From an award-winning American journalist and bestselling author comes a tell-all memoir about breaking boundaries, persevering, and witnessing the reckoning in media. For more than forty years, Katie Couric has been an iconic presence in the media world. In her brutally honest, hilarious, heartbreaking memoir, she reveals what was going on behind the scenes of her sometimes tumultuous personal and professional life - a story she's never shared, until now. Of the medium she loves, the one that made her a household name, she says, Television can put you in a box; the flat-screen can flatten. On TV, you are larger than life but smaller, too. It is not the whole story, and it is not the whole me. This book is. Beginning in early childhood, Couric was inspired by her journalist father to pursue the career he loved but couldn't afford to stay in. Balancing her vivacious, outgoing personality with her desire to be taken seriously, she overcame every obstacle in her way: insecurity, an eating disorder, being typecast, sexism . . . challenges, and how she dealt with them, setting the tone for the rest of her career. Couric talks candidly about adjusting to sudden fame after her astonishing rise to co-anchor of the TODAY show, and guides us through the most momentous events and news stories of the era, to which she had a front-row seat: Rodney King, Anita Hill, Columbine, the death of Princess Diana, 9/11, the Iraq War . . . In every instance, she relentlessly pursued the facts, ruffling more than a few feathers along the way. She also recalls in vivid and sometimes lurid detail the intense pressure on female anchors to snag the latest get --often sensational tabloid stories like Jon Benet Ramsey, Tonya Harding, and OJ Simpson. Couric's position as one of the leading lights of her profession was shadowed by the shock and trauma of losing her husband to stage 4 colon cancer when he was just 42, leaving her a widow and single mom to two daughters, 6 and 2. The death of her sister Emily, just three years later, brought yet more trauma--and an unwavering commitment to cancer awareness and research, one of her proudest accomplishments. Couric is unsparing in the details of her historic move to the anchor chair at the CBS Evening News--a world rife with sexism and misogyny. Her welcome was even more hostile at 60 Minutes, an unrepentant boys club that engaged in outright hazing of even the most established women. In the wake of the MeToo movement, Couric shares her clear-eyed reckoning with gender inequality and predatory behavior in the workplace, and downfall of Matt Lauer--a colleague she had trusted and respected for more than a decade. Couric also talks about the challenge of finding love again, with all the hilarity, false-starts, and drama that search entailed, before finding her midlife Mr. Right. Something she has never discussed publicly--why her second marriage almost didn't happen. If you thought you knew Katie Couric, think again. Going There is the fast-paced, emotional, riveting story of a thoroughly modern woman, whose journey took her from humble origins to superstardom. In these pages, you will find a friend, a confidante, a role model, a survivor whose lessons about life will enrich your own.

"Celebrated NPR correspondent Nina Totenberg delivers an extraordinary memoir of her personal successes, struggles, and life-affirming relationships, including her remarkable friendship of nearly fifty years with Supreme Court Justice Ruth Bader Ginsburg. Four years before Nina Totenberg started working at NPR, where she cemented her legacy as a prize-winning reporter, and nearly twenty-two years before Ruth Bader Ginsburg was appointed to the Supreme Court, Nina called Ruth. A reporter for The National Observer, Nina was curious about Ruth's legal brief, asking the Supreme Court to do something revolutionary: declare a law that discriminated "on the basis of sex" to be unconstitutional. In a time when women were fired for becoming pregnant and often could not apply for credit cards or get a mortgage, Ruth patiently explained her argument. That call launched a nearly fifty-year friendship. Dinners with Ruth is an extraordinary account of two women who paved the way for future generations by tearing down professional and legal barriers. It is also an intimate memoir of the power of friendships as women began to pry open career doors and transform the workplace. At the story's heart is one, special relationship: Ruth and Nina saw each other not only through personal joys, but also illness, loss, and widowhood. Ruth drew Nina out of grief during the devastating illness and eventual death of Nina's first husband; twelve years later, Nina would reciprocate when Ruth's beloved husband died. They shared a love of opera and shopping, as they instinctively understood that clothes were armor for women who wanted to be taken seriously in a workplace dominated by men. During Ruth's last year, they shared so many small dinners that Saturdays were "reserved for Ruth" in Nina's house. Dinners with Ruth also weaves together personal portraits of other fascinating women and men from Nina's life, including her cherished NPR colleagues Cokie Roberts and Linda Wertheimer; her beloved husbands; her friendships with multiple Supreme Court Justices, including Lewis Powell, William Brennan, and Antonin Scalia, and Nina's own family--her father, the legendary violinist Roman Totenberg, and her "best friends," her sisters. Inspiring and revelatory, Dinners with Ruth is a moving story of the joy of friendship" --

"From declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure. Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones--laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!)--that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say"--Dust jacket flap.

The bestselling, beloved writer of romantic comedies like You've Got Mail tells her own late-in-life love story in her "resplendent memoir," complete with a tragic second act and joyous resolution. Delia Ephron had struggled through several years of heartbreak. She'd lost her sister, Nora, and then her husband, Jerry, both to cancer. Several months after Jerry's death, she decided to make one small change in her life -- she shut down his landline, which crashed her internet. She ended up in Verizon hell. She channeled her grief the best way she knew: by writing a New York Times op-ed. The piece caught the attention of Peter, a Bay Area psychiatrist, who emailed her to commiserate. Recently widowed himself, he reminded her that they had shared a few dates fifty-four years before, set up by Nora. Delia did not remember him, but after several weeks of exchanging emails and sixties folk songs, he flew east to see her. They were crazy, utterly, in love. But this was not a rom-com: four months later she was diagnosed with AML, a fierce leukemia. In Left on Tenth, Delia Ephron enchants as she seesaws us between tears and laughter, navigating the suicidal lows of enduring cutting-edge treatment and the giddy highs of a second chance at love. With Peter and her close girlfriends by her side, with startling clarity, warmth, and honesty about facing death, Ephron invites us to join her team of warriors and become believers ourselves.

"The New York Times bestselling author and star of Little House on the Prairie returns with a new memoir -- both hilarious and heartfelt -- chronicling her journey from Hollywood to a ramshackle house in the Catskills during the COVID-19 pandemic. Known for her childhood role as Laura Ingalls Wilder on the classic NBC television show Little House on the Prairie, Melissa Gilbert has spent nearly her entire life in Hollywood. From Dancing with the Stars to a turn in politics, she has always been on the lookout for her next project. She just had no idea that her latest one would be completely life-changing. When her husband introduces her to the wilds of rural Michigan, Melissa begins to fall back in love with nature. And when work takes them to New York, they find a rustic cottage in the Catskills to call home. But 'rustic' is a generous description for the state of the house, which requires a lot of blood, sweat, and tears from the newlyweds to make it habitable. Then the coronavirus pandemic descends upon the world, further nudging Melissa out of the spotlight and into the woods. She trades Botox treatments for DIY projects, power-lunching for gardening and raising chickens, and soon her life is once again rediscovered, in her own little house in the mountains." --

"A memoir of mothers and daughters -- and mothers as daughters -- traced through four generations, from Paris to New York and back again. For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Mauscreator Art Spiegelman, and even more than most mothers, hers -- French-born New Yorker art director Françoise Mouly -- exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand," their relationship grew tense. Unwittingly, they were replaying a drama from her mother's past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them. It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled. Her grandmother's memories contradicted her mother's at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order to forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most"--

The comic actor shares personal events that led to his understanding of love and the art of acting, discussing his relationships with such contemporaries as Mel Brooks, Richard Pryor, and Gilda Radner.

"A year-long journey by the renowned psychiatrist and his writer wife after her terminal diagnosis, as they reflect on how to love and live without regret. Internationally acclaimed psychiatrist and author Irvin Yalom devoted his career to counseling those suffering from anxiety and grief. But never had he faced the need to counsel himself until his wife, esteemed feminist author Marilyn Yalom, was diagnosed with cancer. In A Matter of Death and Life, Marilyn and Irv share how they took on profound new struggles: Marilyn to die a good death, Irv to live on without her. In alternating accounts of their last months together and Irv's first months alone, they offer us a rare window into facing mortality and coping with the loss of one's beloved. The Yaloms had numerous blessings--a loving family, a Palo Alto home under a magnificent valley oak, a large circle of friends, avid readers around the world, and a long, fulfilling marriage--but they faced death as we all do. With the wisdom of those who have thought deeply, and the familiar warmth of teenage sweethearts who've grown up together, they investigate universal questions of intimacy, love, and grief. Informed by two lifetimes of experience, A Matter of Death and Life is an openhearted offering to anyone seeking support, solace, and a meaningful life."--Publisher.

Chronicles Kravitz's life up until the late 1980s. Kravitz looks back at his life with candor, self-scrutiny, and humor. It's the story of a wildly creative kid who, despite tough struggles at school and extreme tension at home, finds salvation in music. Readers will follow his growth as a musician and ultimately a master songwriter, producer, and performer. Kravitz also discusses his spiritual growth, and the powerful way in which spirit informs his music. -- adapted from jacket

"Love and Math tells the two intertwined stories of mathematics and the adventure of one man in learning it. The result is a story about how he became one of the twenty-first century's leading mathematicians, working on one of the biggest ideas to come out of mathematics in the last 50 years: the Langlands Program. As Frenkel proves, a mathematical formula can be as elegant and beautiful as a painting, a poem, or a piece of music. And the process of creating new mathematics is just that, an artistic pursuit--a deeply personal experience, which requires passion, dedication, and love. In Love and Math, Frenkel shows readers the aesthetic--and the truly powerful--side of mathematics, and enables appreciation of the field even from those who have long been terrified by it."--Provided by publisher.

The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience. Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924 and who would remain an important intellectual and erotic influence on him throughout the twenties and thirties. Asja Lacis resided in Moscow, eking out a living as a journalist, and Benjamin's diary is, on one level, the account of his masochistic love affair with this elusive--and rather unsympathetic--object of desire. On another level, it is the story of a failed romance with the Russian Revolution; for Benjamin had journeyed to Russia not only to inform himself firsthand about Soviet society, but also to arrive at an eventual decision about joining the Communist Party. Benjamin's diary paints the dilemma of a writer seduced by the promises of the Revolution yet unwilling to blinker himself to its human and institutional failings.

"Joel Grey, the Academy Award-winning master of ceremonies in Cabaret, finally tells his remarkable life story. Born Joel David Katz to a wild and woolly Jewish-American family in 1930's Cleveland, Joel began his life in the theater at the age of nine, starring in local productions of touring Broadway hits. He was hooked, and the search for the spotlight took him from the Cleveland Playhouse to seedy, gangster-filled nightclubs in Chicago, and finally to the lights of Broadway and the dizzying glamour of Hollywood. Master of Ceremonies is a memoir of a life lived in and out of the limelight, but it is also the story of the man behind the makeup. Coming of age in a time when being yourself tended to be not only difficult but also dangerous, Joel was required to act both on and off stage. Deftly capturing the pain and secrets of an era we have only just started to leave behind, Joel's story is one of love, loss, hard-won honesty, redemption, and success"--

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

"In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment (eventually revealed to be a recently vacated brothel) on Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman burrowed into his bedroom. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City.Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists" --Amazon.com.

Everyone knows Dr. Ruth as the most famous and trusted sex therapist, but few people know she narrowly escaped death from the Holocaust, was raised in an orphanage in Switzerland, or that she was a sniper during Israel's War of Independence. After years spent as a student in Paris, Dr. Ruth came to America dreaming of a new life though never expecting the dramatic turns that would take place. And at the age of eighty-seven, she is as spirited as ever. Through intimate and funny stories, Dr. Ruth sheds light on how she's learned to live a life filled with joie de vivre. And she shows readers how they too can learn to deal with tragedy and loss, challenges and success, all while nourishing an intellectual and emotional spark, and, above all, having fun! Hilarious, inspiring, and profound, The Doctor Is In will change the way you think about life and love, in all their limitless possibilities.

The last two decades have seen a resurgence of critical and popular attention to Virginia Woolf's life and work. Such traditional institutions as "The New York Review of Books" now pair her with William Shakespeare in promotional advertisements; her face is used to sell everything from Barnes & Noble books to Bass Ale. Virginia Woolf: Lesbian Readings represents the first book devoted to Woolf's lesbianism. Divided into two sections, Lesbian Intersections and Lesbian Readings of Woolf's Novels, these essays focus on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels. Lesbian Intersections includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. Lesbian Readings of Woolf's Novels provides lesbian interpretations of the individual novels, including "Orlando, The Waves," and "The Years." Breaking new ground in our understanding of the role Woolf's love for women plays in her major writing, these essays shift the emphasis of lesbian interpretations from Woolf's life to her work.

The music and mayhem behind the seminal sounds of Nick Cave and the Bad Seeds, Models, The Go-Betweens, Hunters & Collectors, Cold Chisel, The Saints, The Cruel Sea and so many more 'The most obsessive, single-minded character I've ever seen, outside of the mirror' -Nick Cave 'I first met Nick Cave ... at Richmond Recorders in January. I appeared shoeless, red-eyed and late. As usual. The grand piano was overflowing with bits of metal, microphone stands, anything that wasn't nailed down. "That should sound interesting," I said. It was the start of a great love affair.' Maverick music producer-engineer Tony Cohen defined Australia's punk and rock sounds in the late '70s, '80s and '90s. His long and celebrated career took him from the studios of Melbourne and Sydney to West Berlin and London's Abbey Road, working with innumerable bands up until his death in 2017. In candid reflections, Tony shares details of his decades-long relationship with Nick Cave (The Boys Next Door, The Birthday Party, Nick Cave and the Bad Seeds) and provides behind-the-scenes access to recordings by Billy Thorpe and the Aztecs, Cat Stevens, Jim Keays, Lobby Loyde, The Ferrets, Split Enz, Laughing Clowns, Models, Magazine, The Reels, The Go-Betweens, Hunters & Collectors, Cold Chisel, Beasts of Bourbon, The Saints, X, Michael Hutchence, The Cruel Sea, TISM, Paul Kelly and so many more. Half Deaf, Completely Mad is a hilarious, tragic and triumphant memoir that reveals a chaotic genius who lived hard and LOUD.

[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly , starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

"A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January of 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad. That journal is now They Went Another Way. The book's through line traces his trying to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project's ups and downs, Kaplan finds himself not only ruminating on show business, but also on today's political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that kept showing up in his backyard. This hilarious and surprisingly moving book is about life-about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment and wonder and hope. In short, it is about everything. And if it's not, it almost is"--

Zuzana Ruzickova's story stands as a remarkable testimony of Holocaust survival, as well as a joyful celebration of music and resistance.