"In the bestselling tradition of works by such authors as Susan Orlean and Mary Roach, a New York Times reporter and Pulitzer Prize finalist explores why so many people-including herself-are obsessed with horses. It may surprise you to learn that there are over seven million horses in America-even more than when they were the only means of transportation-and nearly two million horse owners. Acclaimed journalist and avid equestrian Sarah Maslin Nir is one of them; she began riding horses when she was just two years old and hasn't stopped since. Horse Crazy is a fascinating, funny, and moving love letter to these graceful animals and the people who-like her-are obsessed with them. It is also a coming-of-age story of Nir growing up an outsider within the world's most elite inner circles, and finding her true north in horses. Nir takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures. We meet Monty Roberts, the California trainer whose prowess earned him the nickname "the man who listens to horses"; George and Ann Blair, the African-American husband and wife who run a riding academy for inner city youth on a tiny island in the middle of Manhattan's East River; and Francesca Kelly, a wealthy London socialite whose love for an Indian nobleman shaped her life's mission: to rescue an endangered Indian breed of horse and bring them-illegally-to America. Woven into these compelling character studies, Nir shares her own moving personal narrative. She details her father's harrowing tale of surviving the Holocaust, and describes an enchanted but deeply lonely upbringing in Manhattan, where horses became her family. She found them even in the middle of the city, in a stable disguised in an old townhouse and in Central Park, when she chased down truants as an auxiliary mounted patrol officer. And she speaks candidly of how horses have helped her overcome heartbreak and loss. Infused with heart and wit, and with each chapter named after a horse Nir has loved, Horse Crazy is an unforgettable blend of beautifully written memoir and first-rate reporting"--

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

Barbara Amiel's long-awaited memoir is shockingly honest, richly detailed and pulls few punches. An instinctive feminist and now a foe of feminism's political correctness, her own memoirs cover a formidable array of experiences - political, sexual, marital and material. Born in London during the Blitz, the only consistent strain in her early life was a fierce belief in her identity as a Jew even as the Jewish community disowned her and an unquestioned view that women were free to do anything in any arena they chose without any need to win society's approval. Which she very often did not. Her rise to the senior rungs of journalism began in Canada after the emigration of her family and continued in the United Kingdom on her return. With four marriages and an assorted number of beaus, some famous, some infamous (some rather young, some rather elderly), she moved through different worlds encountering problems made more intractable on occasion by her own faulty choices. It is a measure of her writing skill that she held down plum jobs for many decades in Canadian and British journalism as well as appearances in U.S. publications ranging from the Wall Street Journal to Vogue. As a writer of unabashedly libertarian views, she was derided as much for her wardrobe as for her ideas. Pilloried for years in books and television and called every conceivable name by the media, she is philosophical. 'I love fashion, sex and opera, ' she once told an interviewer, 'but life would have been easier if my passions had been for train-spotting and stamp collecting. 'Her life has an operatic quality with a wildly diverse cast including Elton John, Henry Kissinger, Anna Wintour, Oscar de la Renta, Princess Diana, Tom Stoppard, Brooke Astor, Ghislaine Maxwell, Ronald Harwood, David Frost and an array of the aristocrats of Manhattan and the stately homes of England. All handled, she writes 'with my fatal combination of naivete and self-absorption'. The epic battle with the U.S. justice system leading to the trial and imprisonment of her husband Conrad Black (eventually substantially vindicated) became a litmus paper for sorting out friends from those who were quick to judge and brutal in their dismissal.

An Independent Woman continues the story of Barbara Lavette, the charismatic heroine of Second Generation, The Establishment, The Legacy, and The Immigrant's Daughter. Gently aging but as strong-willed as ever, she has become the matriarch of the large and powerful Lavette clan, whom everyone turns to for guidance and for the strength of her faith in the human spirit. After years as a liberal journalist, Barbara discovers the joys of a real love when she meets and marries Philip Carter, a Unitarian minister. Yet upon their return home to San Francisco from a romantic honeymoon in Europe and Israel, Barbara faces a test that proves to be more challenging and harrowing than anything that has come before.

In this remarkably honest memoir, award-winning journalist and distinguished author Marton narrates an impassioned and romantic story of love, loss, and life after loss.

"A memoir exploring the author's father's love of wine" --

"Tuesday, February 17. 11: 40 a.m., Corner of Vermont Avenue and Sunset Boulevard. A robber approached the victim from behind and put a knife to her stomach. . . . " Stabbings, even fatal ones, are not uncommon in Los Angeles. But the stabbing death of Aggie Lasher-a vibrant young woman dedicated to helping others and, it seemed, deeply loved by everyone who knew her-was especially tragic. For almost six years she has been obsessed by the mystery of her best friend's murder: If she had been with Aggie, would the killer have chosen another victim? Will the killer ever be caught? When Molly's LAPD pal Detective Andy Connors shows her a locket found on the body of a dead man, suddenly the case seems solved. Molly had given that locket to Aggie. Still coiled inside it is the red-thread good-luck charm that Molly had brought back years ago from Rachel's Tomb in Bethlehem, a thread with the reputed mystical power to protect its wearer. The presumed murderer-a good-looking aspiring actor named Randy Creeley-was found dead of an overdose in his shabby Hollywood apartment. But Molly has unanswered questions. And though she should be focused on her wedding, only weeks away, she is driven to find out more-about Creeley; about his nervous sister, Trina; about his missing girlfriend, Doreen. About Aggie, who, it turns out, didn't tell her best friend everything. The more Molly discovers, the more she wonders: Was Aggie's life snuffed out so an addict could shoot up? Or has Creeley been framed? What if Aggie was deliberately murdered by someone else, someone who is ready to kill again to ensure that his motives stay buried with Aggie and Randy Creeley? Molly's search for the truthsends her scurrying for answers in an L.A. tourists seldom see. But closure is elusive, and seeking it can exact a stiff price-sometimes even a life. Rochelle Krich's third Molly Blume mystery is irresistible: an inexorably compelling chiller.

A sophisticated coming-of-age memoir tracing a modern Holly Golightly from girl- to womanhood and from fantasy to realityFrom the glittering skyscrapers of Manhattan's media elite to the slacker haven of a fashionably low-rent L. A. bar, Strawberry Saroyan traces her journey not only from girl- to womanhood, but from fantasy to reality. A powerful and profoundly post-modern coming of age story, with a voice reminiscent of Liz Phair one moment and Mary McCarthy the next, Girl Walks into a Bar explores Saroyan's struggle not only with who she is and who she wants to be, but also who she is in the context of what she's supposed to embody: the iconic media-promulgated 'girl', a 21st-century version of Audrey Hepburn standing outside Tiffany's looking at diamonds. episodes of Saroyan's life and brings them to the page as a filmmaker might, zeroing in on the crucial 'scenes': losing her virginity, starting her own riot grrly magazine, falling in dysfunctional love. Yet all the while, she's trailed by that other black-clad girl, the Platonic ideal of so many modern young women's fantasies. Will they ever meet? That question lies at the heart of Saroyan's genre-bending meoir. Girl Walks into a Bar promises to be one of the most memorable debuts of the year. Strawberry Saroyan was born in 1970 and grew up in California. After graduating from Barnard, she was an editor at Conde Nast Traveler. Her writing has appeared in Salon, Elle and Vogue. She lives in Los Angeles.

A New York Times Book Review Editors' Choice. One of Library Journal 's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers , assesses womanhood in Colette’s The Vagabond and The Shackle , and considers the veracity of memory in Marguerite Duras’s The Lover . She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats . Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”

The third book (after The Family Trade and The Hidden Family ) in the saga of the Merchant Princes by Charles Stross, in which Miriam gets into deadly trouble. Miriam Beckstein has gotten in touch with her roots and they have nearly strangled her. A young, hip, business journalist in Boston, she discovered (in The Family Trade ) that her family comes from an alternate reality, that she is very well-connected, and that her family is too much like the mafia for comfort. In addition, starting with the fact that women are family property and required to breed more family members with the unique talent to walk between worlds, Miriam has tried to remain an outsider and her own woman. She started a profitable business in a third world she has discovered, outside the family reach (recounted in The Hidden Family ). She fell in love with a distant relative, but he died saving her life. Now, however, in The Clan Corporate , Miriam may be overreaching. And if she gets caught, death or a fate worse is around the bend. There is, for instance, the brain-damaged son of the local king who needs a wife. But they'd never make her do that, would they?

Edith Anderson left America for Berlin in 1947 to join her German husband - an exile from the Nazis - who had returned to his homeland to build a new country from Hitler's ruins. Max Schroeder had been a surrealist poet/playwright in his bohemian twenties, but when Edith Anderson met him in New York at the height of World War II, he was a seasoned, forty-three-year-old political activist editing an anti-facist periodical in English and German. Edith, a struggling young writer from the East Bronx, worked first at the The Daily Worker, and then as one of the first "American railroad girls."