"You are a criminal, Gemm 16884--aggressive, hostile, nonconforming. We have noted tendencies toward diversity in your gait, in your dreams, and most especially in your repeated persistence in"--the Elder cleared his throat--"making music." Branded a deviant--and therefore a threat--to the utopian society of Conformity, Harmony, and Tranquility that exists in the year 2407, Gemm 16884 is given the choice between being recycled or undergoing a painful and mysterious cure. Gemm chooses the cure, and suddenly finds himself living the life of Johannes, a 16-year-old Jewish musician in starsbourg, Germany, in 1348, at the onset of the Black Death. As the pestilence spreads, the townspeople begin the accuse the Jews of causing the disease. Surrounded by hatred and horror, Johannes struggles to hold on to his family and faith as well as his belief in the basic goodness of human beings. But can he return to the future and become Gemm again after having known such emotions as pain. . .and love?

A collection of favorite poems. One of them is by Stephen Crane, who wrote: "I saw a man pursuing the horizon; / Round and round they sped. / I was disturbed at this; / I accosted the man. It's futile, I said, / You can never ̓/ You lie, he cried, / And ran on."

Born into slavery, adopted as an infant by a princess, and raised in the palace of mighty Pharaoh, Moses struggles to define himself. And so do the three women who love him: his own embittered mother, forced to give him up by Pharaoh's decree; the Egyptian princess who defies her father and raises Moses as her own child; and his headstrong sister Almah, who discovers a greater kinship with the Egyptian deities than with her own God of the Hebrews. Told by Moses and his sister Almah from alternating points of view, this stunning novel by Newbery Honor-author Julius Lester probes questions of identity, faith, and destiny.

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.