"In nineteenth-century Vienna, a drama of love, fate, and will is played out amid the intellectual ferment that defined the era. Josef Breuer, one of the founding fathers of psychoanalysis, is at the height of his career. Friedrich Nietzsche, Europe's greatest philosopher, is on the brink of suicidal despair, unable to find a cure for the headaches and other ailments that plague him. When he agrees to treat Nietzsche with his experimental "talking cure," Breuer never expects that he too will find solace in their sessions. Only through facing his own inner demons can the gifted healer begin to help his patient. In When Nietzsche Wept, Irvin Yalom blends fact and fiction, atmosphere and suspense, to unfold an unforgettable story about the redemptive power of friendship."--Back cover of trade paperback.

Deborah Green is a woman of passionate contradictions--a rabbi who craves goodness and surety while wrestling with her own desires and with the sorrow and pain she sees around her. Her life changes when she visits the hospital room of Henry Friedman, an older man who has attempted suicide. His parents were murdered in the Holocaust when he was a child, and all his life he's struggled with difficult questions: Can happiness really come after such loss, or does the very wish profane the dead? Can religious promises ever bring peace? Deborah's encounter with Henry and his family draws her into a world of tragedy, frailty, love, and, finally, hope. The New Yorker called Rosen's first novel "An impressive debut--a highly original addition to the distinguished line of Jewish-American romances." He has fulfilled the promise of his first fiction in this contemporary story of classic scope, whose characters hunger for love, grapple with faith and doubt, and seek to bind themselves to something sacred in the midst of modern chaos.

Howard Katz is a new play by Patrick Marber, who has been called "the greatest British playwright to have emerged in the 1990s." (The Financial Times) Following on the success of his play Closer, Patrick Marber's Howard Katz has been hailed as "a gripping piece of work" (Sunday Telegraph). This haunting play is centered on its title character, a hard-as-nails talent agent now down on his luck. Marber traces the story of the mighty Katz through almost dream- like flashbacks, capturing a man in freefall, while he determinedly clings to life. Marber's tale is a universal one about the search for faith and the power of love to touch even the most hardened soul. "Howard Katz is one of the most fascinating, relevant, and thoughtful plays to hit London in recent years." -- Time "A dream-play, a nightmare-play, a sad-funny life and death play. A must." -- Sunday Times (London)

"In February 2015, Ivan Maisel received a call that would alter his life forever: his son Max's car was found abandoned in a parking next to Lake Ontario. Two months later, Max's body would be found in the lake. I Keep Trying to Catch His Eye is the story of Maisel's love for a son who was so different from him, but who he loved so deeply, and how he came to learn that grief for Max was nothing more than a last, ultimate expression of love. Navigating the moments of their complicated relationship, as well as their love each other, Maisel explores the bridges he tried to build to his son and the grief that engulfed him and his family after Max's death by suicide. Taking its title from Max's love of photography--and his tendency to only love the camera when he was behind it, looking away whenever his picture was taken--I Keep Trying to Catch His Eye delves into the tragically transformative reality of losing a child, all with grace, depth, and refinement. But by humanizing Max and humanizing his grief, Maisel evokes understanding instead of sorrow, appreciation instead of anxiety--and love instead of fear"--