The best-selling author of BRINGING UP BÉBÉ investigates life in her forties, and wonders whether her mind will ever catch up with her face. When Pamela Druckerman turns 40, waiters start calling her "Madame," and she detects a disturbing new message in mens' gazes: I would sleep with her, but only if doing so required no effort whatsoever . Yet forty isn't even technically middle-aged anymore. And after a lifetime of being clueless, Druckerman can finally grasp the subtext of conversations, maintain (somewhat) healthy relationships and spot narcissists before they ruin her life. What are the modern forties, and what do we know once we reach them? What makes someone a "grown-up" anyway? And why didn't anyone warn us that we'd get cellulite on our arms? Part frank memoir, part hilarious investigation of daily life, There Are No Grown-Ups diagnoses the in-between decade when... • Everyone you meet looks a little bit familiar. • You're matter-of-fact about chin hair. • You can no longer wear anything ironically. • There's at least one sport your doctor forbids you to play. • You become impatient while scrolling down to your year of birth. • Your parents have stopped trying to change you. • You don't want to be with the cool people anymore; you want to be with your people. • You realize that everyone is winging it, some just do it more confidently. • You know that it's ok if you don't like jazz. Internationally best-selling author and New York Times contributor Pamela Druckerman leads us on a quest for wisdom, self-knowledge and the right pair of pants. A witty dispatch from the front lines of the forties, There Are No Grown-ups is a (midlife) coming-of-age story, and a book for anyone trying to find their place in the world.

Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

Lisa Fittko's Escape through the Pyrenees (Northwestern, 1991) told the extraordinary true tale of her life as an "enemy alien" in France before and after the Nazi invasion of 1940, when she and her husband smuggled small groups of refugees to safety along a tortuous route through the mountains. Solidarity and Treason: Resistance and Exile, 1933-1940 is Fittko's equally gripping memoir of the preceding years in the underground and exile. The volume opens with Hitler's.

The Ojibwa Woman is a book written by Ruth Landes that explores the life and culture of the Ojibwa people, specifically focusing on the experiences of Ojibwa women. The book is based on Landes' fieldwork among the Ojibwa people in the early 1930s, during which she lived among the tribe and conducted extensive interviews with women to gain a better understanding of their lives, beliefs, and customs.The book covers a wide range of topics related to Ojibwa women, including their roles in the community, their relationships with men and other women, their experiences of motherhood and childbirth, and their spiritual beliefs and practices. Landes also explores the impact of colonialism and Christianity on the Ojibwa people, and the ways in which these forces have affected the lives of Ojibwa women.Throughout the book, Landes presents a nuanced and empathetic portrait of the Ojibwa people and their culture, drawing on her own observations and the insights of the women she interviewed. The book is a valuable resource for anyone interested in the history and culture of indigenous peoples, as well as for those interested in the experiences of women in different cultures and societies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Whether we're aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who-knows-what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed. Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English-speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free-ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism - occasionally prison - of culture. "About six years ago, President George W. Bush was delivering a speech at a G8 summit, when, made impatient by the process of translation, he interrupted his German interpreter: 'Everybody speaks English, right?' ..." Linda Jaivin, Found in Translation Linda Jaivin is the author of novels, stories, plays and essays. Her books include the China memoir The Monkey and the Dragon and the novels Eat Me and A Most Immoral Woman. In 1992 she co-edited the acclaimed anthology of translations New Ghosts, Old Dreams: Chinese Rebel Voices. She has also subtitled many films, including Chen Kaige's Farewell My Concubine, Zhang Yimou's Hero and Wong Kar Wai's The Grandmaster.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

Echoes of the Underground: A Foot Soldiers Tale is a unique collection of 'underground' writings by Lee Harris, the majority of which were originally published in the 'alternative press' of the 60 s and 70 s; International Times, Oz, Home Grown and 'Other Scenes'. Also included are rare interviews with beat poet Michael McClure, the director of the musical 'HAIR' Tom O'Horgan, the man who 'turned on' Timothy Leary, Michael Hollingshead, and Harry Shapiro, author of 'Waiting for the Man' and the Jimi Hendrix biography 'Electric Gypsy'. Some previously unpublished work is included in this insightful and personal collection of writing which covers some of the most exciting and revolutionary times in recent world history."