In her inimitable style--full of wit, wisdom, drama, gossip, and romance--Julia Quinn introduces the four youngest of the eight Bridgerton siblings as they maneuver through the scrutiny of London's high society and secure matches worthy of their station--and their hearts. Adored by millions of fans worldwide, these timeless stories will transport you to a world of propriety, elegance, passion, and mischief, where the charisma of one family captures the attention of the entire ton. In these four books, you will meet: Eloise Bridgerton, the feisty and unconventional second daughter, in To Sir Phillip, With Love; Francesca Bridgerton, the third daughter, whose heartache turns to love, in When He Was Wicked; Hyacinth Bridgerton, the youngest daughter, who is smart, outspoken, and delightfully determined, in It's in His Kiss; and finally, Gregory Bridgerton, the lovestruck and romantic youngest son who will not stand aside, in On the Way to the Wedding.

New York Times bestseller Laura Lippman showcases why she is one of today's top crime writers in this acclaimed collection of suspenseful stories featuring fierce women--including one never-before-published novella. "A first-rate collection, an obvious must for the legions of Lippman fans, but also great reading for anyone who savors short crime fiction." -- Booklist (starred review) The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published "Just One More," a married couple--longing for that old romantic spark--creates a playful diversion that comes with unexpected consequences. Lippman's beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in "Seasonal Work," while her mother, Judith, realizes that the life of "The Everyday Housewife" is an excellent cover for all kinds of secrets. In "Slow Burner," a husband's secret cell phone proves to be a dicey temptation for a suspicious wife. A father's hidden past piques the curiosity of a young snoop in "The Last of Sheila-Locke Holmes." Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong--irrefutable evidence that Laura Lippman's riveting fiction will more than satisfy any crime reader.

In No Matter the Wreckage , Sarah Kay takes you on a profound journey through her self-discovery in New York. Following her breakout poem "B," this debut poetry collection showcases her accessible brilliance. With each verse, Kay transports readers to a world of love, nostalgia, and life's wonders. Her elegant words celebrate family bonds, young love, travel, and the echoes of history shaping our present. What sets No Matter the Wreckage apart is Kay's ability to find magic in the ordinary, painting intimate portraits of unlikely love affairs between objects and exploring whimsical topics. This collection's transformative helps readers to find a sanctuary of words that uplift your spirit and ignite imagination. No Matter the Wreckage is a must-have for poetry lovers, an unforgettable journey.

The bestselling, beloved writer of romantic comedies like You've Got Mail tells her own late-in-life love story in her "resplendent memoir," complete with a tragic second act and joyous resolution. Delia Ephron had struggled through several years of heartbreak. She'd lost her sister, Nora, and then her husband, Jerry, both to cancer. Several months after Jerry's death, she decided to make one small change in her life -- she shut down his landline, which crashed her internet. She ended up in Verizon hell. She channeled her grief the best way she knew: by writing a New York Times op-ed. The piece caught the attention of Peter, a Bay Area psychiatrist, who emailed her to commiserate. Recently widowed himself, he reminded her that they had shared a few dates fifty-four years before, set up by Nora. Delia did not remember him, but after several weeks of exchanging emails and sixties folk songs, he flew east to see her. They were crazy, utterly, in love. But this was not a rom-com: four months later she was diagnosed with AML, a fierce leukemia. In Left on Tenth, Delia Ephron enchants as she seesaws us between tears and laughter, navigating the suicidal lows of enduring cutting-edge treatment and the giddy highs of a second chance at love. With Peter and her close girlfriends by her side, with startling clarity, warmth, and honesty about facing death, Ephron invites us to join her team of warriors and become believers ourselves.

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

The sequel to the phenomenal national bestseller and enduring classic Love Story. Can the love of your life appear twice in a lifetime? Oliver Barrett IV found his soulmate in Jenny Cavilleri. Their love was magical and exhilarating...and though heartbreakingly brief, it was a love to last a lifetime. Two years have passed since Jenny was taken from him, and Oliver believes he will never love again. Then one day, Marcie--beautiful and mysterious--enters his world and suddenly the future holds new promise. From the running track in New York's Central Park to the hushed executive suites of a mightly department store empire, from a snowy Massachusetts Christmas to a shattering moment of turth in exotic Hong Kong--the story of Oliver Barrett IV is a story of passion and principle, of a young man's journey out of sadness, into love.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day ; nonfiction titles, including the bestseller Necessary Losses ; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.

“As far as the education of children is concerned,” states Natalia Ginzburg in this collection of her finest and best-known short essays, “I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one’s neighbor and self-denial; not a desire for success but a desire to be and to know.” Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. “A glowing light of modern Italian literature . . . Ginzburg’s magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.” — The New York Times Book Review

"Mystery writer and dabbling recreational sleuth Sophie Katz is head over heels in love--with a three-bedroom Victorian. She's just got to have it, despite a few drawbacks. Her slimy ex is the Realtor. The rich, creepy seller wants her to join San Francisco's spirited Specter Society. And her first tour of the house reveals, well, a lifeless body clutching a cameo with a disturbing history of its own. There's no way Sophie is going to give up the ghost on her dreams of stained glass and original woodwork, though--even when things become officially weird. A Society member is found with a slashed throat, and Sophie's house might as well be yelling, "GET OUT!" She's hearing footsteps, lights are turning themselves off and her stuff keeps moving inexplicably. To top it off, boyfriend Anatoly thinks it's all in her head. Sophie is 99 percent sure her problems are caused by someone six feet tall instead of six feet under, but the only way to be sure is to track down the killer--before he pushes her kicking and screaming to the other side" -- p. [4] of cover.

Editor Lesléa Newman has collected the work of both well-known and emerging poets to create an anthology of some of the finest writers of any gender or sexual orientation writing poetry today. The probing fierceness of Adrienne Rich's "Love Poem," the stirring sensual incantation of Ellen Bass's "Praise," the intensely felt tenderness of Dorothy Allison's "Reason Enough to Love You," are just a few examples of the rich talent displayed in this volume. These poets have written daring confessions of love, sorrow, anger, and joy. Each poem is an elaborate confirmation of the resilience of the human spirit, and the ability to transform experience--including the struggle against the societal taboo of same-sex love--into brilliant poetry.

This is the story of a rare sort of American genius, who grew up in grinding poverty in Camden, Maine. Nothing could save the sensitive child but her talent for words, music, and drama, and an inexorable desire to be loved. When she was twenty, her poetry would make her famous; at thirty she would be loved by readers the world over. Edna St. Vincent Millay was widely considered to be the most seductive woman of her age. Few men could resist her, and many women also fell under her spell. From the publication of her first poems until the scandal over Fatal Interview twenty years later, gossip about the poet's liberated lifestyle prompted speculation about who might be the real subject of her verses. Using letters, diaries, and journals of the poet and her lovers that have only recently become available, Daniel Mark Epstein tells the astonishing story of the life, dedicated to art and love, that inspired the sublime lyrics of Edna St. Vincent Millay.

"Sharona Muir's Heredity and Other Inventions radiate like elements discovered late at night after years of searching ... a rocket in a museum in another country is both public knowledge and family secret; a daughter's umbilical cord in her father's lab sparks questions about the uses of love; the body of an airplane holds the imagined gestures of humans in their fi nal moments of life ... Muir renders the physical world so unfl inchingly that the metaphysical blows back, in equal and opposite reaction ... these poems are an act of postmortem collaboration: daughter as witness to history, using language to weld and spark familial bonds and to summon up their mysteries." --Rebecca Klaver, author of Empire Wasted "... Muir has a gift for conjuring beauty in the least expected places, dazzling audiences with rich imagery ... While the speaker's narrative is particular to her unique experience, in many ways this chapbook's poems transcend place and time, and resonate with all who have looked to the past for a way of understanding the present." --Mary Biddinger, author of Small Enterprise

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com.

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com

Zosha Palovsky was born in a Displaced Persons camp in Germany, the daughter of Holocaust survivors, but she has grown up in Brooklyn and in Washington Heights, joined a Latina gang, and refused to attend a yeshiva. She's a rebel, outspoken, sexually liberated, and determined to live her own life, free of her parents' past. Yet, as daring and defiant as she is, Zosha cannot escape. Her entire life is touched by the war. She has dreams of Auschwitz, falls in love with "her own private Nazi," and has an affair with a kinky Holocaust scholar. Obsessed with events that took place before her birth, she becomes a writer. By day she summons a "shlock muse in rhinestone harlequin glasses, cabana pants, and spiked heels" to write Elizabeth Taylor stories for the readers of Movie Screen magazine and, by night, writes "blood-eyed poems" about the Holocaust. Her parents wonder: Why can't she get married like a normal person? How are they to understand their American daughter? With unflinching honesty and wild humor, Sonia Pilcer follows the Holocaust legacy as it courses through lust and desire, guilt and fear, and unexpected joy, revealing the emotional depths beneath the quest to free oneself from an ever-present past.

A daring darling from the Live Girls series offers a collection of provocative, confessional stories sure to inspire one-handed reading. This isn't dusty, for-ladies-only fiction, just high-quality erotica that doesn't require a whips-and-chains appetite for thorough enjoyment of each sensual, sometimes wicked admission. Recalling the sweat and sizzle of an old affair, a woman wonders if her former lover can ever forgive her for having ended up with his wife. A Haitian couple reveals the passion born of desperation and the searing fires of loss and love. A young woman abroad loses her virginity to a sophisticated older man in a scorching-hot life lesson in sexual possibility. Ovulation brings sweet, slippery horniness?and volatile, supercharged impregnation fantasies?to a childless-by-choice bi-chick. And a pregnant bitch goddess recounts the night she took over her husband's body the same way her growing baby took over her own: relentlessly and with delicious, paradoxical pleasure and pain. The memoir-like style of these stories allows the reader to devour private letters, peek into diaries, and listen to the most intimate confessions of women acting out in inspirational sexual abandon. Seasoned editor Blank has collected only the hottest, most ?confidential” and scintillating erotic moments by expert eroticists including Dawn O'Hara, Adhara Law, Lisa Bland, and R. Gay.

Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals. Memories? Choice morsels. My soul is fragmentary.—from DisavowalsClaude Cahun (1894-1954), born Lucy Schwob, was a poet, performer, resistance fighter, prisoner, Surrealist, “constructor and explorer of objects,” photographer, and “queer freak” who invented her life by flaunting the interchangability of roles and playing with the ambivalence of identity. Whether feigning vulnerability on the arm of her lover and stepsister Suzanne Malherbe aka Marcel Moore (“the other me”), making theatrical public appearances in disguise (sailor, gymnast, gypsy), or making herself up (vampire, Buddha, mannequin, angel) for self-portraits and installations, she rendered opposites inoperative and exposed the thinness of gender and power constructs by reducing them to mere surface costumes. In May 1930 Éditions Carrefour of Paris published 500 copies of a book called Aveux non avenues, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself “the mania of the exception.” Disavowals is the first appearance of that work, widely considered to be her most important text, in English. Reproductions of the original photomontages introduce the various sections, which in turn explore Cahun's distinctive ideas and obsessions—self-interrogation, narcissism, metamorphosis, love, gender-switching, humor, fear. An extensive introduction by Tate curator Jennifer Mundy sets the text in the context of Cahun's life and art. Also included is a translation of the original preface by Cahun's friend Pierre Mac Orlan, a comment by her biographer, François Leperlier, a note on the translation by Susan de Muth, and a postscript by Agnès Lhermitte.

An “exquisite . . . spot on” ( The Hudson Review ) collection of poems from one of our best-loved and best-selling poets that is both personal, with poetry about love, nature and reflections on the stages of life, and political, ranging from the war in Iraq and Katrina to concerns such as women’s rights and the poet’s childhood in Detroit.

"Stone, Paper, Knife centers on the loss of an old love and the beginning of a new love, a woman's politics and identity rooted in the land and expressed in poems of grieving, of loving,a nd of deep and fundamental connection with the sources of life and the survival of our species and our world."--on upper cover.

A major new collection of poems about women's lives and the closing circle of nature, from a bestselling poet. These poems celebrate the beauties of nature and the eternal cycle of love, death and birth that is being interrupted by the assault on the environment.