"An intellectual and emotional jigsaw puzzle of a novel for readers of A. S. Byatt's Possession and Geraldine Brooks's People of the Book Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents' scribe, the elusive"Aleph."Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must makein order to reconcile the life of the heart and mind"--

"In an effort to forestall the frailty and isolation of old age, psychiatrist Millard Salter intends to kill himself at the end of the day-but not before he ties up his life's loose ends. These include a with his ne'er-do-well youngest son, Lysander, who at 43 has yet to hold down a paying job; an unscheduled rendezvous with his first wife, Carol, whom he hasn't seen in 27 years; and a brief visit to the grave of his second wife, Isabelle, with whom he fathered an illegitimate child. Yet on what he intends to be the final day of his life, Millard has also assumed a far greater responsibility: to assist a theater director suffering from Lou Gehrig's disease in ending her own life with a helium hood. Complicating this plan is that, during the months since Compassionate Endings has paired Millard with Delilah, the widower has fallen in love with her. As Millard sets about wrapping up his life, he confronts a lifetime of challenges during a single day: a narcissistic colleague intent on having his job, an obsessive administrator browbeating him for a report that will doom his colleagues, and an escaped lynx that is roaming the hospital in search of prey. Meanwhile, as Millard prepares for his impending suicide, his family is planning a surprise for him of its own"--

"For years, Matthew Greene and Daniel Rosen have enjoyed a quiet domestic life together in Northampton, Massachusetts. Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel's twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed. In dealing with their families and the need to make a decision about who will raise the deceased couple's two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew's place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel's questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children--six-year-old Gal, and baby Noam. The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment--or love?"--

The author of City Unique takes us back to the wicked old Montreal of 1948 in this fine, funny novel, where an innocent seventeen-year-old McGill student falls for a famous stripper “ Catcher in the Rye meets Guys and Dolls ”? Maybe. Or how about “Evelyn Waugh’s Decline and Fall comes to Mordecai Richler’s Montreal”? Close. But best of all is simply this: “William Weintraub — friend of Richler, Moore, and Gallant — has quietly produced a mature comic masterpiece.” Our hero, Richard Lippman, is about to enter McGill and is desperate for two things — a sense of direction in life and, much more important, sexual experience with a real, live girl. Unknown to his “refined” Westmount parents, he’s brought into the exciting Montreal world of burlesque and brothels by his Uncle Morty, who introduces him to Lili L’Amour, the star stripper of the day. Before you know it, he’s (a) head over heels in love with Lili and (b) using his poetic talents to write the text for her routine, and even giving her tips on how to move. Much follows, including his creation of “Freckles, The Girl Next Door,” a stripping sensation. By day a respectful McGill student courted by campus Communists, by night a free-spending night-club sampler and reviewer — well, it’s quite a year for Richard. And this is quite a novel for all of us. Watch for falling prizes. From the Hardcover edition.

"A community college professor whose career has stagnated, and a wife and mother whose marriage has tumbled into a spiral of apathy and distrust, Lena is frustrated at the seeming "impossibility of happiness." As Lena makes her way to present a paper at a remote New England conference, a chance encounter with an old schoolmate a once average-seeming teenager who has since achieved international fame as a human rights advocate-catapults Lena into memories of their life changing summer together, as counselors at a summer camp in the backwoods of rural Russia during the massive cultural changes of perestroika in the 1980s"--