From the Publisher: Twenty years ago Natalie Goldberg's classic, Writing Down the Bones, broke new ground in its approach to writing as a practice. Now, Old Friend from Far Away-her first book since Writing Down the Bones to focus solely on writing-reaffirms Goldberg's status as a foremost teacher of writing, and completely transforms the practice of writing memoir. To write memoir, we must first know how to remember. Through timed, associative, and meditative exercises, Old Friend from Far Away guides you to the attentive state of thought in which you discover and open forgotten doors of memory. At once a beautifully written celebration of the memoir form, an innovative course full of practical teachings, and a deeply affecting meditation on consciousness, love, life, and death, Old Friend welcomes aspiring writers of all levels and encourages them to find their unique voice to tell their stories. Goldberg's enormously popular workshops have given countless students the ability to heed the call to write. Old Friend from Far Away recreates her trademark workshop style with its terse, demanding writing "sprints" that train the hand and mind to quicken their pace and give up conscious control. These exercises divert the eye from the obvious and redirect it to the tactile details we miss, the embarrassments we pass over, and the complications we overlook in the blur of everyday living. Goldberg writes, "No one says it, but writing induces the state of love." Old Friend from Far Away guides us into that state of love, where heightened attention and a rhythm of focus allow the patterns and details of the past to emerge on the page. Millions of Americans want to write about their lives. With Old Friend as the road map for getting started and following through, writers and readers will gain a deeper understanding of their own minds, learn to connect with their senses in order to find the detail and truth that give their written words power and authenticity, and unfold the natural structure of the stories they carry within. An absolute joy to read, it is a profound affirmation of the capacity of the written word to remember the past, free us from it, and forever transform the way we think about ourselves and our lives. Like Writing Down the Bones, it will become an old friend to which readers return again and again.

"Joyride is a magic carpet ride through Orlean's life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile ("The American Man Age Ten") to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean's account of a writing life offer a trove of indispensable gleanings for writers, it's also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer's block and self-doubt, and crafting the perfect lede--a Susan specialty. While Orlean has always written her way into other people's lives in order to understand the human experience, Joyride is her most personal book ever--a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean's bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp--forces who shaped the media industry as we know it today"--

"We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged. Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today" -- Publisher's description

When Fred Friendly's powerful examination of broadcast news was published in 1967, it was judged by The New Yorker to be "an engrossing professional memoir." and it quickly leaped onto The New York Times bestseller list. Now reissued with a new Introduction by Dan Rather, anchor and managing editor of the CBS Evening News, and Tom Bettag, executive producer of Nightline, on the anniversary of Friendly's death, this discourse on the importance of television in society presents Friendly's uncannily prescient views on the corrosive effect of money on the news business, the sensationalization of news reporting, and the viewing public's appetite for quality broadcasting. With Edward R. Murrow, Fred Friendly practically invented television journalism. Through telling anecdotes and penetrating analysis, he recalls his collaborations with Murrow, from their stinging documentary on Senator Joseph McCarthy to CBS's pioneering coverage of the burgeoning civil rights and anti-Vietnam War movements. Friendly also recounts his resignation as president of CBS News in 1966, when the network ran reruns of I Love Lucy instead of Senate hearings on the war in Vietnam. Following that controversial decision, he began writing this memorable book.

Young Fred Waitzkin is a Jewish boy stretched between the divergent values of parents who cannot tolerate one another. Fred's father, Abe, is a brilliantly talented salesman whose relentless will drives him to succeed-he literally brightens American cities with fluorescent lighting fixtures. Abe marries Stella, an abstract artist and daughter of a wealthy industrialist with whom Abe forges an alliance. When his parents' marriage disintegrates, Fred retreats into fishing, learning the trade from the master captains of Bimini. In scenes ranging from Long Island synagogues to evenings with famous painters to the boats of drug smugglers and the once marlin-rich waters of the Gulf Stream, Fred sinks boats and battles thousand-pounders believing that fishing is the only hope. Woven through this compelling narrative are moving insights about childhood, families, and a love of the sea.

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

For several of his books, Theo Aronson has been granted rare interviews with the Queen Mother, Prince Charles, Princess Margaret, Princess Alice, Countess of Athlone and Princess Alice, Duchess of Gloucester. In this sparkling and often irreverent memoir, based on notebooks kept during the last twenty years, Theo Aronson describes these royal interviews as well as the trials and excitements of writing a royal biography. Ranging from the disastrous to the successful and the amusing to the touching, the encounters in Royal Subjects include hilarious descriptions of lunching on a Scotch egg (and Scotch!) with Princess Margaret, revealing conversations with the Queen Mother and bizarrely gracious meals with ageing princesses in Kensington Palace. Frank and affectionate, these portraits are assembled with a deft touch. Praise for Royal Subjects: ‘Wise and witty … Aronson writes with engaging frankness’ - Mail on Sunday ‘Compelling and funny … I was riveted’ - Sunday Telegraph Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

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"The love and peace poems by international poet Ada Aharoni, are among the best in modern literature." (Saul Bellow, Nobel Laureate in Literature) "Rare Flower" by Ada Aharoni is a collection of moving, powerful and well-crafted poems, which has been compared to Jubran Khalil's "The Prophet." In brilliant poem after poem, Ada unfolds before our eyes new depths of human relations, the complexities and intricacies of love, and the joys and pains of life. Several of her poems have been put to music in a delightful manner. Influenced by the British Peace Poet, Wilfred Owen, whom she greatly admires, she powerfully denounces the whole concept and practice of War. As a woman and a mother, she condemns the killing of soldier-sons by involving them in war situations, and she clearly demonstrates that in our nuclear age, the continuation of the practice of war can dangerously lead to the end of humanity. Her beautiful, hopeful poems shed light and a deep comprehension of the possibilities of peace between Israelis and Palestinians, and the creation of "A Global Village Beyond War."