Leo Gursky is trying to survive a little bit longer, tapping his radiator each evening to let his upstairs neighbor know he's still alive, drawing attention to himself at the milk counter of Starbucks. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And although he doesn't know it, that book also survived: it crossed oceans and generations, and changed lives. Fourteen-year-old Alma was named after a character in that book. She has her hands full keeping track of her little brother Bird (who thinks he might be the Messiah) and taking copious notes in her book, How to Survive in the Wild Volume Three. But when a mysterious letter arrives in the mail she undertakes an adventure to find her namesake and save her family. In her extraordinary new novel Nicole Krauss has created some of the most memorable and moving characters in recent fiction. A tale brimming with laughter, passion, and soaring imaginative power, The History of Love confirms Krauss as one of the most remarkable writers of her generation.

"Astonishing. . .Judah has travelled the length and breadth of the city, talking to and empathising with those too often airbrushed from the picture. . ." The Sunday TelegraphLondon is a global city. More than half of those who live in the UK's capital came from somewhere else - and most arrived in the last ten years. Migration is transforming London, for better and for worse. Ben Judah is an acclaimed foreign correspondent. In This Is London, he turns his keen reporter's eye on home, immersing himself in the hidden world of the city's immigrants - from the richest to the poorest - to discover the complex and varied individuals who are making London what it is today. He's had dinner with oligarchs and meetings with foreign royalty, spent nights streetwalking and sleeping rough; he's heard stories of heart-breaking failure, but also witnessed extraordinary acts of compassion, hope and the triumph of love.PRAISE FOR THIS IS LONDON"Mesmerising, trenchant and deeply compassionate" Bookseller"An eye-opening investigation into the hidden immigrant life of the city . . . You won't read a more succinct analysis" Sunday Times

"Follows the intertwined lives of four immigrants in New York City as they grapple with love and tumult, the challenges of a new home, and the absurdities of the digital age"--Publisher description.

Donald Margulies offers up a vivid new adaptation of Sholom Asch's 1906 Yiddish melodrama, reset on the Lower East Side of New York at the turn of the century. The original English language edition first appeared on Broadway in 1923, but was closed down and the cast arrested for its portrayal of a lesbian love affair on stage. "Teasing out the pesky questions of spirit, love, family and commerce at the heart of Asch's play, Margulies has achieved crossover success, making "God of Vengeance "a profoundly American play."-Alisa Solomon, "Village Voice " Sholom Asch was a noted Yiddish novelist and playwright. Donald Margulies is the Pulitzer Prize-winning author of "Dinner with Friends." His other work includes "Collected Stories "and "Sight Unseen."

Capturing the voice of an Australia you haven't heard in fiction before ... Meet Zeke togan, a small-time crim in big-time trouble. A quintessential Australian larrikin - whose biggest problem is that he isn't actually Australian. 19 year old Zeke was born in the Old Country but has been in Australia since he was six months old and considers himself as Aussie Aussie Aussie oi oi oi as the next bloke. But due to a mix-up at the naturalisation ceremony (Zeke was in the pub when the rest of his family were getting their certificates and sprigs of wattle) and some unfortunate brushes with the law, Zeke finds himself awaiting deportation from Sydney's Villawood Detention Centre. So Zeke finds himself locked up with the other crims, asylum seekers, sex slaves, illegal workers and visa overstayers. He loves Marlena, She Who Loves, Honours and Obeys Most a the time Anyway, but he's having a hell of a time proving it from the wrong side of a double fence. His new friends the 'asylums' aren't doing so well either. Hamid loves Angel but she needs more than love. April thinks she loves Azad, but Azad thinks he loves April's daughter Marley. thomas loves anyplace but where he is. Everyone loves freedom. Not everyone gets it. Everyone wants to survive. Not everyone will.

Leaving Russia: A Jewish Story is a memoir of coming-of-age and struggling to leave the USSR. Shrayer chronicles the triumphs and humiliations of a Soviet childhood and expresses the dreams and fears of a Jewish family that never gave up its hopes for a better life. Narrated in the tradition of Tolstoy’s confessional trilogy and Nabokov’s autobiography, this is a searing account of the KGB’s persecution of refuseniks, a poet’s rebellion against totalitarian culture, and Soviet fantasies of the West during the Cold War. Shrayer’s remembrances are set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire’s collapse. His story offers generous doses of humor and tenderness, counterbalanced with longing and violence. Leaving Russia is a love story in which a young Jew’s love is unrequited and his heart is forever broken by his homeland.

In 1987 a young Jewish man, the central figure in this captivating book, leaves Moscow for good with his parents. They celebrate their freedom in opulent Vienna and spend two months in Rome and the coastal resort of Ladispoli. While waiting in Europe for a U.S. refugee visa, the book’s twenty-year-old poet quenches his thirst for sexual and cultural discovery. Through his colorful Austrian and Italian misadventures, he experiences the shock, thrill, and anonymity of encountering Western democracies, running into European roadblocks while shedding Soviet social taboos. As he anticipates entering a new life in America, he movingly describes the baggage that exiles bring with them, from the inescapable family traps and ties to the sweet cargo of memory. An emigration story, Waiting for America explores the rapid expansion of identity at the cusp of a new, American life. Told in a revelatory first-person narrative, Waiting for America is also a vibrant love story in which the romantic main character is torn between Russian and Western women. Filled with poignant humor and reinforced by hope and idealism, the author’s confessional voice carries the reader in the same way one is carried through literary memoirs like Tolstoy’s Childhood, Boyhood, Youth, Hemingway’s A Moveable Feast, or Nabokov’s Speak, Memory. Babel, Sebald, and Singer—all transcultural masters of identity writing—are the coordinates that help to locate Waiting for America on the greater map of literature.