When Heather goes to playgroup, at first she feels bad because she has two mothers and no father, but then she learns that there are lots of different kinds of families and the most important thing is that all the people love each other.

"A play of monologues and ensemble pieces about women, clothes and memory covering all the important subjects--mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black."--Page 4 of cover.

Jean Roberts, having sought security in a wealthy man's love, finds that her values have betrayed her daughter Tana, who casts her destiny with the civil rights movement.

"A memoir of mothers and daughters -- and mothers as daughters -- traced through four generations, from Paris to New York and back again. For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Mauscreator Art Spiegelman, and even more than most mothers, hers -- French-born New Yorker art director Françoise Mouly -- exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand," their relationship grew tense. Unwittingly, they were replaying a drama from her mother's past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them. It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled. Her grandmother's memories contradicted her mother's at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order to forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most"--

"The New York Times bestselling author of Falling presents a warm, wise, and wonderfully vivid novel about a mother who asks her three estranged daughters to come home to help her end her life. Ronni Sunshine left London for Hollywood to become a beautiful, charismatic star of the silver screen. But at home, she was a narcissistic, disinterested mother who alienated her three daughters. As soon as possible, tomboy Nell fled her mother's overbearing presence to work on a farm and find her own way in the world as a single mother. The target of her mother's criticism, Meredith never felt good enough, thin enough, pretty enough. Her life took her to London--and into the arms of a man whom she may not even love. And Lizzy, the youngest, more like Ronni than any of them, seemed to have it easy, using her drive and ambition to build a culinary career to rival her mother's fame, while her marriage crumbled around her. But now the Sunshine sisters are together again, called home by Ronni, who has learned that she has a serious disease and needs her daughters to fulfill her final wishes. And though Nell, Meredith, and Lizzy have never been close, their mother's illness draws them together to confront the old jealousies and secret fears that have threatened to tear these sisters apart. As they face the loss of their mother, they will discover if blood might be thicker than water after all.."--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Paris, 1958: Rose, a seamstress at a fashionable atelier, has been entrusted with sewing a Grace Kelly-look-alike gown for a wealthy bride-to-be. But when, against better judgment, she finds herself falling in love with the bride's handsome brother, Rose must make an impossible choice, one that could put all she's worked for at risk: love, security and of course, the dress. Sixty years later, tech CEO Rachel, who goes by the childhood nickname "Rocky," has inherited the dress for her upcoming wedding in New York City. But there's just one problem: Rocky doesn't want to wear it. A family heirloom dating back to the 1950s, the dress just isn't her. Rocky knows this admission will break her mother Joan's heart. But what she doesn't know is why Joan insists on the dress - or the heartbreaking secret that changed her mother's life decades before, as she herself prepared to wear it. As the lives of these three women come together in surprising ways, the revelation of the dress's history collides with long-buried family heartaches. And in the lead-up to Rocky's wedding, they'll have to confront the past before they can embrace the beautiful possibilities of the future."--Publisher description

A haunting and emotionally satisfying novel from a much-loved and critically acclaimed author, which weaves fairy tale and gritty realism together to dazzlingly effect. 'The Story Sisters' charts the lives of three sisters - Elv, Claire and Meg. Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart's desire, and a demon who will not let go. What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? At once a coming-of-age tale, a family saga, and a love story of erotic longing, 'The Story Sisters' sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them.

The thirtieth anniversary edition of a twentieth century classic - an unforgettable journey through 1960s Morocco, based on the author's own childhood For fans of Gerald Durrell's My Family and Other Animals, Laurie Lee's Cider With Rosie and Elizabeth Gilbert's Eat Pray Love Quirky, charming and suffused the footloose spirit of the sixties, this is the irresistible story of an English woman who decides on a whim to move herself and her two young daughters to Morocco. The ensuing adventure takes them through richly perfumed markets, dilapidated hotels and mystical Sufi retreats, via friendships and feuds, romances with nomadic street performers, hitch-hiking and nights camping by the coast - all seen through the eyes of a precocious five-year-old girl. Rediscover this transporting modern classic about the spirit of freedom, filled with the sights, smells and textures of twentieth century Morocco.

An unforgettable novel of mothers and daughters, wives and muses, secrets and outright lies 'Freud is a modern literary rarity: a born storyteller' THE TIMES 'Such a powerful book' RICHARD CURTIS'Delivers an emotional punch that left me in tears' RACHEL JOYCE'Utterly compelling' HANNAH ROTHSCHILD 'I couldn't love it more' POLLY SAMSON 'I loved this book' AMANDA CRAIG 'Completely, inspiringly wonderful' BARBARA TRAPIDO 'Breathtakingly beautiful' JULIET NICOLSON AN EVENING STANDARD BOOK OF 2021 Rosaleen is still a teenager, in the early Sixties, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic - drinking in Soho, journeying to Marseilles. But it's not long before Rosaleen finds herself fearfully, unexpectedly alone. Desperate, she seeks help from the only source she knows, the local priest, and is directed across the sea to Ireland on a journey that will seal her fate. Kate lives in Nineties London, stumbling through her unhappy marriage. But something has begun to stir in her. Close to breaking point, she sets off on a journey of her own, not knowing what she hopes to find. Aoife sits at her husband's bedside as he lies dying, and tells him the story of their marriage. But there is a crucial part of the story missing and time is running out. Aoife needs to know: what became of Rosaleen? Spanning three generations of women, I Couldn't Love You More is an unforgettable novel about love, motherhood, secrets and betrayal - and how only the truth can set us free.

"When your beloved daughter is lost in the fog of addiction and you make off with her baby in order to save the day, can willpower and a daring creative zeal carry you through? Examining the limits, disappointments and excesses of love in all its forms, this marvellously absorbing novel, full of insight and compassion, delights as much as it disturbs"--

[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly , starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

A story every daughter will recognize, The Reluctant Daughter depicts the struggles of Lydia Pinkowitz to communicate the realities of her life as a lesbian, as a feminist scholar, and as the woman she has become to her mother Doris. After years of hoping to attain her mother's love and acceptance while struggling to live a true and honest life, Lydia eventually acknowledges her mother will never really see her. When Doris develops a life-threatening illness, Lydia is forced to make a life-and-death decision of her own: should she make one final attempt to heal her relationship with her mother or simply let her go?

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.

Novelist Guy Ableman is in thrall to his vivacious wife Vanessa. The trouble is, he is no less in thrall to her alluring mother, Poppy. His publisher has committed suicide and his agent is in hiding. In flight from personal disappointment and universal despair, Guy wonders if it's time to take his love for Poppy to another level.

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

'Brilliant . . . exhilarating . . . Exciting and memorably written, this is one of those rare reads that has you galloping to the end, but feeling bereft at having to say goodbye so soon' Independent Behind a crumbling facade of seeming normality, secrets begin to stir within the Lux family home. Jean Lux, constrained academic wife and guilty mother, is waiting for excitement - and it will come from an unexpected source. Meanwhile Eve, her intelligent elder daughter, luxuriates in wounded jealousy, until her loathing for her only sister verges on the murderous. Into this climate of static repression and bitterness enters Raymond Snow, the deadly rival of Jean's husband, who begins to show interest in the vulnerable Eve. Meanwhile, Jean's best friend, Helena, has something she is yearning to tell: a confession that may alter everyone's life forever. Beautifully written and very funny, Daughters of Jerusalem is a gripping tale of hidden love and hate, of the desire to belong and the need for escape. Daughters of Jerusalem won both the John Llewellyn Rhys Prize and a Somerset Maugham Award. 'Brilliant and witty . . . Mendelson's second bewitchingly erotic and darkly dramatic novel confirms her as a stylish, perceptive chronicler of the heart's hidden desires' Daily Mail

Full Length, Comedy Characters: 2 male, 2 female Interior Set In her beach house in the Hamptons, celebrated writer Rose Stern stands at a crossroads: she hasn't written anything in years and money is getting short. Her former lover, literary lion Walsh McLaren, offers her-from beyond the grave-an opportunity to regain her celebrity and gross millions. It's not going to be easy and a "ghost" writer is required setting in motion another touching and unpredictable roma

Watching her Russian immigrant mother, Irina, struggle to put food on the table, Nina, a beautiful and restless teenager, vows her life will be different. When a strapping older man in a fancy car appears at school one day offering her luxuries her single mother cannot afford, Nina believes he's her ticket out of her dumpy little town. Ignoring the danger signs and her mother's constant pleas, which end in exhausting screaming matches, she packs a suitcase and leaves home after one last fight. Ten days later, a terrified Nina, her dress torn, is hiding in the stairwell of a Tel Aviv apartment after witnessing a murder she cannot talk about. She is discovered by one of the building's tenants, a confused, lonely old widow who mistakes her for the granddaughter she hasn't seen for a long while, not since her son moved his family to America. "You've come back to me, Dana'le." Instead of correcting the mistake, the desperate Nina jumps at the chance for a place to hide. Hiding from her mother and the dangerous man who are both frantically searching for her, Nina settles into the old woman's apartment. But how long can Nina possibly hide out until the poor woman realizes she's not who she says she is, or before someone else, her homesick son in America who keeps calling, or the lovely local neighbors who drop by with groceries, catches on?