A TRUE STORY OF OBSESSIVE LOVE TURNING TO OBSESSIVE HATE IN THE CRUCIBLE OF THE DIGITAL AGE Give Me Everything You Have chronicles author James Lasdun's strange and harrowing ordeal at the hands of a former student, a self-styled "verbal terrorist," who began trying, in her words, to "ruin him." Hate mail, online postings, and public accusations of plagiarism and sexual misconduct were her weapons of choice and, as with more conventional terrorist weapons, proved remarkably difficult to combat. James Lasdun's account, while terrifying, is told with compassion and humor, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle East politics, and the meaning of honor and reputation in the Internet age.

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly

For the second time, celebrated crime-fiction writer Howard Engel turns his hand to nonfiction. Setting out in the nineteenth century, Engel travels from France and England to Canada and the United States, with engaging detours along the way. As he discovers, le crime passionel, a concept originating in France, has a special place in many legal codes around the world. Engel explores more than twenty-five classic, infamous and still unresolved cases.

The iconoclastic writer and director of the revered classic Withnail & I—"The funniest British film of all time" (Esquire)—returns to London in a decade-long examination of the most provocative murder investigation in British history, and finally solves the identity of the killer known as "Jack the Ripper."In a literary high-wire act reminiscent of both Hunter S. Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

It was a night David Smith would never forget...the night he began living every father's most agonizing nightmare. On that chilly fall evening in 1994, he learned that his two young sons had been kidnapped. The person who broke the news was his estranged wife Susan Smith - the children's mother. In the harrowing days and nights that followed, an intensive manhunt began that would focus the eyes of America on the Smith family. But through it all, David Smith had only one thought: to get his boys back. Nine days later, a tearful Susan Smith confessed that the kidnapping had been a hoax, a cruel lie. The truth would be even crueler: three-year-old Michael and fourteen-month-old Alex Smith were dead, slain by their mother's own hand. David Smith speaks out about his life with Susan, the beloved children he has lost but will always love, and the slow, painful process of trying to put his life back together. He talks honestly and openly about his less-than-perfect marriage - a troubled relationship that led to affairs on both their parts; Susan's destructive obsession with the lover who'd rejected her; the events leading up to that fateful night last October; and, finally, the need to come to terms with his own grief and loss.

In 1975, a new group of Peace Corps volunteers landed on the island nation of Tonga. Among them was Deborah Gardner -- a beautiful twenty-three-year-old who, in the following year, would be stabbed twenty-two times and left for dead inside her hut. Another volunteer turned himself in to the Tongan police, and many of the other Americans were sure he had committed the crime. But with the aid of the State Department, he returned home a free man. Although the story was kept quiet in the United States, Deb Gardner's death and the outlandish aftermath took on legendary proportions in Tonga. Now journalist Philip Weiss "shines daylight on the facts of this ugly case with the fervor of an avenging angel" (Chicago Tribune), exposing a gripping tale of love, violence, and clashing ideals. With bravura reporting and vivid, novelistic prose, Weiss transforms a Polynesian legend into a singular artifact of American history and a profoundly moving human story.

A kaleidoscopic memoir of a 35-year love affair with mysterious, exotic Haiti. The dialogue the author conducts with this beleaguered island is rich with surprising revelations and startling juxtapositions. "The best all-encompassing explanation of this . . . tragic island country that I have read".--Digby Diehl, Playboy.