From a writer whose every book is a literary event, a superbly accomplished work of fiction. "Last Night is a spellbinding collection of stories about passion-by turns fiery and subdued, destructive and redemptive, alluring and devastating. In ten powerful stories, Salter portrays men and women in their most intimate moments. A book dealer faces the truth about his life-as it is and never will be again-when he is visited unexpectedly by his brash former girlfriend. A lonely married woman, after a disturbing encounter with a drunken poet at a dinner party, finds herself irresistibly drawn to his animal surrogate, a huge tawny-eyed dog. A lover of poetry must come to terms with his wife's request to give up what may be his most treasured relationship. And in the title story, already hailed by Frank Conroy as "a masterpiece, clearly and without question," a translator, tormented by an agonizing sense of inevitability, assists in his wife's suicide even as he performs a last betrayal. A haunting symphony of desire, memory, and loss-from a writer whose assured style and emotional insight make him one of our most compelling voices at work today.

Now in paperback, a "tantalizingly poetic" ( NYTBR ) collection in which Levy " conquer s] the genre which demands she fashion perfect jewels" ( The Independent ). The stories in Black Vodka , by acclaimed author Deborah Levy, are perfectly formed worlds unto themselves, written in elegant yet economical prose. She is a master of the short story, exploring loneliness and belonging; violence and tenderness; the ephemeral and the solid; the grotesque and the beautiful; love and infidelity; and fluid identities national, cultural, and personal. In "Shining a Light," a woman's lost luggage is juxtaposed with far more serious losses. An icy woman seduces a broken man in "Vienna," and a man's empathy threatens to destroy him in "Stardust Nation." "Cave Girl" features a girl who wants to be a different kind of woman--she succeeds in a shocking way. A deformed man seeks beauty amid his angst in the title story. These are twenty-first century lives dissected with razor-sharp humor and curiosity. Levy's stories will send you tumbling into a rabbit hole, and you won't be able to scramble out until long after you've turned the last page.

Thirteen new stories from Ben Marcus that reveal moments of redemption in the sometimes nightmarish modern world. In "The Grow-Light Blues," a hapless, corporate drone finds love after being disfigured testing his employer's newest nutrition supplement - the enhanced glow from his computer monitor. In "Cold Little Bird," a father finds himself alienated from his family when he starts to suspect that his son's precocity has turned sinister. "The Boys" follows a sister who descends into an affair with her recently widowed brother-in-law. In "Blueprints for St. Louis," two architects in a flailing marriage consider the ethics of adding a mist that artificially incites emotion in mourners to their latest assignment, a memorial to a terrorist attack.

One need only read the first lines of Tess Slesinger's title story-or indeed any of her stories-to know that hers is a unique literary voice, one that rivets a reader's attention to the page from the very beginning and holds it to the very end. Hers is, one soon discovers, also a wholly feminine voice: compelling, filled with insight, acute at observation, sure of its tone, and everywhere discovering the reality behind human appearances and pretensions. This is a remarkable collection of short stories by a brilliant young writer who was cut off in her prime when she died of cancer in 1945. “An intensely feminine book, in which bleakness, unemployment, heartache and heartlessness are combined with an agreeable feeling of settling down for conversation with an intimate, disillusioned, gossipy, malicious and often witty friend.”- New Statesman . “A genuine short-story writer...she has a good eye for the little tombstones of life.”- Nation .

The passing of Wilum Hopfrog Pugmire in the spring of 2019 was a grievous blow to his many friends, colleagues, and devotees, but his literary legacy is likely to endure for decades to come. In this volume, which spans the spectrum of his work from the 1980s to the present day, Pugmire demonstrates why he became perhaps the leading proponent of Lovecraftian short fiction in his time. Several tales are set in Pugmire's Sesqua Valley--a parallel to Lovecraft's Arkham Country, and based on the Pacific Northwest topography he knew from a lifetime's residence. But beyond the mere evocation of landscape, Pugmire's tales are enlivened by the presence of vivid, piquant characters--male and female, gay and straight, sinister and naïve, all of whom contribute to the atmosphere of refined strangeness that was Pugmire's signature achievement. But Pugmire's work extended well beyond mere Lovecraftian pastiche, and in such tales as "The Barrier Between" and "The Boy with the Bloodstained Mouth" he demonstrates both originality and skill in weird creation. In sum, this volume is a testament to the pioneering imagination of one of the most distinctive writers of his generation. W. H. Pugmire (1951-2019) was the author of Weird Inhabitants of Sesqua Valley (2009), The Tangled Muse (2011), An Ecstasy of Fear (2019), and many other volumes. He lived for most of his life in Seattle, Washington.