Elie Wiesel (1928-2016) is best known as the author of Night, survivor of Auschwitz and a powerful, enduring voice of the Holocaust. A recipient of the Nobel Peace Prize and the Presidential Medal of Freedom, he was a hero of human rights, professor and author of more than 50 books. Among his accomplishments, Wiesel co-founded Moment Magazine with Leonard Fein in 1975 to be a place of conversation for America's Jews. For editor-in-chief Nadine Epstein, he became a mentor and friend after she took over the magazine in 2004. In this striking volume, Epstein shares her memories of Wiesel and brings together 36 interviews with friends, colleagues and others who knew him - including, his son Elisha, Michael Berenbaum, Wolf Blitzer, Father Patrick Debois, Ronald S. Lauder, Bernard Henri-Levi, Kati Marton, Natan Sharansky, Ben Kingsley, and Oprah Winfrey. The foreword is by British Rabbi Jonathan Sacks and the afterword is by broadcaster Ted Koppel. To celebrate this humanitarian and keep his inspiration alive, Epstein presents readers with a visual history of Wiesel's life and examines the influence of Night. This chilling story of the Holocaust has already gripped the souls of millions of readers. Epstein includes a selection of his speeches and writings, lively conversations with teenagers about Night and discussion questions. The book features more than 100 photos. Says Rabbi Jonathan Sacks: "This book of reflections is a fitting tribute to the legacy of Elie Wiesel. In its pages and through the words of its contributors, you will feel a promise, not just to the souls who perished, but also to Elie and all those who survived Europe's darkest night." From the Inside Flap "It is absolutely imperative for this legacy of Elie Wiesel's to continue. It has to, and if it doesn't, it is our loss, and it will be an unfathomable loss." ―Ben Kingsley "Wiesel taught us that we must not forget; that there is no greater sin than that of silence and indifference. In doing so he has not just illumined the past, he has illumined the future" ―Oprah Winfrey "There was something burning inside of Elie, a flame ignited by injustice and pain. He was willing to share that part of himself. Pain can make people retreat from life, but opened Elie to the world." ―Kathleen Kennedy Townsend "He performed the alchemy of converting pain, injustice and horror into love, compassion and tolerance. We remember him not so much because he so often succeeded but because he never stopped trying." ―Ted Koppel "I believe there is a risk of Elie Wiesel, the Holocaust, and other genocides being forgotten. Without a real effort to retain their memory, they may simply disappear from history. Elie Wiesel was a light in the night for the whole world, not just the Jewish one." ―Father Patrick Desbois About the Author Editor: Nadine Epstein, Editor-in-Chief of Moment Magazine, is the founder and executive director of the Center for Creative Change and founder of the Daniel Pearl Investigative Journalism Initiative. An award-winning journalist and author, she reported for the City News Bureau of Chicago and the Chicago Bureau of the New York Times and covered the U.S.-Mexico border. She was a Knight-Wallace Fellow at the University of Michigan, where she also taught journalism. She is also an artist and the creator of the iShadow Project. Foreword: Rabbi Lord Jonathan Sacks is the former Chief Rabbi of the United Kingdom. He is the author of more than 25 books, most recently Not in God's Name: Confronting Religious Violence. Ted Koppel was the anchor and managing editor of ABC News Nightline for 25 years. He is currently a contributor to CBS News Sunday Morning and author of Lights Out.

Looks at such major aspects of the author's life as family, Judaism, love and sex, writing, illness, and despair, and argues that, when reinserted in Kafka's letters and diaries, deleted segments lift the mask of "sainthood" frequently attached to him.

"This capstone novel in Library of America's Bernard Malamud edition brings together his three final novels: The Tenants, about the growing tension between two male writers--one Jewish, the other Black--who are the only inhabitants of a crumbling Manhattan tenement house; Dubin's Lives, a revealing study in the perils and promise of love in middle age thought to be Malamud's most autobiographical work; and God's Grace, a postapocalyptic tale of upended evolution in which redemption depends on the lone human survivor's ability to find common ground with a talking chimp. Edited by Malamud's definitive biographer, the volume is rounded out with thirteen masterful short stories and the memoir 'Long Work, Short Life' as well as a fascinating autobiographic sketch, 'A Lost Bar-Mitzvah,' published here for the first time."--Dust jacket.

For Jewish grandmothers everywhere, with love and respect for their courage and dignity, their humor, their tsouris and their noches, their bitterness, and most of all, for their stubborn insistence on survival.

Writing a Jewish Life chronicles novelist Lev Raphael's struggle to claim both his religious and sexual identities, and the happiness he subsequently found. Until he reached his mid-20s, the author felt alienated from other Jews, ambivalent about his homosexuality; or as he puts it, "twice strange ... in each [community], different, lesser, ashamed." A son of Holocaust survivors, Raphael grew up in an unmistakably Jewish but nonreligious home. However, as an adult he initiated his own affiliations with Judaism: He had a bar mitzvah at age 30, went to Israel twice, and fell in love with a Jewish man. It was "coming out as a Jew,' he writes, that "ultimately made it possible for me to come out as a gay man and then work at uniting the two identities." Attesting to his journey is the contrast between his confused childhood and the joyful domestic life he now shares with his lover, Gersh, and their two sons.

Yom Kippur A Go-Go is a mind-blowing meeting of pop culture, Orthodox faith, and hipster poetics. Matthue Roth is an American original: an Orthodox Jew who cites Outkast and Michelle Tea among his influences, who won’t touch a light switch on Shabbos but mimics a screaming orgasm onstage while reading his paean to Orthodox girls. From the World Bank riots (what can you do when the revolution starts on Shabbos?) to Thursday night tranny basketball in San Francisco’s Dolores Park, Matthue takes readers on a journey among the queer and hip streets of urban America in his exuberant memoir, Yom Kippur a Go-Go. With humor and insight, Roth describes the tension between contemporary life and the demands of faith. He falls in love and in lust with a panoply of girls, both strictly kosher and determinedly secular, to the accompaniment of MP3 rabbinical lectures on modesty ("Boys are nothing but perverts and filthy animals!”).

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

Howard Fast's life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to 100 books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast's Jewishness, his writings, and his left-wing politics and explains Fast?s attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in 20th-century America.

The Watchmaker's Daughter tells the story of a child of two refugees: a watchmaker who saved lives within Dachau prison, and his wife, a gifted concert pianist about to make her debut when the Nazis seized power. In this memoir, Sonia Taitz is born into a world in which the Holocaust is discussed constantly by her insular concentration camp-surviving parents. This legacy, combined with Sonia's passion and intelligence, leads the author to forge an adventurous life in which she seeks to heal both her parents and herself through travel, achievement, and a daring love affair. Ironically, it is her marriage to a non-Jew that brings her parents the peace and fulfillment they would never have imagined possible. Sonia manages to combine her own independence with a tender dutifulness, honoring her parents' legacy while forging a new family of her own.