When Hazel becomes the personal physician to Princess Charlotte, the sickly granddaughter of King George III, she is dragged into the glamor and romance of the British court, but she soon realizes malicious forces are at work in the monarchy, and she may be the only one capable of setting things right.

Edith Cavell was born on 4th December 1865, daughter of the vicar of Swardeston in Norfolk, and shot in Brussels on 12th October 1915 by the Gestapo for sheltering British and French soldiers and helping them escape over the Belgian border.

""The Medical Man and the Witch During the Renaissance"" by Gregory Zilboorg is a historical account of the relationship between medicine and witchcraft during the Renaissance period. The book explores how medical professionals, such as physicians and surgeons, interacted with individuals accused of practicing witchcraft and the role they played in the persecution of witches. Zilboorg delves into the cultural and social context of the time, examining the beliefs and superstitions that shaped the attitudes towards witches and the methods used to diagnose and treat supposed witchcraft. The book also examines the impact of the witch trials on the medical profession and the development of medical knowledge during this period. Overall, ""The Medical Man and the Witch During the Renaissance"" provides a fascinating insight into the intersection of medicine and witchcraft during a tumultuous period in European history.Publications Of Institute Of The History Of Medicine, The Johns Hopkins University, Third Series, V2.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

John Marks is something of a national treasure. Warm, funny, passionate, opinionated and occasionally contrary, he is a man whose life for more than 40 years marched in beat with that of the National Health Service. There is scarcely a medical issue or controversy in which John Marks was not involved. Abortion law reform, the doctors' 1970s revolt against the General Medical Council, the foundation of the Royal College of General Practitioners, countless NHS reorganizations, and the bloody battle over NHS pay beds and the pay of junior doctors are just a sample.Then there was the fierce, principled battle over how the medical profession and the public should respond to the terror of a new disease - AIDS. And the great war that was fought over the Conservatives introduction of market forces into the NHS in the late 1980s and early 1990s - an approach to running the NHS that lives on, reincarnated, under the current Labor government.In all of these John Marks played more than a walk-on part. In many he was a principal actor. For anyone wanting fully to understand the BMA's role in all this, this book is thus required reading. But it is much more than just a dry history of times past. It is laced with anecdote, from the horrifying to the hilarious, and on to high politics. John Marks' account of his life and times provides the tale of a warm, human, liberal and occasionally buccaneering man whose passion for life and causes leaves even those who do not always agree with him eager to count him among their friends.

"This is an autobiography of one of the pioneers of hearing implants, Dr. Ellis Douek, who was the first to monitor the hearing of a baby at birth, and who participated in the development of a middle ear device for the restoration of hearing that now bears his name: Douek-MED. The book sheds light on the life of a surgeon from the early days of the UK National Health Service, and covers the highlights of Douek's medical career"--

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.