In this memoir, singer-songwriter Patti Smith shares tales of New York City : the denizens of Max's Kansas City, the Hotel Chelsea, Scribner's, Brentano's and Strand bookstores and her new life in Brooklyn with a young man named Robert Mapplethorpe--the man who changed her life with his love, friendship, and genius.

"A play of monologues and ensemble pieces about women, clothes and memory covering all the important subjects--mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black."--Page 4 of cover.

In words and drawings both candid and human, Stan Mack follows his eighteen-year relationship with Janet Bode, a lighthearted fling that beat the odds to become an enduring love affair. The only thing they couldn't beat was cancer. As Janet and Stan confront the jagged terrain of cancer, then navigate the twilight of terminal illness, two portraits emerge: of a woman who faced her cancer the same way she lived her life, with guts and charm; and of the man who held her close and shared her struggle. For anyone who can't resist a beautifully told love story, for anyone who is touched by someone suffering from serious illness and looking for emotional and practical guidance, and for anyone who appreciates a life lived to the fullest, Janet & Me will resonate long after the last page is turned.

Losing a friend in high school, Leora continues on to college, her career, and falling in love, while her lost friend's grandfather, Bill, remembers his experiences in Amsterdam and Austria.

"Anyone who knows Jay Horwitz knows he loves stories and has a wealth of them to share. As the beloved, longtime PR director for the New York Mets, he has witnessed and quietly shaped some of the most memorable moments in team history, becoming a trusted friend and mentor to generations of players, from Darryl Strawberry to Jacob deGrom. In this fascinating memoir, Horwitz tells the unlikely story of a childhood dream come true, offering an unparalleled insider's perspective on four dynamic and unpredictable decades of Mets baseball. Featuring reflections and anecdotes only Horwitz can tell, on subjects ranging from clubhouse hijinks to the chaotic New York media scene to navigating moments of greatness and defeat, Mr. Met is a remarkable behind-the-scenes ride that fans will not want to miss"--

Neil Simon’s inimitable play about the trials and tribulations that test family ties—winner of the 1991 Pulitzer Prize for Drama. What happens to children in the absence of love? That is the question that lies at the heart of this funny and heartrending play by one of America’s most acclaimed and beloved playwrights. Debuting at the Richard Rodgers Theatre in 1990, Lost in Yonkers went on to win four Tony Awards, including Best Play, as well as the Pulitzer Prize, and tells the moving drama about the cruelties and painful memories that scar a family. It is New York, 1942. After the death of their mother, two young brothers are sent to stay with their formidable grandmother for the longest ten months of their lives. Grandmother Kurnitz is a one-woman German front—a refugee and a widow who has steeled her heart against the world. Her coldness and intolerance have crippled her own children: the boys’ father has no self-esteem; their Aunt Gert has an embarrassing speech impediment; their Uncle Louie is a small-time gangster; and their Aunt Bella has the mentality of a child. But it is Bella's hunger for affection and her refusal to be denied love that saves the boys—and that leads to an unforgettable, wrenching confrontation with her mother. Filled with laughter, tears, and insight, Lost in Yonkers is a heartwarming testament to Neil Simon’s talent.

"A New York Times bestselling author traces her father's life from turn-of-the-century Warsaw to bustling New York City in an intimate memoir about family, memory, and the stories we tell. Long before she was the acclaimed author of a groundbreaking book about women and men, and praised by Oliver Sacks as having "a novelist's ear for the way people speak," Deborah Tannen was a little girl who adored her father. Though he was often absent during her childhood, Deborah was profoundly influenced by his love of language and gift for writing and storytelling. As she grew up and he grew old, she spent untold hours with her father, recording their conversations and taking notes. He handed her a journal he kept when he was young--and showed her another he said she could have after his death, all for the account of his life she promised him she'd write. In this memoir, Deborah fulfills her promise to her father, embarking on the poignant, yet perilous, quest to piece together the puzzle of her father's life. Beginning with his astonishingly vivid memories of the Hasidic community in Warsaw that he was born into in 1908, she traces his journey: arriving in New York City in 1920, he quit high school at fourteen to become sole support of his mother and sister, yet attended law school at night and eventually established the largest workmen's compensation practice in New York. In the intervening years, he became active in the Communist Party, then New York's Liberal Party, running for Congress on its ticket. As Deborah comes to better understand her father's--and her own--relationship to Judaism, she also uncovers aspects of her father's life she would never have imagined. When she discovers letters from another woman he might have married, she is forced to rethink her assumptions about her parents' marriage. Finding My Father is a memoir of Eli Tannen's life and the ways it reflects the near century that he lived. But even more than that, it's about a daughter's struggle to see her father clearly, to know him more deeply, and to tell a more truthful story about her family and herself."--

"These images, which span music, street culture, and hip hop icons from 1982 to 1990, feature entertainers at the breaking point of their careers. The pictures manifest the genius of underground scenes and highlight their influence on today's music scene." --"Paper" In the fall of 1982, celebrated photographer of the British music scene Janette Beckman moved to New York City, where she found Hip Hop on the edge of explosion. After a decade underground, the DJs, MCs, b-boys, fly girls, and graff writers were finally getting their due from the downtown crowd. While trains were covered in graffiti and boomboxes were blasting on the corners, DJs were up in the clubs while the dancers rocked the floor. Artists were getting signed and local legends were born. And while others called hip hop a fad, Beckman knew better. Her photographs transport us back to a time before music videos, marketing departments, and Uber-stylists took control. The queen of the 80s album cover, Beckman shot the icons of the era: Afrika Bambaataa, GrandMaster Flash and the Furious Five, the Fearless Four, the World Famous Supreme Team, Lovebug Starski, Salt-n-Pepa, Run-DMC, Stetsasonic, UTFO, Roxanne Shante, Sweet T, Jazzy Joyce, Slick Rick, Boogie Down Productions, Eric B. and Rakim, EPMD, NWA, Ice-T, 2 Live Crew, Tone Loc, Gang Starr, Ultramagnetic MCs, Rob Base and DJ E-Z Rock, Special Ed, Leaders of the New School, Jungle Brothers, Beastie Boys, Rick Rubin, and countless others. The era was as original as it was innocent, and Beckman's images remind us of a culture that brought forth The Message before it got Paid in Full.

From the highly acclaimed author of Out of Egypt and Call Me by Your Name , a series of linked essays on memory by "the poet of disappointed love--and of the city" ( New York Times Book Review ). In these fourteen essays Andre Aciman, one of the most poignant stylists of his generation, dissects the experience of loss, moving from his forced departure from Alexandria as a teenager, though his brief stay in Europe and finally to the home he's made (and half invented) on Manhattan's Upper West Side. From False Papers : We remember not because we have something we wish to go back to, nor because memories are all we have. We remember because memory is our most intimate, most familiar gesture. Most people are convinced I love Alexandria. In truth, I love remembering Alexandria. For it is not Alexandria that is beautiful. Remembering is beautiful.

"Follows the intertwined lives of four immigrants in New York City as they grapple with love and tumult, the challenges of a new home, and the absurdities of the digital age"--Publisher description.

"Final book in a series about a poor family living in the Bronx in the 1940's. Two sisters come to grips with their own envy, resentment and love for each other."--Page 4 of cover.

A writer renowned for his insight into the mysteries of the body now gives us a lambent and profoundly moving book about the mysteries of family. At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep .

A romantic triangle involving survivors of the Holocaust, set in New York City in the 50s. It was serialized in the Yiddish newspaper, Forward, under the title Lost Souls.

A chance encounter in New York brings two strangers together: Liat is an idealistic translation student, Hilmi a talented young painter. Together they explore the city, share fantasies, jokes and homemade meals, and fall in love. There is only one problem: Liat is from Israel, Hilmi from Palestine. Keeping their deepening relationship secret, the two lovers build an intimate universe for two in this city far from home. But outside reality can only be kept at bay for so long. After a tempestuous visit from Hilmi's brother, cracks begin to form in the relationship, and their points of difference Liat's military service, Hilmi's hopes for Palestine's future threaten to overwhelm their shared present. When they return separately to their divided countries, Liat and Hilmi must decide whether to keep going, or let go.

"A down-to-earth, inspiring book about the American promise fulfilled." -President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." -Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs-the Bronx-through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball; where J. Crew's CEO Millard ("Mickey") Drexler found his ambition; where Neil deGrasse Tyson and Dava Sobel fell in love with science; and where local music making inspired singer-songwriter Dion DiMucci and hip-hop's Grandmaster Melle Mel. The parks, the pickup games, the tough and tender mothers, the politics, the gangs, the food-for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, Mary Higgins Clark, and many other leading artists, athletes, scientists, and entrepreneurs-experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a filmlike portrait of the Bronx from the early twentieth century until today.

When Ike Goldman, a seventy-eight-year-old retired law professor at Columbia University, dissuades a much younger woman from jumping off the George Washington Bridge, he never suspects that his selfless action will lead to love. Nor does he suspect that the sensitive and caring woman whom he saved from herself will be accused of murdering her abusive ex-husband. Ike cannot believe that Elizabeth could be capable of such an act, but he has known her for only six weeks and cannot stop the questions that hound him. Was the abuse that Elizabeth suffered during her eight-year marriage enough to drive her to murder? Could Ike's love for her blind him to a dark side of her personality? Does her refuge in her Catholic faith mask a dreadful vengeance? In the swirling thrust and parry of Elizabeth's trial, Ike is forced to examine his hopes, his beliefs, and his love for a woman whose life hangs in the balance.

"All over the city on streets and walks and walls the children ... have established ancient, essential and ephemeral forms of art, have set forth in chalk and crayon the names and images of their pride, love, preying, scorn, desire. ... The Lady in this House is Nuts. ... Lois I have gone up the street. Don't forget to bring your skates. ... Ruby loves Max but Max hates Ruby. ... And drawings, all over, of ... ships, homes ... western heroes ... and monsters ... which each strong shower effaces."So wrote James Agee in 1939. He shared this fascination with children's street drawings and messages with his friend Helen Levitt. Here now are over one hundred of her photographs, made in the years between 1938 and 1948. Most of these pictures have never before been published. They have been selected and arranged by the photographer and carefully reproduced. Robert Coles has written especially for this book an essay on the imaginative live of children and of a time when ". . . children still had some visual independence, some keen-eyed interest in laying pictorial claim to the world around them. ... I have not seen scenes such as Helen Levitt offers in my wanderings through America's city streets twenty and thirty and forty years after these were taken. They offer, then, a look backward--though they are also timeless in certain aspects. For children will never really stop being tempted by their imaginative faculties to show and tell--to let others see what they find themselves conceiving in thought and fantasy and dream."

A New York City love triangle forms the center of a literary universe peopled by a Guardian Angels-like vigilante group, a Chinatown cowgirl, and ex-leather queen, a real-estate mogul, and, at the center, Kate, Peter, and Molly, as they confront love in the time of AIDS

Jerome Charyn's three-part memoir of his boyhood in the Bronx has all the imagery and color of an enchanting and entertaining novel -- someone has said that it captures the author's world so accurately that it can't possibly be true. Bronx Boy , like The Dark Lady of Belorusse and The Black Swan , both selected by The New York Times as Notable Books of the Year, is a tour de force of memory and imagination. In this third and final installment, the higher truths of a masterly writer's art render moot the question of exactly where the real world ends and Charyn's imagined world begins. Still known as "Baby" although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of 12-year-old wannabe gangsters that meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian émigré. He becomes famous for his black-and-tans -- a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans -- and "a touch of bitterness that may have been the Bronx." So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster called "The Little Man" -- Meyer Lansky. In Charyn's hands, the often ridiculed Bronx is a magic place, as full of odd and wonderful characters as a three-ring circus. And at the center of it all, young "Baby," not as lucky in love as he would like to be, drinking it all in, putting his own extraordinary take on it. Charyn looks back at this with his singular vision, and records it all for us with the skill of the fine writer he is. This is a delightful and often moving story of a childhood that could only have been lived in New York in the fifties, a New York experience that could only have taken place in the Bronx of those days, a growing-up saga that could only have been captured by this singular author.

The economy has hit the PI business hard, and Leonid McGill is getting job offers only from the criminals he's worked so hard to leave behind. So how can he say no to the beautiful young woman who walks into his office with a stack of cash? She's an artist, she tells him, who's escaped poverty via marriage to a rich collector. A rich collector with two ex-wives whose deaths are shrouded in mystery. She says she fears for her life, and needs Leonid's help. Though Leonid knows better than to believe every word, this isn't a job he can afford to turn away. Meanwhile, Leonid's personal life grows ever more chequered: his favourite stepson, Twill, drops out of school for mysteriously lucrative pursuits; his wife takes a new lover, infuriating the old one and endangering the whole family; and Leonid's girlfriend, Aura, is back but intent on some serious conversations... Is the client at his door who she seems and - if his family's misadventures don't kill him first - will sorting out the woman's crooked tale bring Leonid straight to death's door?