Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' house, a cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference to the other. But during the warm, languorous summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks’ duration and an experience that marks them for a lifetime.For what the two discover on the Riviera and on a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured as in Andre; Aciman’s frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

"For Alessandro Giuliani, the son of a prosperous Roman lawyer, trees shimmer in the sun beneath a sky of perfect blue, and at night the moon is amber as Rome seethes with light. He races horses across country to the sea, climbs in the Alps, and is a student of painting and aesthetics. And he falls in love, deeply and eternally. Then the Great War intervenes. Half a century later, in August of 1964, Alessandro, a white-haired professor, finds himself unexpectedly on the road with an illiterate young factory worker. During a walk over days and nights, the old man tells the story of his life. How he was a soldier, a hero, a prisoner, and a deserter. And how he tragically lost one family, but gained another. Dazzled by the action and envious of the richness and color of the story, the boy realizes that the old man's magnificent tale of love and war is more than just a tale: It is the recapitulation of his life, his reckoning with mortality, and above all, a love song for his family."--Jacket

The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood. In Roman Year , André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome’s Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman’s time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of “the poetry of the place” (John Domini, The Boston Globe ), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.

"In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment (eventually revealed to be a recently vacated brothel) on Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman burrowed into his bedroom. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City.Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists" --Amazon.com.

Primo Levi's account of life as a concentration camp prisoner falls into two parts. IF THIS IS A MAN describes his deportation to Poland and the twenty months he spend working in Auschwitz. THE TRUCE covers his long journey to Italy at the end of the war through Russia and Central Europe. Levi never raises his voice, complains or attributes blame. By telling his story quietly, objectively and in plain language he renders both the horror and the hope of the situation with absolute clarity. Probing the themes which preoccupy all his writing - work love, power, the nature of things, what it is to be human - he leaves the reader drained, elated, apprehensive.

Set against the gorgeous backdrop of Rome, Tom Rachman’s wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it—and themselves—afloat.Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff’s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family’s quirky newspaper.As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper’s rich history is revealed, including the surprising truth about its founder’s intentions.Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents --

Obsessive and confessional, sifting over every action and thought, Contempt is a tale about the precarious nature of love and integrity; a study of the limits of our subjective nature and of storytelling itself. It was adapted for the screen by Jean-Luc Godard in 1963.

Delia is one of five children, growing up in a poor Italian village. She is 17, and dreams of marrying a rich man; she dreams of a grand apartment in the city and silk stockings. To escape her father's neglect and her mother's sadness, she begins to take the dusty road to the city every day, accompanied by Nini, her sweet and mysterious cousin. When Nini takes a job in a factory and moves in with a city woman, Delia sees another way of being. But when she discovers she's pregnant, she agrees to marry the father, seduced by the promise of wealth and comfort. Nothing, not even Nini's desperate declaration of love, can stop her - but her rejection will be his undoing. The Road to the City is a short, poignant novel about the dreams of youth, and the cruelty it takes to make them come true.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

When seventeen-year-old Lara accepts her father's invitation to accompany him to a Tuscan villa for the summer, she's both thrilled and nervous for the exotic holiday. To her delight, she soon discovers that the villa's closest neighbors are the glamorous Willoughbys, the teenaged brood of a British millionaire. Caught up in their torrential thirst for amusement - and snared by Kp Willoughby's dark, flirtatious eyes-Lara sets off on a summer adventure full of danger, first love, and untold consequences that will irrrevocably change her life.

Triangulating love, old but not yet forgotten murders, and international spy craft mark this story. Robert wants nothing more than to become a serious art historian. But his hopes for a staid academic life are put on hold when he's driven from London to Venice to escape one lover and seek out another: the enigmatic Bulgarian refugee Lina Pancev. In Venice, Robert encounters a grand carnival of lust, lies, blackmail, cocktail parties, and regicide. As he chases Lina, his heart's desire, the city itself provides a priceless education in love, art, and beauty. Witty yet elegant, Territorial Rights is a celebration of human imperfection and complexity, with as many shifting identities, wardrobe changes, and sumptuous settings as a comic opera.

'Valentissimo! Viva Valentino!' exclaimed Vogue , lauding the achievements of the first Italian dress designer to take on the Paris fashion world and achieve haute couture status. Drawing on Vogue's archive of imagery and text, as well as the author's exclusive interview with the designer, this book analyses Valentino's exceptional fusion of Latinate sensuality and Parisian precision. It shows how his inventive colour sense and use of opulent fabrics derived from Italian classical painting, and how his trust in and promotion of Italy's craftsmen and women is evident in his use of featherweight materials, handmade embroidery, beading and pleating. Valentino's early love of costumes worn by stars of the Italian and American film industry influenced his designs, and he attracted a superstar clientele, including Hollywood celebrities from Elizabeth Taylor to Gwyneth Paltrow, European royalty, and society figures such as Jaqueline Kennedy - who wore him in mourning, and in remarriage, at her wedding to Aristotle Onassis. Valentino is unique: the exquisite quality of his dressmaking and the femininity, glamour and allure of his seasonal collections are matchless; exceptionally in his field, he is known by his first name only; and he holds a record as the founder of a house who remained in creative control of it for 45 years.

An artists falls in love with his young model.

"Eugenio Zolli is a prophet for our time, charged with asking a single question: Why? This question was a grace from God that set him off on his course as a scholar and a mystic. In trying to explore the missing link between the Old and New Testament, he discovered the love of God for all humanity. In this way, his life experience led him to an accomplishment in Jesus Christ, in itself a prophecy of the New World mentioned in the Holy Scripture"--

Edith Bruck recreates the hardships of her existence as a Jewish child in Hungary before the Holocaust, the horrors of her time in the camps and the protracted pain and disorientation of her lonely return to normal life after the war.

The latter part of the thirteenth century is regarded as a key period in the history of Italian Jewry. During that time many Jewish communities sprang up in the regions of central and northern Italy. Their appearance marked a turning-point in the history of Jews in the Italian peninsula as the Jewish presence had previously been focused on Rome and the south. In this much-acclaimed study, originally published in Italian, Ariel Toaff captures all the intricacies of everyday life in the medieval Jewish communities of Umbria. A thorough examination of Hebrew and Italian archival sources enables him to characterize in detail the defining features of Jewish life in the region at that time and to show clearly how the common stereotype of a single, undifferentiated Jewish community does not reflect the reality. Instead, he presents a picture of a complex society that--far from being a 'mere' minority and somewhat isolated--actually contributed greatly to contemporary society and played a significant role in shaping it, while at the same time also being influenced by the surrounding Christian society. Professor Toaff elaborates contemporary Jewish traditions and practices associated with love, marriage, food, work, sickness, and death in the context of everyday social relations between Christians and Jews. In so doing he presents a full and fascinating reconstruction of the Jewish life of the period that faithfully reflects the links and divides between the two communities. Engagingly written, Love, Work, and Death: Jewish Life in Medieval Umbria will be of interest to the general reader, while its detailed references to archival documentation make it a particularly valuable source for students of medieval Jewish history and specialists in the social history of medieval and Renaissance Italy.

Although much has been written over the years about the ancient mystery religions and their influence on the intellectual life of the Renaissance, scholars have neglected their role in art. This is a serious omission in the case of one of the most popular cultic deities, the Mother Goddess, whose colorful myths and exotic rites, described in fascinating detail by classical authors, became a rich source of imagery for Renaissance writers, antiquarians, and artists. She was especially important to the Neoplatonist philosophers of the period, for whom she embodied the idea of love as the great universal bond and conveyor of divine influences to the mortal realm. In this ground-breaking study, Edith Balas draws upon a wide range of humanistic learning to examine the significance of the Mother Goddess and her cult in the works of such major figures as Botticelli, Mantegna, Michelangelo, Titian, and Raphael, as well in those of a host of lesser artists, including Neroccio de' Landi, Baltasare Peruzzi, Giorgio Vasari, and Pirro Ligorio. Dr. Balas not only provides additional keys to solving the often dauntingly complex riddles posed by many Quattrocento and Cinquecento images―images originally intended to be understood only by a learned elite―but also furnishes scholars with a valuable methodological model for analyzing the presence and meaning of other ancient religious cults in Renaissance art.