Young Will Shakespeare has writers block... the deadline for his new play is fast approaching but hes in desperate need of inspiration. That is, until he finds his muse – Viola. This beautiful young woman is Will’s greatest admirer and will stop at nothing (including breaking the law) to appear in his next play. Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will’s love for Viola quickly blossoms and inspires him to write his greatest masterpiece.

12 songs from the classic musical recently revived on Broadway: Anatevka * Do You Love Me? * Far from the Home I Love * Fiddler on the Roof * If I Were a Rich Man * Matchmaker * Miracle of Miracles * Now I Have Everything * Sabbath Prayer * Sunrise, Sunset * To Life * Tradition. Includes photos, composer bios, and synopsis.

In her inimitable style--full of wit, wisdom, drama, gossip, and romance--Julia Quinn introduces the four youngest of the eight Bridgerton siblings as they maneuver through the scrutiny of London's high society and secure matches worthy of their station--and their hearts. Adored by millions of fans worldwide, these timeless stories will transport you to a world of propriety, elegance, passion, and mischief, where the charisma of one family captures the attention of the entire ton. In these four books, you will meet: Eloise Bridgerton, the feisty and unconventional second daughter, in To Sir Phillip, With Love; Francesca Bridgerton, the third daughter, whose heartache turns to love, in When He Was Wicked; Hyacinth Bridgerton, the youngest daughter, who is smart, outspoken, and delightfully determined, in It's in His Kiss; and finally, Gregory Bridgerton, the lovestruck and romantic youngest son who will not stand aside, in On the Way to the Wedding.

Rodgers and Hammerstein’s first collaboration remains, in many ways, their most innovative, setting the standards and rules of modern musical theatre. In a Western territory just after the turn of the 20th century, a high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination and the promise of a new land.--

"A play of monologues and ensemble pieces about women, clothes and memory covering all the important subjects--mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black."--Page 4 of cover.

The Seagull , a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull --made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909

In Burn After Reading , two gym instructors (Brad Pitt and Frances McDormand) accidentally stumble across and try to sell a disk containing the memoirs of CIA agent Osborne Cox (John Malkovich), who has recently been fired from the agency. Their attempts at blackmail go wildly awry, gradually engulfing Osborne Cox's estranged wife (Tilda Swinton) and her lover (George Clooney), whose involvement triggers a series of tragic consequences. With this latest offering, Joel and Ethan Coen take on the spy thriller and reinvent it as only they can-combining humor and violence in completely unexpected ways, with the verbal dexterity that so defines their work.

0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture. Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.

Full Length Drama Characters: 8 male 1 female Unit set. A searing drama about public and private indifference to the AIDS plague and one man's lonely fight to awaken the world to the crisis. Produced to acclaim in New York London and Los Angeles The Normal Heart follows Ned Weeks a gay activist enraged at the indifference of public officials and the gay community. While trying to save the world from itself he confronts the personal toll of AIDS when his lover die

'The first single-volume edition of this stunning early Mamet play. You know how much of our life we''re alive, you and me. Nothing. Two minutes out of the year. When we meet someone new, when we get married, when, when, when, when we''re in difficulties. once in our life at the death of someone that we love. That''s. in a carcrash. and that''s it. You know, you know, we''re sheltered. A fortune-teller''s teasing rumination sends Edmond lurching into New York City''s hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption. A furious, unflinching, whirlwind of a play first produced in 1982. ''A stunning amorality play, glittering and disturbing, suspended in the dark void of contemporary New York. It is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions'' Financial Times. ''A riveting theatrical experience that illuminates the heart of darknes''s Newsweek. Publication of this edition ties in with a production in July 2003 at the Royal National Theatre starring Kenneth Branagh.'

It is 1967 and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him since she has fallen in love with one of his more pompous colleagues. His domestic woes accumulate: his unemployable brother Larry is sleeping on the couch, his son Danny is playing hooky from Hebrew school, and his daughter is sneaking money from his wallet in order to save up for a nose job. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation, thus putting in jeopardy Larry's chances for tenure at the university. As if all this wasn't enough, he is tormented by the sight of his beautiful next door neighbor sunbathing nude. Larry's search for some kind of equilibrium is conveyed with the kind of humor, imagination, and verbal wit that have made the work of Ethan and Joel Coen so distinctive.

(Vocal Selections). 13 selections from the Lerner & Loewe classic presented in standard piano/vocal format with the melody in the piano part. Includes: Almost like Being in Love * Brigadoon * Come to Me, Bend to Me * Down on MacConnachy Square * From This Day On * The Heather on the Hill * I'll Go Home with Bonnie Jean * Jeannie's Packin' Up * The Love of My Life * My Mother's Weddin' Day * Prologue * There but for You Go I * Waitin' for My Dearie.

The hilarious script for the Broadway play Peter and the Starcatcher is in the perfect format for performers and theater lovers. Actors will relish the opportunity to perfect the complex dialogue while fans of the play will delight in the humor and intricacies of the text.

Winner! 1993 Olivier Award Best Musical Revival Winner! Five 1994 Tony Awards including Best Revival of a Musical Winner! Three 1994 Drama Desk Awards Nominee: Seven 1994 Drama Desk Awards including Outstanding Musical Revival Winner! Two 2018 Tony Awards Nominee: Eleven 2018 Tony Awards including Best Revival of a Musical Winner! Five 2018 Drama Desk Awards including Outstanding Orchestrations Nominee: Twelve 2018 Drama Desk Awards including Outstanding Musical Revival In a Maine coastal village toward the end of the 19th century the swaggering carefree carnival barker Billy Bigelow captivates and marries the gentle millworker Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and desperately intent upon providing a decent life for his family he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later and he encounters the daughter he never knew. She is a lonely friendless teenager her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

Arthur Miller has set this devastating play inside a mind. The mind belongs to Quentin, a lawyer with a lofty reputation and a prosecutor's zeal for pursuing the finest threads of guilt. Yet the guilt that most obsesses Quentin is his own: his guilt as son and husband, friend, lover, and man. And in the course of his plunge through the labyrinths of consciousness and conscience, Quentin will be joined by several hostile witnesses -- from the partner he abandoned to the beautiful, childlike wife he couldn't save. Masterly in its orchestration, searing in its candor, After the Fall is a victory of the moral imagination. Book jacket.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

Presenting the complete texts of eight of the world’s greatest plays, this important volume illuminates the changing concept of tragedy from Sophocles to O’Neill. Some of the world’s greatest dramas unfold on these pages. In the powerful and famous plays of Sophocles, Aeschylus, and Euripedes, Oedipus makes his disastrous marriage, Prometheus struggles against Zeus to break his painful chains, and the Love Goddess, Aphrodite, takes her revenge on the Theban prince who slighted her. Shakespeare’s King Lear suffers at the hands of his two evil daughters. The great Scandinavian dramatists Ibsen and Strindberg fearlessly present stories of infidelity and social disease, while Desire under the Elms, Eugene O’Neill’s savage picture of primitive desires in modern New England, rounds out this excellent anthology. Including important essays by noteworthy critics and philosophers, this book is an ideal companion to the editors’ Eight Great Comedies. Featured Plays: Prometheus Unbound (Aeschylus) Oedipus the King (Sophocles) Hippolytus (Euripedes) King Lear (William Shakespeare) Ghosts (Henrik Ibsen) Miss Julie (August Strindberg) On Baile’s Strand (William Butler Yeats) Desire under the Elms (Eugene O’Neill) Also includes essays by Aristotle, Hume, Emerson, Tillyard, Richards, and Krutch.

It is Christmas 1183, and Henry II of England and Eleanor of Aquitaine are together in the castle at Chinon. Henry flaunts his new mistress; Eleanor plots against him with their sons. They will do anything they can to hurt each other, and they love each other to distraction.

The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing? In The Real Thing , Tom Stoppard combines his characteristically brilliant wordplay and wit with flashes of insight that illuminate the nature--and the mystery--of love, creating a multi-toned play that challenges the mind while searching out the innermost secrets of the heart.

“Two married couples have been best friends for years. In their Connecticut home, Karen and Gabe, international food writers, are giving a dinner for Beth and Tom, which he doesn’t attend. It emerges from the heartbroken Beth that he has left her for another woman. Gabe and Karen are almost as crushed, having expected 'to grow old and fat together, the four of us.' When Tom shows up at his home in the next scene, late at night, he is enraged that Beth broke the news of their breakup in his absence. Late as it is, he rushes over to his friends in the next scene to present his side of the story. Act Two begins with another dinner, twelve and a half years earlier, in a summer house on Martha’s Vineyard, where Karen and Gabe are introducing Beth to Tom. Then we skip five months after the events in Act One, as Beth reveals to Karen...that she has fallen in love with an old friend whom she intends to marry...Later that day, in a Manhattan bar, Tom, a lawyer, tells Gabe about his [newfound] happiness, to which Gabe reacts sourly. Still later that night, Gabe and Karen are going to bed in the Vineyard house, and discuss the Tom-and-Beth situation, as well as their own [marriage]...clinging to it like the shipwrecked to their raft..." -- Publisher's website.