On San Piedro, an island of rugged, spectacular beauty in Puget Sound, home to salmon fishermen and strawberry farmers, a Japanese-American fisherman stands trial, charged with coldblooded murder. The year is 1954, and the shadow of World War II, with its brutality abroad and internment of Japanese Americans at home, hangs over the courtroom. Ishmael Chambers, who lost an arm in the Pacific war and now runs the island newspaper inherited from his father, is among the journalists covering the trial - a trial that brings him close, once again, to Hatsue Miyomoto, the wife of the accused man and Ishmael's never-forgotten boyhood love. Hatsue and Ishmael, in the years before the war came between them, had dug clams together, picked strawberries in San Piedro's verdant fields, and passed long hours in the secrecy of a giant hollow cedar tree. Now, as a heavy snowfall surrounds and impedes the progress of Kabuo Miyomoto's trial, they and the other participants must come to a reckoning with the past, with culture, nature, and love, and with the possibilities of the human will. Both suspenseful and beautifully crafted, Snow Falling on Cedars portrays the psychology of a community, the ambiguities of justice, the racism that persists even between neighbors, and the necessity of individual moral action despite the indifference of nature and circumstance.

A journalist takes a look at the corporate and political hypocrisy that is rampant in the United States, commenting on the corruption of media monopolies, the deceptions of the Bush administration, and corporate influence on government.

"Joyride is a magic carpet ride through Orlean's life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile ("The American Man Age Ten") to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean's account of a writing life offer a trove of indispensable gleanings for writers, it's also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer's block and self-doubt, and crafting the perfect lede--a Susan specialty. While Orlean has always written her way into other people's lives in order to understand the human experience, Joyride is her most personal book ever--a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean's bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp--forces who shaped the media industry as we know it today"--

The tragic murder of Wall Street Journal reporter Daniel Pearl is well known. Why he was in Karachi; how he saw his role as an international journalist: why he was singled out for kidnapping; and where the incredible search effort led - are the subject of Mariane Pearl's book. A journalist in her own right, Mariane is, as was her husband, profoundly committed to the idea that a more informed public makes for a better world, and to the idea that risks are taken to uncover a story. A superb writer, she presents a truly illuminating tale - including her own crucial role in the investigative team, where she was responsible for negotiating unprecedented cooperation between the FBI and Pakistani intelligence and able to forge alliances with an array of people, from the Karachi chief of police to George Bush. A Mighty Heart is an extraordinary book - a fitting tribute to a dedicated reporter and a profound and heartbreaking love story.

Barbara Amiel's long-awaited memoir is shockingly honest, richly detailed and pulls few punches. An instinctive feminist and now a foe of feminism's political correctness, her own memoirs cover a formidable array of experiences - political, sexual, marital and material. Born in London during the Blitz, the only consistent strain in her early life was a fierce belief in her identity as a Jew even as the Jewish community disowned her and an unquestioned view that women were free to do anything in any arena they chose without any need to win society's approval. Which she very often did not. Her rise to the senior rungs of journalism began in Canada after the emigration of her family and continued in the United Kingdom on her return. With four marriages and an assorted number of beaus, some famous, some infamous (some rather young, some rather elderly), she moved through different worlds encountering problems made more intractable on occasion by her own faulty choices. It is a measure of her writing skill that she held down plum jobs for many decades in Canadian and British journalism as well as appearances in U.S. publications ranging from the Wall Street Journal to Vogue. As a writer of unabashedly libertarian views, she was derided as much for her wardrobe as for her ideas. Pilloried for years in books and television and called every conceivable name by the media, she is philosophical. 'I love fashion, sex and opera, ' she once told an interviewer, 'but life would have been easier if my passions had been for train-spotting and stamp collecting. 'Her life has an operatic quality with a wildly diverse cast including Elton John, Henry Kissinger, Anna Wintour, Oscar de la Renta, Princess Diana, Tom Stoppard, Brooke Astor, Ghislaine Maxwell, Ronald Harwood, David Frost and an array of the aristocrats of Manhattan and the stately homes of England. All handled, she writes 'with my fatal combination of naivete and self-absorption'. The epic battle with the U.S. justice system leading to the trial and imprisonment of her husband Conrad Black (eventually substantially vindicated) became a litmus paper for sorting out friends from those who were quick to judge and brutal in their dismissal.

The author of The Group , the groundbreaking bestseller and 1964 National Book Award finalist that shaped a generation of women, brings reminiscences of her girlhood to this intimate and illuminating memoir How I Grew is Mary McCarthy's intensely personal autobiography of her life from age thirteen to twenty-one. Orphaned at six, McCarthy was raised by her maternal grandparents in Seattle, Washington. Although her official birthdate is in 1912, it wasn't until she turned thirteen that, in McCarthy's own words, she was "born as a mind." With detail driven by an almost astonishing memory recall, McCarthy gives us a masterful account of these formative years. From her wild adolescence--including losing her virginity at fourteen--through her eventual escape to Vassar, the bestselling novelist, essayist, and critic chronicles her relationships with family, friends, lovers, and the teachers who would influence her writing career. Filled with McCarthy's penetrating insights and trenchant wit, this is an unblinkingly honest and fearless self-portrait of a young woman coming of age--and the perfect companion to McCarthy's Memories of a Catholic Girlhood .

An inside look at America’s largest newspaper— The Wall Street Journal ”Phillips offers fascinating insights about American business, politics, and journalism. He traveled in the circles of CEOs, U.S. presidents, prime ministers, and royalty; always at his core he was a reporter. That is the beauty of Newspaperman .” —Vernon E. Jordan Jr., civil rights leader; senior managing director, Lazard Freres & Company; adviser to President Bill Clinton “[Phillips] captures the fabulous stories of a scrawny, precocious boy from reporter to publisher and then CEO, participating in and then presiding over the Journal ’s years of greatest growth.” —Joan Konner, Dean Emerita, Columbia University Graduate School of Journalism “Phillips fell in love with newspapers when he was a boy. He’s still infatuated but he doesn’t skip over his tough times or mistakes. That’s what makes Newspaperman such a telling guide to the newsroom and to the top office in the executive suite.” —Lou Boccardi, former president and chief executive, Associated Press; former chairman, Pulitzer Prize Board “This lovely book recounts the life of a wise, thoughtful, and admired newspaper editor and publisher. The tiny Wall Street Journal Warren Phillips joined grew up to be a giant. Newspaperman tells that story.” —Donald E. Graham, chairman and chief executive, The Washington Post Company “[Phillips provides] perceptive commentaries on Germany, Greece, Turkey, England, Spain, China, Russia, and the Middle East. All is told with modest good humor, but repeatedly emphasizes the need for integrity and high standards.” —George B. Munroe, retired chairman and chief executive, Phelps Dodge Corporation “The story of a boy born in Brooklyn, a reporter, an editor, a publisher, a corporate executive, and now the author of a fascinating book.” —James Q. Riordan, former vice chairman, Mobil Corporation “In spite of a few hiccups, honestly related here, Dow Jones was rated by Fortune magazine as the second most-admired company in the United States, and so proved that an outstanding newspaperman can also achieve enormous success as a business builder and leader.” —Hamish Maxwell, former chairman and CEO, Philip Morris Companies Inc. “A memoir from a man who helped transform The Wall Street Journal from a local newspaper to a global operation.. . . Throughout the book, Phillips looks at his part in shaping the Journal ’s news and editorial coverage, and these sections provide insight into his highly successful methods. The author includes many anecdotes culled from his diaries, some very funny, which illustrate the variegated aspects of his life and the people who shared in it.. . . A well-rounded autobiography about the journalism industry and the people who shaped the news over the past 50 years.” —Kirkus Reviews “The sections about the rise of the Wall Street Journal 's quality and influence are fascinating - for journalists and non-journalists alike.” — Philadelphia Inquirer ”Phillips provides an arresting retrospective on modern world history that general readers will find informative and delightful.” — Star-Telegram About the Book When Warren Phillips was eleven years old, his father took him on a guided tour of the New York Daily News , where he got his first look at the frenzied yet surprisingly ordered and controlled world of newspaper publishing. He saw everything from the industrial printing presses churning out newspapers at astonishing speeds to reporters hunched over their typewriters, writing the very stories those presses would be producing within hours—or even minutes. Phillips was hooked. He knew exactly what he wanted to do with his life. Newspaperman tells the story of how an immigrant’s shy son from Queens, New York, rose to the top of his industry powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for sixteen dollars a week—and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business. Here, the details of his vast experience come together to create a broad picture of the newspaper business— revealing how news is discovered, reported, edited, published, and disseminated. Sharing vivid tales of working as a reporter around the world and describing the many colorful characters he meets along the way, Phillips provides a level of insight that only a leading figure in the industry could offer. Newspaperman gives you an up-close look at one of the most influential people in the history of The Wall Street Journal —and an unprecedented view of the business, from its rapid modernization during the post–WWII , cold war era to the early years of digital publishing and the rise of the Internet, which may mark the decline of the printed page forever. Phillips’s entertaining, penetrating, and impressively detailed account is a must-read for both devotees of America’s most iconic business publication and anyone with an interest in how news is reported.

Jack Newfield has covered it all: he has documented he unfolding drama of the 1960s; followed the boxing careers of Ali and Tyson; taken on city hall; and kept his integrity intact in the rough world of tabloid politics. Somebody's Gotta Tell It is the clear-eyed memoir of a journalist whose love for his country, and passion for his profession, has never wavered.

A contemporary Frankenstein that defies expectations, this is a thrilling novel, couched in luminous, captivitating prose, about a journalist, Cédric Allyn-Weberson, who suffers a horrific accident, paralyzing him from the neck down. An ideal candidate for a body transplant, Cédric survives the surgery but has both physical and existential trouble with his recovery and adaptation: encountering his lover with a new body, discovering the life history of his donor, and attempting to understand the mind-body relationship as he lives it.

It is a truth universally acknowledged that a single man in possession of a large ego must be in want of a woman to cut him down to size... Sharp, witty Jasmin Field has her own column in a national magazine and has just landed the coveted role of Elizabeth Bennet in a one-off fundraising adaptation of Pride and Prejudice . Better yet, the play's director, Hollywood heart-throb and Oscar-winner, Harry Noble, is every bit as obnoxious as she could have hoped. Which means a lot of material for her column. And a lot of fun in rehearsals. And then disaster strikes. Jazz's best friend abandons her for a man not worthy to buy her chocolate, her family starts to crumble before her eyes and her award-winning column hits the skids. Worse still, Harry Noble keeps staring at her. As the lights dim, the audience hush and Jazz awaits her cue, she realises two very important things, one: she can't remember her lines, and two: Harry Noble looks amazing in breeches...

A sophisticated coming-of-age memoir tracing a modern Holly Golightly from girl- to womanhood and from fantasy to realityFrom the glittering skyscrapers of Manhattan's media elite to the slacker haven of a fashionably low-rent L. A. bar, Strawberry Saroyan traces her journey not only from girl- to womanhood, but from fantasy to reality. A powerful and profoundly post-modern coming of age story, with a voice reminiscent of Liz Phair one moment and Mary McCarthy the next, Girl Walks into a Bar explores Saroyan's struggle not only with who she is and who she wants to be, but also who she is in the context of what she's supposed to embody: the iconic media-promulgated 'girl', a 21st-century version of Audrey Hepburn standing outside Tiffany's looking at diamonds. episodes of Saroyan's life and brings them to the page as a filmmaker might, zeroing in on the crucial 'scenes': losing her virginity, starting her own riot grrly magazine, falling in dysfunctional love. Yet all the while, she's trailed by that other black-clad girl, the Platonic ideal of so many modern young women's fantasies. Will they ever meet? That question lies at the heart of Saroyan's genre-bending meoir. Girl Walks into a Bar promises to be one of the most memorable debuts of the year. Strawberry Saroyan was born in 1970 and grew up in California. After graduating from Barnard, she was an editor at Conde Nast Traveler. Her writing has appeared in Salon, Elle and Vogue. She lives in Los Angeles.

A New York Times Book Review Editors' Choice. One of Library Journal 's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers , assesses womanhood in Colette’s The Vagabond and The Shackle , and considers the veracity of memory in Marguerite Duras’s The Lover . She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats . Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”

This novel holds within its pages an unusual love story that spans three decades and three continents. When Max first meets Esther, she is a young Australian girl filled with passion for life and boundless enthusiasm. His love for her continues through all the changes that take place in her life - her move from London, where they meet, to Jerusalem where she explores the Judaism that until then was just on the fringe of her life; the literary prize she wins that brings her back into his orbit; her commitment to Israel that breaks their relationship; and then finally, a coincidental meeting in the middle of a war in Lebanon. Max never stops loving Esther, even as she matures from a naive girl to a woman of depth and wisdom. Love takes many forms, and readers will experience all the complexities of emotion as they discover the ties that bind a man to a woman.

Norma Barzman is a blacklisted writer living in Southern France. Henry Myers is her beloved cousin, a former member of the Algonquin circle who has found his writing talent diminished with age, and is living an isolated life in New York City. When Norma invites Henry to Italy to realize their mutual dream of traveling together to Cremona to write about the mysterious origins of violin making, neither one could have anticipated the explosive consequences of their journey. But their adventure opens a Pandora's box of long-suppressed emotions, family secrets, and forces each to reassess their feelings towards each other, and themselves.