Edith Hahn was an outspoken young woman studying law in Vienna when the Gestapo forced her and her mother into a ghetto, issuing them papers branded with a J. Soon Edith was taken away to a labour camp and when she returned home after months away she found her mother had been deported. Her boyfriend, Pepi, proved too terrified to help her, but a Christian friend was not. Using the woman's identity papers, she fled to Munich. There she met Werner Vetter, a Nazi party member who fell in love with her and, despite her protests and even her eventual confession that she was Jewish, he married her and kept her identity secret.

Ruth Maier was born into a middle-class Jewish family in interwar Vienna. Following the Anschluss of Austria in March 1938, the world of the substantial Viennese Jewish community crumbled. In early 1939, her sister having left for England, Ruth emigrated to Norway and lived with a family in Lillestrom, about thirty miles from Oslo. Although she loved many things about her new country and its people, Ruth's relationship with her hosts soon turned stale, then sour. Ruth became increasingly isolated in Norway until she met a soul mate, Gunvor Hofmo, who was to become a celebrated poet. Norway itself became a Nazi conquest in April 1940, and Ruth's attempts to join the rest of her family - now in Britain - became ever more urgent. She never left Norway, and in November 1942 she was deported to Auschwitz where she was exterminated on arrival. She had just turned twenty-two. Ruth Maier kept a diary from 1934 until just before she was murdered. Despite being only in her teens she shows a sophisticated understanding of the political forces shaping central Europe as well as extraordinary prescience. The book is much more than just historical documentation, however. In a lucid yet highly lyrical style, with an incisive talent for narrative and a sharp wit, Ruth explores universal themes of isolation, identity, friendship, love, sexuality, desire, morality, justice and sacrifice. Most of all, however, she seeks what it means to be a human being. Published only recently for the first time in Norway, Ruth Maier's Diary is one of the most moving testimonies to emerge from this dark period of European history

"Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese -- anxious to forget their troubles -- could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide." --

"I had to do something to escape Hitler's clutches," writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris, until German canons can be heard in the distance, before deciding to escape by bicycle across France as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive by sheer miracle and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. In a memoir written at age 79, Esti Freud, daughter-in-law of Sigmund Freud and wife of his oldest son Martin, looks back on her life that began before the 20th century, was lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mother's death, daughter Sophie turned to Esti's memoir as a scaffold for this book, expanding it through family letters and archival material. Out of these documents the author has created a fascinating, many-voiced mosaic--the story of a famous family and of a century seen through the eyes of many characters. Indomitable Esti was not an easy person to love. While she establishes herself professionally three times, in three different languages, her troubled family relationships leave her lonely, often deeply unhappy. Sophie confides that Esti died without son or daughter at her side. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was "too beautiful" for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was "not a financially favorable linkage," and that his family was not respectable since patriarch Sigmund was "just another psychiatrist, and one who writes pornography books at that." Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate--and perhaps disturb--readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.