingenious. The methods diabolical. Lloyd has a habit too. He cops smack during coffee breaks at his new job writing copy for Christian Swingles, an online dating service for the faithful. He finds a precarious balance between hackwork and heroin until he encounters Nora, a mysterious and troubled young woman, a Sylvia Plath with tattoos and implants, who asks for his help. Lloyd falls swiftly in love, but Nora bestows her affections at a cost. Before Lloyd clears his head from the fog of romance, he finds himself complicit in Nora's grand scheme to horrify the world and exact revenge on those who poison the populace in order to sell them the cure.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

Women and the Comics is the first attempt to document the careers of the hundreds of women who have created and worked in the field of comic strips, comic book and cartooning. The women whose work is showcased in this book have been long overlooked or ignored by most other histories of comics. In this volume you'll encounter the art of Rose O'Neill, whose Kewpies popularity spans over 70 years; Nell Brinkley, whose "Brinkley Girl" was just as famous in her day as Gibson's; Grace Drayton, whose lovely drawings gave the Campbell Kids life; the "flapper" artists of the 1920s; Dale Messick, creator of Brenda Starr; Martha Orr, who originated Mary Worth; the once anonymous female comic book artists of the 1940s; newspaper strip creators Marty Links (Bobby Sox), Cathy Guisewite (Cathy) and Lynn Johnston (For Better or For Worse); and the many women who write and draw today's most popular comic books. A special chapter surveying female cartoonists in Europe, Japan, and Australia is also included. Women and the Comics is a landmark book, the result of four years of research by Catherine Yronwode and Trina Robbins. It is a reference source designed to serve future generations interested in discovering the contributions women have made to America's most popular art form.