When Kit and Adam separated after almost fifteen years of marriage, Kit felt like she had lost her lover, her best friend and her identity all in one fell swoop. But now, a year on from the divorce, Kit has found herself again and she loves her life in the idyllic Connecticut town of Highfield. She has the perfect job – working for Robert McClore, the famous novelist – two wonderful children, a good relationship with her ex-husband and time to enjoy yoga with her friends. Then Tracy, Kit’s yoga instructor and close friend, introduces her to Steve – attentive, charming, the perfect gentleman – and, for the first time in years, Kit thinks she may have found the right one. But is Steve really as perfect as he seems? And why does it bother Kit when Tracy starts dating Kit’s reclusive boss, Robert? What no one knows is that Tracy is hiding a secret – one that threatens to ruin her new-found happiness with Robert and her friendship with Kit. And now Tracy must decide whether to keep her past hidden from them both for ever or whether she should reveal the truth before it’s too late... Sparkling, poignant and wise, Girl Friday is a captivating tale of friendship, family and marriage as both Kit and Tracy discover that sometimes the people you thought you had lost make their way back into your life again... N.B. Girl Friday is called Dune Road in the US

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

Jane Green, author the best-sellers The Beach House and Second Chance , follows happily married Alice who moves from London to the USA only to discover that her life is not as fairy-tale as it seems in Spellbound . Alice has everything. So why isn't she happy? After all, she has a handsome husband, a gorgeous home and membership of London's most exclusive clubs. Okay, Joe can't keep his hands to himself - but she got what she wanted, didn't she? When Joe's indiscretions force a transfer to New York, Alice hopes it'll be a fresh start. And when they find a beautiful old house in Connecticut she is overjoyed. For a while Alice and Joe are as happy as newlyweds. But then the late nights and unexplained absences start. Alice is desperate to give her marriage a fairy tale ending. What should she do? Stay and fight for Joe? Or try to break the spell he's cast over her? 'Will have you hungrily turning page after page' Heat 'Green whips up a sparkling morality tale that points the finger at bad boys and low-rent romance' Independent 'Her books are just damn readable' Glamour Jane Green's novels, including The Other Woman , Jemima J. , Babyville , The Love Verb (published as Promises to Keep in the USA), Girl Friday ( Dune Road ), Life Swap ( Swapping Lives ), Straight Talking , The Patchwork Marriage ( Another Piece of My Heart ), Mr. Maybe , and Bookends , are as moving as they are funny and have achieved best-seller status internationally. Spellbound is published in the USA as To Have and to Hold .

In this powerfully affecting novel—by the author of The Pawnbroker—Joe Berman, an immigrant at eighteen, fifty-nine now, and a hard-working Connecticut plumber, faces the loss of his deeply loved wife. The months that follow, months of wrath and rebellion during which he fights his way to a new idea of life, death, and God, are part of Berman's human season. But so are the years behind him, vividly evoked as the narrative travels back into the past.