Bobby Griffith was an all-American boy. He was a nice, hardworking kid from the suburbs who attended church and was loved by his family. When at age fifteen he realized that he was gay, he came upon a conflict for which he found no solution: His family and his religion taught him that his sexual orientation was a sin. Through Bobby's poignant journal entries, his mother's reminiscences, and Leroy Aarons's keen journalistic insight we relive the emotional torment that eventually led Bobby to take his own life.

In her surprising, entertaining and persuasive new book, award-winning author and psychologist Susan Pinker shows how face-to-face contact is crucial for learning, happiness, resilience and longevity. From birth to death, human beings are hard-wired to connect to other human beings. Face to face contact matters: tight bonds of friendship and love heal us, help children learn, extend our lives and make us happy. Looser in-person bonds matter, too, combining with our close relationships to form a personal "village" around us, one that exerts unique effects. And not just any social networks will do: we need the real, face-to-face, in-the-flesh encounters that tie human families, groups of friends and communities together. Marrying the findings of the new field of social neuroscience together with gripping human stories, Susan Pinker explores the impact of face-to-face contact from cradle to grave, from city to Sardinian mountain village, from classroom to workplace, from love to marriage to divorce. Her results are enlightening and enlivening, and they challenge our assumptions. Most of us have left the literal village behind, and don't want to give up our new technologies to go back there. But, as Pinker writes so compellingly, we need close social bonds and uninterrupted face-time with our friends and families in order to thrive--even to survive. Creating our own "village effect" can make us happier. It can also save our lives.

Through her great capacity to love, a kind and beautiful maid releases a handsome prince from the spell which has made him an ugly beast.

Journalist Jesse Green's delightful memoir makes it quite clear that the pleasures and perils of parenting are always the same--even for a gay 37-year-old man who stumbles into it by falling in love with a person who has an adopted son. As Green puts it in a typically well-turned phrase, "fatherhood trumps gayness," which is to say that heterosexual parents at the playground sometimes find it easier to relate to Green, his boyfriend, Andy, and son, Erez (soon joined by baby brother Lucas), than do the well-buffed, perennially youthful male guests at a Fire Island party--they flinch at the sight of diapers and baby bags. As the author searchingly and intelligently considers what it means to gay people to become parents, and the ways in which it does and does not pull them closer into the mainstream, his narrative is often extremely funny. (Joking about Erez's apparently heterosexual inclinations, Green deadpans, "We tried our We played him Judy Garland records and showed him tapes of West Side Story .") A very moving examination of identity and the making of a meaningful adult life that resonates profoundly for people of every sexual orientation. --Wendy Smith

Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition (2023) "A brave and pioneering anthology." - Ms. Magazine "Nice Jewish Girls is a ....celebration of survival, by and about Jewish lesbians....who speak to the part of us that rejoices in people reclaiming their identities....that shouts in anger at injustice." - Gay Community News To read this germinal collection of essays, poetry, fiction, testimony, and analysis, is to be introduced to identities that have historically been hidden and often reviled. Intimate, honest, and brash, this is a lovely, unflinching glimpse of who we were, and a map toward who we may become. Newly restored with high resolution photos, this edition preserves a set of voices to be treasured--discovered and rediscovered by Nice Jewish Girls and the women they love. - Jeannelle M. Ferreira, author of The Fire and the Place in the Forest Evelyn (“Evi”) Torton Beck, scholar/teacher/activist, is Professor Emerita of the Harriet Tubman Department of Women’s, Gender, and Sexuality Studies at the University of Maryland and is associated with the Fielding Graduate University. Her wide-ranging research includes analyses of antisemitism and homophobia, Jewish women's contributions to literature and art; feminist perspectives on the life and work of Franz Kafka and Frida Kahlo, and in recent years, Sacred Circle Dance as a healing practice.

In the early decades of this century, the wave of immigration that brought nearly two million Jews from the Pale of Settlement to the United States included an extraordinary group of gifted Yiddish poets and writers, who came to be called Di Yunge (The Young). A Little Love in Big Manhattan tells the story of two of the Young’s most prominent figures―Mani Leib, a lyric poet intent on refining the hard facts of his life into works of enduring beauty, and Moishe Leib Halpern, for whom poetry had to be the expression of coarse and shattering reality. Through a dual biography of these opposing personalities, Ruth Wisse describes the rich and vital cultural movement that embraced them both. She tells of the burst of creative energy exhibited by the young poets and intellectuals who, after a long day of manual labor, would congregate in the cafes of the Lower East Side for badinage, debate, and literary talk. They started literary journals and compiled anthologies of their writings, which found their way overseas and had a rejuvenating influence on Yiddish poetry abroad. Ironically, their achievement coincided with the decline of the language in which they wrote, so that Yiddish poetry came into its own in America at a time when the next generation could scarcely read it; there were no literary heirs. Ruth Wisse presents modern Jews with a part of their lost inheritance, and also claims for the Yiddish poets a place in the American canon. The first book to present these poets as part of the history of immigrant Jews in America, A Little Love in Big Manhattan (the title is from a poem of Halpern’s) will appeal to readers of poetry and to people interested in facets of the intellectual and artistic atmosphere of the interwar period.

Originally published in Hebrew in 2021, Hillel Cohen's Enemies, a Love Story argues that to understand the ongoing conflict in Palestine/Israel we need to examine the interactions among three identity groups: Mizrahim, Ashkenazim, and Arabs. Refusing to treat Jewish society as a monolith, Cohen shows how the ethnic divide between Ashkenazim (Jews of European descent) and Mizrahim (Jews of Middle Eastern origin) can inform and complicate how we view the wider picture of nationalism, religiosity, and oppression in this part of the world. Cohen considers how and why Ashkenazi-Arab and Mizrahi-Arab relations have metamorphosed over time, from the final decades of the Ottoman Empire into the Mandate period, from the Nakba and its aftermath to the Six Day War of 1967, and from the political upheaval of the 1970s to the rise of the right-wing Likud party and the assassination of Prime Minister Yitzhak Rabin in 1995. The author challenges widespread beliefs that "Mizrahi" is synonymous with rigid nationalism and "Ashkenazi" with progressivism and support for reconciliation, showing how religiosity and socioeconomic status have shaped Israeli attitudes toward Palestinians. Readers interested in Israel, Palestine, and the Middle East should find tremendous value in this timely book on a sensitive issue.

In his many years working with gay patients, psychiatrist Richard Isay has found that regardless of the original reasons they seek help, the majority of gay men eventually bring up their problems with romantic love. Some have difficulty falling in love and even more find it hard to sustain a loving, romantic relationship. If you experience these issues in your life, Commitment and Healing offers hope. Filled with fascinating case histories drawn from Dr. Isay's practice, this compassionate and inspiring book examines how parental rejection or a lack of empathy with the needs of a homosexual child may later on inhibit a gay man's capacity to feel and express his need for love. Some gay men grow habituated to the means they have relied on to seek happiness without intimacy or intimacy without commitment. Many feel unworthy of romantic love or remain unaware of it until midlife. In Commitment and Healing , Isay writes that a loving relationship over many years is the antidote for the loneliness and the rejection most gay men have experienced in their lives. While the book is a clear and empathetic exploration of the barriers many encounter, Isay shows that it is indeed possible for this generation of gay men to overcome their fear of commitment and learn how rewarding a loving, long-term relationship can be.

What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

From Jon Sopel, bestselling author and presenter of hit podcast The News Agents , comes an incisive examination of post-Brexit Britain and what it means for our future. 'I like and trust Jon Sopel and you should too' JOE LYCETT 'A thrilling, nerve-wracking book. You couldn't make the last ten years up; thanks to Jon Sopel, you don't have to' PETER FRANKOPAN 'A hugely entertaining and quite traumatic rollercoaster' ARMANDO IANNUCCI 'Acute and unflinching - Sopel deploys his foreign correspondent skills on home shores as well as far ones, and brings together the story of a tumultuous few years on both sides of the Atlantic' MISHAL HUSAIN Returning to the UK in some ways has been disconcerting - or maybe discombobulating would be a better word. It is, after all, my home; it is where I grew up, a country I love and am proud of. But either it' s changed, or I have. Maybe both. It just feels like a strange land. After eight years of political reporting in the US, Jon Sopel returned home to the UK to find a very different place than the one he left. In his first book since launching the global hit podcast The News Agents , Jon explores what has happened to the country he once knew. Either Britain has changed dramatically, or he has. Perhaps it' s both. As a second Trump administration begins, and a new chapter of American history exerts its influence over our own isle, Strangeland paints an unforgettable portrait of a country gone through the looking glass.

Look, MAN: This book is designed for those who want to feel comfortable being friends and lovers of the women in their life; for men who want long-lasting and secure relationships, and still sexually fulfilling and exciting; and most importantly, for men who want to be loving, sexy and, let's just say it, sweet. Listen, WOMAN: This book will tell to the men in your life what you women of today probably want from your friends, lovers and partners, and how a man can become the one that today's woman seeks and appreciates. “When a Man Loves a Woman was written to show how feminism could either make heterosexual relationships more contentious and confusing, or more exciting and rewarding, depending on how men reacted to it. Today, I am reexamining the issues which I explored in that book and reflecting the more complex realities of the new century. The fundamental question is the same: How can a good man make and keep a deep, meaningful and loving relationship with an emancipated woman?”

The Black Diaspora tells the enthralling story of African-descended people outside Africa, spanning more than five centuries and a dozen countries of settlement, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil. Ronald Segal's account begins in Africa itself, with the cultures and societies flourishing there before the arrival of the Atlantic slave trade, which transported over ten million people to the Americas, after killing at least as many in their procurement and passage. He examines the extent of the profits made through the trade by merchants, manufacturers, investors, and planters, along with the racist ideology that developed as whites strove to rationalize an enormous economic dependence. Segal describes the various ways in which the system of slavery developed and provides the most comprehensive account to date of the resistance by the slaves themselves, from escape and arson to guerrilla warfare and revolution. When emancipation finally came, the former slaves were left in the fetters of poverty and discrimination. Segal details the course of the struggle against colonial rule and the racial oppressions of self-styled democracies. In recounting his own travels through the Diaspora, he shows the continuing plight of peoples confined by the consequences of the past and the prejudices of the present: racked by violence, as in Jamaica and the ghettos of America; denied the right to assert their sense of identity, as in Cuba; acknowledged only to be repudiated, as in Brazil. Yet this is also, Segal reveals, a Diaspora of wondrous achievement. It has immeasurably enriched world culture in music, language and literature, painting, sculpture and architecture; has done much to make sports a form of art; and has invested Western culture with the ecological reverence derived from its African source. Segal argues that the black Diaspora has a unique destiny, infused by the love of freedom that is its creative impulse.

It was a night David Smith would never forget...the night he began living every father's most agonizing nightmare. On that chilly fall evening in 1994, he learned that his two young sons had been kidnapped. The person who broke the news was his estranged wife Susan Smith - the children's mother. In the harrowing days and nights that followed, an intensive manhunt began that would focus the eyes of America on the Smith family. But through it all, David Smith had only one thought: to get his boys back. Nine days later, a tearful Susan Smith confessed that the kidnapping had been a hoax, a cruel lie. The truth would be even crueler: three-year-old Michael and fourteen-month-old Alex Smith were dead, slain by their mother's own hand. David Smith speaks out about his life with Susan, the beloved children he has lost but will always love, and the slow, painful process of trying to put his life back together. He talks honestly and openly about his less-than-perfect marriage - a troubled relationship that led to affairs on both their parts; Susan's destructive obsession with the lover who'd rejected her; the events leading up to that fateful night last October; and, finally, the need to come to terms with his own grief and loss.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

In an irreverent, witty, and splendidly sensual voice, Dr.Susan Block lays down the laws for giving each other unequaled erotic pleasure. It takes more than learning new techniques to lead a sexually satisfying life: It takes knowledge of your partner's needs, hopes and fantasies. The 10 Commandments of Pleasure playfully leads you down the path to erotic delight - and provides you with the keys to unlocking each other's deepest desires. Follow these golden rules and learn: the power of giving pleasure, the 10 Commandments of a Lady's and a Gentleman's Pleasure, how to love the "Bonobo Way", how to discover and activate each other's personal "pleasure points", how to find the elusive "P" and "G" spots, how to be an "ethical hedonist", and how to have a "toegasm".

What is Sociology? presents in concise and provocative form the major ideas of a seminal thinker whose work--spanning more than four decades--is only now gaining the recognition here it has long had in Germany and France. Unlike other post-war sociologists, Norbert Elias has always held the concept of historical development among his central concerns; his dynamic theories of the evolution of modern man have remedied the historical and epistemological shortcomings of structualism and ethno-methodology. What is Sociology? refines the arguments that were first found in Elias' massive work on the civilizing process, in which he formulated his major assertions about the interdependence of the making of modern man and modern society. It is Elias' contention that changes in personality structure--embodied in phenomena ranging from table manners and hygiene habits to rites of punishment and courtly love--inevitably reflect and mould patterns of control generated by new political and social instututions. Elias' rejection of a dichotomy between individual and society, and his use of psychoanalysis, political theory, and social history, help restore a fullness of resource to sociology.

Paperback, signed by author on half-title page ("Best wishes, Wendy Greengrass"). Exterior a little worn, with a few light marks on page block. Text is clear on sound, clean pages. TS